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A Poetry Collection April 2026
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Death Does Not End at the Sea
by Gbenga Adesina
Longlisted for the 2025 National Book Award in Poetry, Gbenga Adesina's groundbreaking debut book of poems, a defiant and wise exploration of exile, voyages, and spiritual odysseys, we encounter figures embarking on journeys haunted by history--a son keeps dreaming he carried his dead father across the sea; a young Black father, tired of fear and breathlessness, travels with his son in search of the ghost of James Baldwin--to Paris, the south of France, Turkey, and Senegal to investigate his ancestral roots; and finally, a group of immigrants on small boats in the middle of the Mediterranean Sea sing in order not to drown, in a stunning sequence that invokes the middle passage.
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The Tradition
by Jericho Brown
The Tradition explores cultural threats on black bodies, resistance, and the interplay of desire and privilege in a dangerous era.
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The World Keeps Ending, and the World Goes on
by Franny Choi
With lyric and tonal dexterity, these poems spin backwards and forwards in time -- from Korean comfort women during World War II, to the precipice of climate crisis, to children wandering a museum in the future. These poems explore narrative distances and queer linearity, investigating on microscopic scales before soaring towards the universal.
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Call Us What We Carry: Poems
by Amanda Gorman
This luminous poetry collection by presidential inaugural poet Amanda Gorman captures a shipwrecked moment in time and transforms it into a lyric of hope and healing. In Call Us What We Carry, Gorman explores history, language, identity, and erasure through an imaginative and intimate collage. Harnessing the collective grief of a global pandemic, this beautifully designed volume features poems in many inventive styles and structures and shines a light on a moment of reckoning. Now in paperback and featuring an interview with the author and a discussion guide, Call Us What We Carry reveals that Gorman has become our messenger from the past, our voice for the future.
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Owed
by Joshua Bennett
Owed is a book with celebration at its center. Its primary concern is how we might mend the relationship between ourselves and the people, spaces, and objects we have been taught to think of as insignificant, as fundamentally unworthy of study, reflection, attention, or care. Spanning the spectrum of genre and form--from elegy and ode to origin myth--these poems elaborate an aesthetics of repair. What's more, they ask that we turn to the songs and sites of the historically denigrated so that we might uncover a new way of being in the world together, one wherein we can truthfully reckon with the brutality of the past, and thus imagine the possibilities of our shared, unpredictable present, anew.
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Maybe the Body: Poems
by Asa Drake
A brilliant debut poetry collection by National Poetry Series finalist Asa Drake that explores the lineage and future lineage of a body shaped by economic, ecological, and political dissonance. In her stunning debut poetry collection, Maybe the Body, Asa Drake witnesses firsthand the conflicts between art and patriotism, labor and longing. She reaches for the lush landscapes--real and recounted--of the Philippines and the American South as she traces the lineage of a body shaped by economic, ecological, and political dissonance.
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Life on Mars
by Tracy K. Smith
With allusions to David Bowie and interplanetary travel, Life on Mars imagines a soundtrack for the universe to accompany the discoveries, failures, and oddities of human existence. In these brilliant new poems, Tracy K. Smith envisions a sci-fi future sucked clean of any real dangers, contemplates the dark matter that keeps people both close and distant, and revisits the kitschy concepts like love and illness now relegated to the Museum of Obsolescence. These poems reveal the realities of life lived here, on the ground, where a daughter is imprisoned in the basement by her own father, where celebrities and pop stars walk among us, and where the poet herself loses her father, one of the engineers who worked on the Hubble Space Telescope. With this remarkable third collection, Smith establishes herself among the best poets of her generation.
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Becoming Ghost: Poetry
by Cathy Linh Che
The long-awaited sophomore poetry collection by award-winning writer Cathy Linh Che, on familial estrangement, the Vietnam War, and Francis Ford Coppola's Apocalypse Now.
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The Lost Arabs
by Omar Sakr
Visceral and energetic, Sakr's poetry confronts the complicated notion of belonging when one's family, culture, and country are at odds with one's personal identity. Braiding together sexuality and divinity, conflict and redemption, The Lost Arabs is a fierce, urgent collection from a distinct new voice.
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Dear God. Dear Bones. Dear Yellow.
by Noor Hindi
In this defiant and urgent collection, Noor Hindi navigates Arab womanhood, migration, queerness, and Palestinian identity with striking and evocative lyricism.
