Preface |
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xiii | |
Part One OCCUPIED HOLLAND |
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3 | |
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6 | |
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9 | |
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14 | |
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18 | |
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22 | |
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26 | |
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8 The War Against the Jews |
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30 | |
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33 | |
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10 Bargaining with Vultures |
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40 | |
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44 | |
Part Two HERMAN GOERING AND JOHANNES VERMEER |
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51 | |
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55 | |
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57 | |
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15 Goering's Art Collection |
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62 | |
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16 Insights from a Forger |
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66 | |
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17 The Amiable Psychopath |
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77 | |
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82 | |
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85 | |
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20 Johannes Vermeer, Superstar |
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88 | |
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21 A Ghost's Fingerprints |
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Part Three THE SELLING OF CHRIST AT EMMAUS |
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105 | |
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109 | |
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115 | |
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121 | |
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127 | |
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132 | |
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137 | |
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29 Lady and Gentleman at the Harpsichord |
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139 | |
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145 | |
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150 | |
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32 The Caravaggio Connection |
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163 | |
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33 In the Forger's Studio |
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167 | |
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170 | |
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173 | |
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179 | |
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186 | |
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38 "Every Inch a Vermeer" |
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192 | |
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39 Two Weeks and Counting |
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201 | |
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Part Four ANATOMY OF A HOAX |
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43 Scandal in the Archives |
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213 | |
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218 | |
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223 | |
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46 The Men Who Knew Too Much |
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227 | |
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234 | |
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239 | |
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243 | |
Part Five THE CHASE |
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50 The Secret in the Salt Mine |
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249 | |
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252 | |
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256 | |
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260 | |
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262 | |
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55 "I Painted It Myself!" |
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265 | |
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272 | |
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276 | |
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289 | |
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59 The Players Make Their Exits |
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288 | |
Epilogue |
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291 | |
Notes |
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295 | |
Bibliography |
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325 | |
Acknowledgments |
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331 | |
Index |
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333 | |