Enhanced descriptions from Syndetics:

'Like Cushman's 1995 Newbery Honor Book, Catherine, Called Birdy, this novel is about a strong young woman in medieval England who finds her own way home. This is a world, like Chaucer's, that's . . . dangerous, primitive and raucous. From the first page you're caught by the spirit of the homeless, nameless waif, somewhere around 12 years old. She gets the village midwife to take her in, befriends a cat, names herself Alyce, and learns something about delivering babies. When she fails, she runs away, but she picks herself up again and returns to work and independence.' --ALA Booklist (starred review). '. . .A fascinating view of a far distant time.' -- The Horn Book (starred review)

Reviews provided by Syndetics

Publishers Weekly Review

In reviewing this 1996 Newbery winner, PW said that Cushman "has an almost unrivaled ability to build atmosphere, and her evocation of a medieval village, if not scholarly in its authenticity, is supremely colorful and pungent." Ages 8-12. (Sept.) (c) Copyright PWxyz, LLC. All rights reserved

School Library Journal Review

Gr 6-9‘With simplicity, wit, and humor, Cushman presents another tale of medieval England. Here readers follow the satisfying, literal and figurative journey of a homeless, nameless child called Brat, who might be 12 or 13‘no one really knows. She wandered about in her early years, seeking food and any kind of refuge and, like many outsiders, gained a certain kind of wisdom about people and their ways. Still, life held little purpose beyond survival‘until she meets the sharp-nosed, irritable local midwife, which is where this story begins. Jane takes her in, re-names her Beetle, and thinks of her as free labor and no competition. Always practical but initially timid, the girl expands in courage and self-awareness, acquiring a cat as a companion, naming herself Alyce, and gaining experience in the ways of midwifery. From the breathless delight of helping a boy to deliver twin calves, to the despair of failure during a difficult birth, to the triumph of a successful delivery, Alyce struggles to understand how she can allow herself to fail and yet have the determination to reach for her own place in the world. Alyce wins. Characters are sketched briefly but with telling, witty detail, and the very scents and sounds of the land and people's occupations fill each page as Alyce comes of age and heart. Earthy humor, the foibles of humans both high and low, and a fascinating mix of superstition and genuinely helpful herbal remedies attached to childbirth make this a truly delightful introduction to a world seldom seen in children's literature.‘Sara Miller, Rye County Day School, NY (c) Copyright 2010. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

Booklist Review

Gr. 7-12. Like Cushman's 1994 Newbery Honor Book, Catherine, Called Birdy, this novel is about a strong, young woman in medieval England who finds her own way home. Of course, it's a feminist story for the 1990s, but there's no anachronism. This is a world, like Chaucer's, that's neither sweet nor fair; it's rough, dangerous, primitive, and raucous. Cushman writes with a sharp simplicity and a pulsing beat. From the first page you're caught by the spirit of the homeless, nameless waif, somewhere around 12 years old, "unwashed, unnourished, unloved, and unlovely," trying to keep warm in a dung heap. She gets the village midwife, Jane Sharp, to take her in, befriends a cat, names herself Alyce, and learns something about delivering babies. When she fails, she runs away, but she picks herself up again and returns to work and independence. Only the episode about her caring for a homeless child seems contrived. The characters are drawn with zest and affection but no false reverence. The midwife is tough and greedy ("she did her job with energy and some skill, but without care, compassion, or joy"), her method somewhere between superstition, herbal lore, common sense, and bumbling; yet she's the one who finally helps Alyce to be brave. Kids will like this short, fast-paced narrative about a hero who discovers that she's not ugly or stupid or alone. --Hazel Rochman

Kirkus Book Review

During the Middle Ages, an itinerant girl of about 12 or 13 who knows ``no home and no mother and no name but Brat'' finds refuge one night by burrowing into a village dung heap where the warm, rotting muck will protect her from the bitter cold. In the morning she is taken in by a sharp-tongued woman who turns out to be Jane, the midwife. Brat is such a hard worker that before long she is accompanying Jane to birthings, where she cleans up after the work is done and acts as the midwife's ``gofer'' whenever necessary. Jane begins to trust her with some of the secrets of her trade, but when Brat is asked to help with a difficult birth and fails, she runs away ashamed not only of her lack of knowledge, but for her belief that she was ever worthy of learning. How Brat comes to terms with her failure and returns to Jane's home as a true apprentice is a gripping story about a time, place, and society that 20th-century readers can hardly fathom. Fortunately, Cushman (Catherine, Called Birdy, 1994) does the fathoming for them, rendering in Brat a character as fully fleshed and real as Katherine Paterson's best, in language that is simple, poetic, and funny. From the rebirth in the dung heap to Brat's renaming herself Alyce after a heady visit to a medieval fair, this is not for fans of historical drama only. It's a rouser for all times. (Fiction. 12+)