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The Hurting Kind
by Ada Limón
An astonishing collection about interconnectedness-between the human and nonhuman, ancestors and ourselves-from National Book Critics Circle Award winner and National Book Award finalist Ada Limon.
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Girls That Never Die: Poems
by Safia Elhillo
In Girls That Never Die, award-winning poet Safia Elhillo reinvents the epic to explore Muslim girlhood and shame, the dangers of being a woman, and the myriad violences enacted and imagined against women's bodies.
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Bone
by Yrsa Daley-Ward
From the celebrated poet Yrsa Daley-Ward, a poignant collection of poems about the heart, life, and the inner self. From navigating the oft competing worlds of religion and desire, to balancing society's expectations with the raw experience of being a woman in the world; from detailing the experiences of growing up as a first generation black British woman, to working through situations of dependence and abuse; from finding solace in the echoing caverns of depression and loss, to exploring the vulnerability and redemption in falling in love, each of the raw and immediate poems in Daley-Ward's bone resonates to the core of what it means to be human.
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Resting Bitch Face: Poems
by Taylor Byas
Resting Bitch Face is a book for women, for Black women, for lovers of art and film criticism, and for writers interested in work that finds a middle ground between poetry and prose. Taylor Byas uses some of our most common ways of watching throughout history (painting, films, sculpture, and photographs) to explore how these mediums shape Black female subjectivity.
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Gay Girl Prayers
by Emily Austin
The extreme level of sass in Emily Austin's Gay Girl Prayers does not mean that this collection is irreverent. On the contrary, in rewriting Bible verses to affirm and uplift queer, feminist, and trans realities, Austin invites readers into a giddy celebration of difference and a tender appreciation for the lives and perspectives of strange women.
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Plantains and Our Becoming: Poems
by Melania Luisa Marte
Poet and musician Melania Luisa Marte opens PLAINTAINS AND OUR BECOMING by pointing out that Afro-Latina is not a word recognized by the dictionary. But the dictionary is far from a record of the truth. What does it mean, then, to tend to your own words and your own record--to build upon the legacies of your ancestors? In this imaginative, blistering poetry collection, Marte looks at the identities and histories of the Dominican Republic and Haiti to celebrate and center the Black diasporic experience.
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Rifqa
by Mohammed El-Kurd
Rifqa is Mohammed El-Kurd’s debut collection of poetry, written in the tradition of Ghassan Kanfani’s Palestinian Resistance Literature. The book narrates the author’s own experience of dispossession in Sheikh Jarrah—an infamous neighborhood in Jerusalem, Palestine, whose population of refugees continues to live on the brink of homelessness at the hands of the Israeli government and US-based settler organizations. The book, named after the author’s late grandmother who was forced to flee from Haifa upon the genocidal establishment of Israel, makes the observation that home takeovers and demolitions across historical Palestine are not reminiscent of 1948 Nakba, but are in fact a continuation of it: a legalized, ideologically-driven practice of ethnic cleansing.
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Time Is a Mother
by Ocean Vuong
Ocean Vuong's second collection of poetry looks inward, on the aftershocks of his mother's death, and the struggle - and rewards - of staying present in the world. Time Is a Mother moves outward and onward, in concert with the themes of On Earth We're Briefly Gorgeous, as Vuong continues, through his work, his profound exploration of personal trauma, of what it means to be the product of an American war in America, and how to circle these fragmented tragedies to find not a restoration, but the epicenter of the break--
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Something about Living: National Book Award Winner
by Lena Khalaf Tuffaha
It's nearly impossible to write poetry that holds the human desire for joy and the insistent agitations of protest at the same time, but Lena Khalaf Tuffaha's gorgeous and wide-ranging new collection Something About Living does just that. Her poems interweave Palestine's historic suffering, the challenges of living in this world full of violence and ill will, and the gentle delights we embrace to survive that violence.
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Root Fractures: Poems
by Diana Khoi Nguyen
National Book Award finalist Diana Khoi Nguyen's second poetry collection, a haunting of a family's past upon its present, and a frank reckoning with how loss and displacement transform mothers and daughters across generations.
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Water, Water: Poems
by Billy Collins
From the former Poet Laureate of the United States and New York Times bestselling authorcomes a wondrous new collection of poems focused on the joys and mysteries of daily life.
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It Was Never Going to Be Okay
by Jaye Simpson
A collection of poetry and prose exploring the intimacies of understanding intergenerational trauma, Indigeneity and queerness, while addressing urban Indigenous diaspora and breaking down the limitations of sexual understanding as a trans woman.
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