Syndetics cover image
Image from Syndetics

I love you like a pig / written by Mac Barnett ; illustrated by Greg Pizzoli.

By: Barnett, Mac [author.].
Contributor(s): Pizzoli, Greg [illustrator.].
Material type: TextTextPublisher: New York : Balzer + Bray, An Imprint of HarperCollinsPublishers, [2017]Copyright date: ©2017Edition: First edition.Description: 1 volume (unpaged) : color illustrations ; 27 cm.Content type: text | still image Media type: unmediated Carrier type: volumeISBN: 9780062354839; 0062354833.Subject(s): Humorous stories | Swine -- Juvenile fiction | Emotions -- Juvenile fiction | Emotions -- FictionGenre/Form: Humorous fiction. | Picture books.Summary: Humorous text and illustrations celebrate the tender and silly moments found in life.
Tags from this library: No tags from this library for this title. Log in to add tags.
Fiction notes: Click to open in new window
Holdings
Item type Current library Collection Shelving location Call number Status Date due Barcode Item holds
Book Book Bellmawr Fiction Children E Bar (Browse shelf(Opens below)) Available 05000009476784
Book Book Bellmawr Fiction Children E Bar (Browse shelf(Opens below)) Available 05000009476594
Book Book Gloucester Twp. Fiction Children E Bar (Browse shelf(Opens below)) Available 05000009476552
Book Book Voorhees Fiction Children E Bar (Browse shelf(Opens below)) Available 05000009476891
Total holds: 0

Enhanced descriptions from Syndetics:



I like you like a tree.

You're funny like a fossil.

I love you like a pig.

Oink oink oink!

This book is a celebration of the many tender, madcap ways we love one another.

Humorous text and illustrations celebrate the tender and silly moments found in life.

Reviews provided by Syndetics

Publishers Weekly Review

For kids, similes are a gateway to the world of figurative language, but they're also ripe for absurdist comedy, as Barnett (Triangle) and Pizzoli (Good Night Owl) prove. "I'm happy like a monster./ I'm lucky like a window./ I'm smiling like a tuna./ Because I love you like a pig," writes Barnett, adopting the cadence of an affectionate, improvised ditty. The silly sincerity of the text goes together with the goofy innocence of Pizzoli's minimalist cartooning like, well, peas in a pod. Choruses of "oinks" appear between stanzas, adding irresistible invitations to make noise. Some lines are head-scratchers by design ("You're sweet like a banker"), but all encourage big, imaginative thinking: what does it mean to love someone like a pig? (Parties and good times, based on the evidence Pizzoli presents on each passing page.) There's a nifty poetic inventiveness throughout that families and language arts teachers can build on-because, come to think of it, a window is pretty lucky when a pie is placed on its sill to cool. Ages 4-8. Agent: Steven Malk, Writers House. (Sept.) © Copyright PWxyz, LLC. All rights reserved.

School Library Journal Review

PreS-Gr 1-Pizzoli strives mightily to make sense of Barnett's spare text, but readers may still be left mystified as to how one can be "lucky like a window" or "sweet like a banker." The rounded figures depicting children of many races, his pastel palette, festive polka dots and pennants, and a generally upbeat ambience convey the happy nature of Barnett's silliness. The appealing artwork and fun refrain go just so far in this head-scratching bit of absurdity. The entire book feels like a party, but the substance is as incorporeal as a mouthful of cotton candy. VERDICT Purchase only where Barnett and Pizzoli are popular.-Miriam Lang Budin, Chappaqua Library, NY © Copyright 2017. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

Booklist Review

How do I love thee? Let me count the ways is given a juvenile twist as Pizzoli and Barnett team up for another wonky winner. The bright digital illustrations pop with polka dots and sound bites as three children discuss how many ways they feel affection for each other. Happy oinks intersperse the pages as the children try to define their fondness: I love you like a pig. Other kooky reactions come up: the kids are happy like a monster, smiling like a tuna, funny like a fossil, or crazy like raspberries. Lucky like a window shows a pig and a little girl munching on big pieces of pie, which had been cooling in an open window. But always, the oinks return. The simple line drawings, the generous white space, and the diverse faces of the children and funny animals brighten the message with the accessible illustrations. A quirky, nutty salute to the many moments of emotions, and a fun read-aloud as children ponder the silliness surrounding true friendship.--Gepson, Lolly Copyright 2017 Booklist

Horn Book Review

Using figurative language, especially similes (with an unusual twist), Barnett's declarative sentences express positive feelings and emotions toward another: "You're funny like a fossil"; "I love you like a pig." Sure, the statements don't make much sense, but their silly incongruousness is the chuckle-inducing point. Large typeface and early vocabulary paired with easily decipherable digital illustrations make for a smooth emerging-reader experience. (c) Copyright 2018. The Horn Book, Inc., a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

Kirkus Book Review

Love doesn't always make sense.How do you love like a pig? You share a birthday cake or a bubble bath, of course. How could a window be lucky? It is, if it has a blueberry pie cooling on its sill. And how, just how, is a fossil funny? If you put it on your head! This nutty ode to affection has echoes of Ruth Krauss in its sensible absurdity. It begins by listing the many ways love makes the narrator (presumably the adult or child reading together on the title page) feel: "I'm happy like a monster. // I'm lucky like a window. // I'm smiling like a tuna. // Because I love you like a pig." Then it dips into the antics of the loved one ("You're crazy like raspberries"), followed by declarations of contentment ("I like you like a tree"). Each section ends with the titular phrase, punctuated by the resounding chorus, which extends across a double-page spread: "OINK / OINK / OINK / OINK." Pizzoli's digital illustrations keep up with Barnett's wacky sensibilities at every turn. Ethnically diverse tots (and a pig, along with a few other critters) cavort merrily through the pages. Children will especially enjoy spotting the two mice that scamper throughout. This may leave readers pondering the many forms that love can take, but when is that ever a misstep? (Picture book. 3-7) Copyright Kirkus Reviews, used with permission.

Powered by Koha