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Library Journal Review
Cormoran Strike's second appearance (after The Cuckoo's Calling) involves the curmudgeonly detective in the publishing world when a distraught Loretta Quine elicits his help in locating her missing husband. At the root of the investigation is Owen Quine's missing novel, a poisonous allegory defaming nearly everyone in his life. Then Owen is found dead, leaving behind too many motives and too many suspects. Intricately plotted, focused from beginning to end, and narrated by Robert Glenister, this work is a perfect marriage of novel and performance. Listeners who are familiar with the first work in this series will enjoy it more, but others won't have any trouble following the plot. VERDICT Highly recommended. ["In her Galbraith persona, author J.K. Rowling has created memorable characters who develop and grow throughout the course of the novel. The mystery itself is clever, and the frequent darts aimed at the publishing world are entertaining," read the review of the Mulholland: Little, Brown hc, Xpress Reviews, 7/10/14.]-Janet Martin, Southern Pines P.L., NC (c) Copyright 2014. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
Publishers Weekly Review
Once again writing under the pseudonym Galbraith, J.K. Rowling begins her new fair-play whodunit a few months after the conclusion of The Cuckoo's Calling (2013). Here, London private eye Comoran Strike and his almost aggressively efficient assistant, Robin Ellacott, are searching for the murderer of novelist Owen Quine, the author of a scurrilous roman a clef certain to damage the careers of an assortment of publishing power players if printed. Popular British actor Glenister (MI-5, Hustle) takes on a highly-charged crime puzzle, peopled by a panoply of mainly vile suspects as well as a totally engaging pair of detectives. Matching Rowling's praiseworthy ear for dialogue, he catches the subtleties-a touch of snark in cocktail party chatter, the arrogance in the voice of the overprivileged, the fear almost hidden in the raspy croak of a chain-smoking literary agent. His Strike shifts from a weary attitude when dealing with his personal life to an air of vitality and confidence when on the job. Robin, too, is at her best when working, sounding bright and on top of things; while at home, her conversation is dulled by her increasing uncertainty about marriage to fiance. This developing doubt seems justified, since the husband-to-be, as Glenister's interpretation perfectly captures, is a demanding and humorless bore. A Little, Brown/Mulholland hardcover. (June) (c) Copyright PWxyz, LLC. All rights reserved.
Kirkus Book Review
In her second pseudonymous outing as Galbraith, J.K. Rowling continues her examination of famethose who want it, those who avoid it, those who profit from it.Cormoran Strike, Rowlings hard-living private eye, isnt as close to the edge as he was in his first appearance, The Cuckoos Calling (2013). His success at proving supermodel Lula Landry was murdered has brought him more clients than he can handlemostly businessmen who think their lovers are straying and divorcing wives looking for their husbands assetsand hes even rented a small apartment above his office near Charing Cross Road. His accidental tempturned-assistant, Robin Ellacott, is dying to stretch her investigative muscles, but she has to deal with her fiance, Matthew, who still wishes shed taken that better-paying job in human resources. Then odd sad-sack Leonora Quine comes in asking Strike to find her missing husband, Owen, a fading enfant terrible novelist. Strike soon discovers that Owen had written a baroque fantasy novel in which he exposed the secrets of everyone he knowsincluding his editor, publisher and a famous writer with whom he had a falling out years earlierand his agent had just sent it out for consideration. Rowling has great fun with the book industry: Editors, agents and publishers all want to meet the detective, but only over lunches at fancy restaurants where hes expected to foot the bill. Its no big surprise when Strike finds the writers dead bodythough its certainly gruesome, as someone killed him in the same extravagantly macabre way he disposed of the villain of his unpublished book. As Strike tries to figure out who murdered Owen, the writer is splashed across the front pages of the tabloids in a way he would have loved when he was alive, while the detective tries to play down his own growing fame.Rowling proves once again that shes a master of plotting over the course of a series; you can see her planting seeds, especially when it comes to Robin, which can be expected to bear narrative fruit down the line. It will be a pleasure to watch what happens. Copyright Kirkus Reviews, used with permission.