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Never whistle at night : an Indigenous dark fiction anthology
by Shane Hawk
"A bold, clever, and sublimely sinister collection of horror, fantasy, science fiction, and gritty crime by both new and established Indigenous authors that dares to ask the question: "Are you ready to be un-settled?" Many Indigenous people believe that one should never whistle at night. This belief ranges far and wide and takes many forms; for instance, Native Hawaiians believe it summons the Hukai'po, the spirits of ancient warriors, and Native Mexicans say it calls a Lechuza, a witch that can transform into an owl and snatch the foolish whistlers in the dark. But what all these legends hold in common is the certainty that whistling at night can cause evil spirits to appear-and even follow you home. In twenty-five wholly original and shiver-inducing tales, bestselling and award-winning authors including Tommy Orange, Rebecca Roanhorse, Cherie Dimaline, Waubgeshig Rice, and Mona Susan Power introduce readers to ghosts, curses, hauntings, monstrous creatures, complex family legacies, desperate deeds, andchilling acts of revenge. Introduced and contextualized by bestselling author Stephen Graham Jones, these stories are a celebration of Indigenous peoples' survival and imagination, and a glorious reveling in all the things an ill-advised whistle might summon"
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The seed keeper : a novel
by Diane Wilson
"A haunting novel spanning several generations, The Seed Keeper follows a Dakota family's struggle to preserve their way of life, and their sacrifices to protect what matters most"
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Woman of light : a novel
by Kali Fajardo-Anstine
In 1930s Denver, Luz "Little Light" Lopez, a tea leaf reader and laundress, begins having visions that transport her to her Indigenous homeland in the nearby Lost Territory where she must save her family stories from disappearing into oblivion
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Junk
by Tommy Pico
"The third book in Tommy Pico's Teebs trilogy, Junk is a breakup poem in couplets: ice floe and hot lava, a tribute to Janet Jackson and nacho cheese. In the static that follows the loss of a job or an apartment or a boyfriend, what can you grab onto fororientation? The narrator wonders what happens to the sense of self when the illusion of security has been stripped away. And for an indigenous person, how do these lost markers of identity echo larger cultural losses and erasures in a changing politicallandscape? In part taking its cue from A.R. Ammons's Garbage, Teebs names this liminal space "Junk," in the sense that a junk shop is full of old things waiting for their next use; different items that collectively become indistinct. But can there be a comfort outside the anxiety of utility? An appreciation of "being" for the sake of being? And will there be Chili Cheese Fritos?"
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The removed : a novel
by Brandon Hobson
A Cherokee family takes in a remarkable foster child on the eve of the Cherokee National Holiday and anniversary of a loved one's death. By the National Book Award-winning author of Where the Dead Sit Talking. 75,000 first printing.
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Crooked hallelujah
by Kelli Jo Ford
A first collection by an award-winning Cherokee writer traces four generations of Native American women as they navigate cultural dynamics, religious beliefs, the 1980s oil bust, devastating storms and unreliable men to connect with their ideas about home.
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Girlhood : essays
by Melissa Febos
"When her body began to change at eleven years old, Febos understood immediately that her meaning to other people had changed with it. By her teens, she defined herself based on these perceptions and by the romantic relationships she threw herself into headlong. Over time, Febos increasingly questioned the stories she'd been told about herself and the habits and defenses she'd developed over years of trying to meet others' expectations. Blending investigative reporting, memoir, and scholarship, Febos charts how she and others like her have reimagined relationships and made room for the anger, grief, power, and pleasure women have long been taught to deny"
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White horse
by Erika T. Wurth
When an old family bracelet inadvertently calls up both her mother's ghost and a monstrous entity, an urban indigenous woman searches for what happened to her mother all those years ago, forcing her to confront a long-denied truth and the one thing she's always wanted but could never have. 100,000 first printing.
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White magic : essays
by Elissa Washuta
"Throughout her life, Elissa Washuta has been surrounded by cheap facsimiles of Native spiritual tools and occult trends, "starter witch kits" of sage, rose quartz, and tarot cards packaged together in paper and plastic. Following a decade of abuse, addiction, PTSD, and heavy-duty drug treatment for a misdiagnosis of bipolar disorder, she felt drawn to the real spirits and powers her dispossessed and discarded ancestors knew, while she undertook necessary work to find love and meaning. In this collectionof intertwined essays, she writes about land, heartbreak, and colonization, about life without the escape hatch of intoxication, and about how she became a powerful witch. She interlaces stories from her forebears with cultural artifacts from her own life-Twin Peaks, the Oregon Trail II video game, a Claymation Satan, a YouTube video of Stevie Nicks and Lindsey Buckingham-to explore questions of cultural inheritance and the particular danger, as a Native woman, of relaxing into romantic love under colonial rule"
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Shaped by her hands : potter Maria Martinez
by Anna Harber Freeman
A picture book biography of the renowned Native American potter describes how she learned the art form under the guiding hands of her aunt before discovering an aesthetic new firing technique that rendered her creations famous. Illustrations.
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Two roads
by Joseph Bruchac
"It's 1932, and twelve-year-old Cal Black and his pop have been riding the rails for a year after losing their farm in the Great Depression. Cal likes being a "knight of the road" with Pop, even if they're broke. But then Pop has to go to Washington, D.C.--and Cal can't go with him. So Pop tells Cal something he never knew before: He's a Creek Indian, which means Cal is, too. And Pop has decided to send Cal to Challagi Indian School, a government boarding school for Native Americans in Oklahoma. At Challagi, the other Creek boys quickly take Cal under their wing. Even in the harsh, miserable conditions of the school, Cal begins to learn his people's history and heritage, language, and customs. And most of all, he learns how to find strength in a group offriends who have only one another"--Page [4] of cover
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