What do you think?
Rate this book
283 pages, Paperback
First published June 25, 2014
“Here was transition as I had always known it. Because didn’t everyone come and go? I was the constant... Beyond the beautiful rumble of approaching and departing removal vans I was there always, behind the walls, beneath the roof, silent and listening, crouching and wondering, leaving my mark.”Always slightly watchful and given to hiding within earshot in his youth, the psychiatric problems of Heming obviously stem from his childhood with a distant father who blamed him for his mothers early demise and elicits sympathy for his character. Despite his obvious transgressions it feels unfair to ascribe his actions to a total lack of conscience because although some of his behaviour is immoral others, such as repaying the owner of the defecating dog, are “righting wrongs” and arguably public spirited. Although his actions are a breach of his position of trust as an estate agent William Heming is no voyeur or sexual deviant and his interests lie not an individual or a particular household but in the entire town that he serves. His downfall comes when he takes umbrage at the behaviour of a pompous local and turns his hand to exacting comeuppance, whereby an obsessive fascination sends him into uncharted territory. As his zealous enthusiasm brings him into contact with the other woman of his chosen target, who so happens to be both young and captivating, he swiftly undertakes the chivalrous intention to save her from the clutches of a lascivious and money grabbing oaf. Attracting the keen interests of the police following the demise of the his chosen target and courtesy of his estate agencies connection to the man’s house and the house where his deceased body ends up he uses his vivid imagination to spin an impossible puzzle:
“It was as bad to have too many clues as no clues. The police would find dots to join but it would never make a picture.”However, his mistake comes when he gets too closes to the young woman and realises that the kind of intimacy he desires is not with any one individual but rather within the worlds of strangers:
“..the flaw in face-to-face relations that demeans the mystery, reveals beauty as a sham. It is like a work of art. You walk towards it until all you can see is the paint. And when you back off again, what you had is gone for ever. Nothing is the same. You know too much.”An original and very droll story which grips like a vice and doesn’t let go until Heming’s audacious efforts to escape the eyes of interested parties comes to its last gasp conclusion. A superior psychological thriller that is genuinely clever with a wonderfully crisp narrative. Whilst I never found this chilling or unsettling I did find it terrifically difficult to put down as each incremental event sends Heming on an fervent series of coping mechanisms and camouflage! The Intruder is a riotous comedy of errors that stops short of ever becoming farce thanks to its fascinating and misguided protagonist. A well-written first-person narrative that whets the reader’s appetite with ominous foreshadowing through several notable and rather disquieting childhood memories. Highly recommended.