Summary
It all starts when Nick asks Norah to be his girlfriend for five minutes. He only needs five minutes to avoid his ex-girlfriend, who's just walked in to his band's show. With a new guy. And then, with one kiss, Nick and Norah are off on an adventure set against the backdrop of New York City--and smack in the middle of all the joy, anxiety, confusion, and excitement of a first date.
This he said/she said romance told by YA stars Rachel Cohn and David Levithan is a sexy, funny roller coaster of a story about one date over one very long night, with two teenagers, both recovering from broken hearts, who are just trying to figure out who they want to be--and where the next great band is playing.
Told in alternating chapters, teeming with music references, humor, angst, and endearing side characters, this is a love story you'll wish were your very own. Working together for the first time, Rachel Cohn and David Levithan have combined forces to create a book that is sure to grab readers of all ages and never let them go.
Author Notes
Rachel Cohn was born on December 14, 1968 in Silver Spring Maryland. She attended Barnard College and graduated with a B.A. in Political Science intending to be a journalist. Instead she moved to San Francisco and began working at a law firm and writing. After moving back to New York City, her title Gingerbread was published. It was followed by several other books including: The Steps, Shrimp, Two Steps Forward, You Know Where to Find Me and Beta.
(Bowker Author Biography)
Publisher's Weekly Review
When Nick convinces Norah to pose as his girlfriend in an attempt to make an ex jealous, the two inevitably discover a mutual attraction in this "compulsively readable novel that takes place in less than 24 hours." Ages 14-up. (Aug.) (c) Copyright PWxyz, LLC. All rights reserved
Horn Book Review
When a split-second decision leads to a passionate kiss between strangers Nick and Norah, the two teenagers soon find themselves cavorting through Manhattan's queercore music scene. In alternating first-person narratives, Nick and Norah document their new-relationship giddiness, past heartbreak, and present vulnerability. Full of sarcastic witticisms and gratuitous expletives, this one-night-of-freedom romance packs a satisfying dose of sexy teenage drama. (c) Copyright 2010. The Horn Book, Inc., a wholly owned subsidiary of Media Source, Inc. No redistribution permitted. All rights reserved.
Booklist Review
Gr. 10-12. Cohn and Levithan contribute alternating chapters in this high-energy romance that follows two high-school seniors through a single, music-fueled night in Manhattan. Nick, the nonqueer bassist in a queercore band, is playing with The Fuck Offs, when he spots his ex-girlfriend, Tris. Once offstage, he propositions a girl he has never met, hoping to make Tris jealous: Would you mind being my girlfriend for five minutes? Norah, also heartbroken (and hoping Nick will drive her home), agrees. What begins as a spontaneous ploy turns into something surprising and real in the course of one night as Nick and Norah roam Manhattan, listen to bands, confront past hurts, and hurtle toward romance. The real-time pacing may slow some readers, and a few Manhattan in-jokes (Hunter from Hunter ) may exclude teens in the wider world. Still, many readers will respond to the tough, clever, amped-up narratives, which include mosh-pit coarse language (Nick sound-checks the microphones with the words Fuck. Shit. Cock, for example) and the characters' wild yearning for love, and music, which feels powerful and true. --Gillian Engberg Copyright 2006 Booklist
School Library Journal Review
Gr 9 Up-What happens when two witty, wise, but vulnerable teens meet by accident at a chaotic punk rock club? They fall in love, of course. While both are dealing with the fallout of failed relationships and the infinite hurt that accompanies them, they are questioning everything about themselves, their friends, and their future paths. The passion and intelligence of these characters, along with the authors' intimate knowledge of and complete respect for their audience, make this novel unique. Told in alternating chapters over the course of a single night, the narratives create a fully fleshed-out picture of both teens, informed by their love of music, their devotion to their friends, and their clear-eyed view of the world. These kids don't drink or do drugs and it's solely their obsession with music that takes them to these clubs. One of Norah's relatives calls her a "potty mouth," and that's no exaggeration. Throughout the book, the expletives fly fast and furious, but they are more about personal expression and in-your-face attitude than about strong emotions. Yet, there is also considerable depth and sensitivity. Norah explains the Jewish concept of tikkun olam-the responsibility to heal a fractured world-and Nick comes up with an original spin on it. There are many heart-stopping, insightful moments in this supremely satisfying and sexy romance. A first-rate read.-Tracy Karbel, Glenside Public Library District, Glendale Heights, IL (c) Copyright 2010. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
Kirkus Review
The wattage goes way up as two of the bright lights of contemporary writing for teens come together for an incandescent he said/she said night of storytelling. Nick from Hoboken is the songwriter, bassist and token straight guy for a queer/punk band; Norah from Englewood Cliffs is the privileged daughter of a recording exec who loves nothing better than the music. The story's written in alternating chapters in their two voices over a single madcap night. Nick's still hurting from his breakup with Tris, a blonde bombshell, and Norah from Tal, for whom she was never Jewish enough, vegan enough or political enough. When Nick sees Tris at the club where he's playing, he asks Norah to be his "girlfriend for five minutes" and a luscious kiss. On to another club, through various hardcore bands, rain on a Sunday morning, an encounter in the ice and soda alcove at the Marriott Marquis--all the while rooting for these smart-mouthed, but vulnerable teens to reach each other through all the kissing and music. There's perfectly captured teen music-geek talk and delicious stuff about kissing and what lies beyond. Sensual and full of texture. (Fiction. YA) Copyright ©Kirkus Reviews, used with permission.
Excerpts
1. NICK I find Dev at the bar, talking to a guy our age who looks familiar in that Type kind of way. When I get to where they're standing, I'm introduced as "the bass god, Nick," and he's introduced as "Hunter from Hunter." Dev thanks me for being equipment bitch, and from the way the conversation doesn't continue from there I know I'm interrupting. If it was Thom, my agitation would probably be noticed. But Dev needs you to spell emotions out for him, and right now I'm not in the mood. So I just tell him where I left the stuff and pretend I'm going off to search for a clear spot on the bar to summon the bartender from. And once I'm pretending that's the truth, I figure it might as well be the truth. I still can't see Tris, and there's a small part of me that's wondering if it was even her in the crowd. Maybe it was someone who looked like Tris, which would explain the guy who didn't look like anybody. Are You Randy? stop playing their instruments one by one, until the lead singer croons a final, a cappella note. I wish for their sake I could say the club falls into silence at this, but in truth the air is one-half conversation. Still, that's better than average, and the band gets a lunge of applause and cheers. I clap, too, and notice that the girl next to me puts two fingers in her mouth to whistle old-fashioned style. The sound is clear and spirited, and makes me think of Little League. The girl is dressed in a flannel shirt, and I can't tell whether that's because she's trying to bring back the only fashion style of the past fifty years that hasn't been brought back or whether it's because the shirt is as damn comfortable as it looks. She has very pale skin and a haircut that reads private school even though she's messed it up to try to hide it. The next band opened for Le Tigre on their last tour, and I figure this girl's here to see them. If I was a different kind of guy, I might try to strike up a friendly conversation, just to be friends. But I feel that if I talk to someone else right now, all I'll be able to do is unload. Thom and Scot would probably be ready to go if I wanted them to, but I'm pretty sure Dev hasn't figured out yet whether he's coming back with us or not, and I'd be an asshole to put him on the spot and ask. So I'm stuck and I know it, and that's when I look to my right and see Tris and her new guy approaching the beer-spilled bar to order another round of whatever I'm not having. It's definitely her, and I'm definitely fucked, because the between-band rush is pressing toward me now and if I try to leave, I'll have to push my way out, and if I have to push my way out, she'll see me making an escape and she'll know for sure that I can't take it, and even if that's the goddamn truth I don't want her to have actual proof. She is looking so hot and I am feeling so cold and the guy she's with has his hand on her arm in a way that a gay friend would never, ever think of, and I guess that's my own proof. I am the old model and this is the new model and I could crash out a year's worth of time on my bass and nothing, absolutely nothing, would change. She sees me. She can't fake surprise at seeing me here, because of course she fucking knew I'd be here. So she does a little smile thing and whispers something to the new model and I can tell just from her expression that after they get their now-being-poured drinks they are going to come over and say hello and good show and--could she be so stupid and cruel?-- how are you doing? And I can't stand the thought of it. I see it all unfolding and I know I have to do something--anything--to stop it. So I, this random bassist in an average queercore band, turn to this girl in flannel who I don't even know and say: "I know this is going to sound strange, but would you mind being my girlfriend for the next five minutes?" 2. NORAH Randy from Are You Randy? insists the bassist from the queercore band is a 'mo, but I told him No, the guy is straight. Whether or not he's responsible for his band's shit lyrics ( Fuck the Man / Fuck the Man --what's that trite crap?), I have no idea, but he's 'no 'mo. Trust me. There are certain things a girl just knows, like that a fourth minute on a punk song is a bad, bad idea, or that no way does a Jersey-boy bassist with Astor Place hair who wears torn-up, bleach-stained black jeans and a faded black T-shirt with orange lettering that says When I say Jesus, you say Christ , swing down boy-boy alley; he's working the ironic punk boy-Johnny Cash angle too hard to be a 'mo. Maybe he's a little emo , I told Randy, but just because he doesn't look like a Whitesnake-relic-reject like all of your band, does not automatically mean the guy's gay. The incidental fact of his straightness doesn't mean I want to be NoMo's five-minute girlfriend, like I'm some 7-Eleven quick stop on his slut train. Only because I am the one loser here who hasn't lost all her senses to beer, dope, or hormones do I have the sense to hold back my original instinct--to yell back "FUCK, NO!" in response to NoMo's question. I have to think about Caroline. I always have to think about Caroline. I noticed NoMo loading equipment after his band's set while his bandmates abandoned him to score some action. I understand that scene. I am that scene, cleaning up everyone else's mess. NoMo dresses so bad--he has to be from Jersey. And if Jersey Boy is equipment bitch, he has a van. The van's probably a piece of scrap metal with a leaking carburetor that as likely as not will pop a tire or run out of gas in the middle of the Lincoln Tunnel, but it's a risk I have to take. Somebody's got to get Caroline home. She's too drunk to risk taking her on the bus. She's also so drunk she'll go home with Randy if I'm not there to take her back to my house where she can sleep it off. Groupie bitch. If I didn't love her so much, I'd kill her. From behind him I don't see Caroline but I do see that stupid bitch, Tris, rhymes with bris , cuz that's what she'll do to a guy, rip apart his piece. She's doing her Tris strut with her big boobs sticking out in front of her, wiggling her ass in that way that gets the instant attention of every dumb schmo in her wake, even the gay boys, who seem to be highly represented here tonight, NoMo notwithstanding. She's coming right toward me. No No NOOOOOOOOOOO. How did she find out Caroline and I would be here tonight? Does she have lookouts with text pagers set up every place Caroline and I go on a Saturday night, or what? Boyfriend to the rescue! I answer NoMo's question by putting my hand around his neck and pulling his face down to mine. God, I would do anything to avoid Tris recognizing me and trying to talk to me. Excerpted from Nick and Norah's Infinite Playlist by Rachel Cohn, David Levithan All rights reserved by the original copyright owners. Excerpts are provided for display purposes only and may not be reproduced, reprinted or distributed without the written permission of the publisher.
