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Summary
Summary
Winner of the 2018 Kirkus Prize for Young Readers
A Newbery Honor Book
A Caldecott Honor Book
A Coretta Scott King Author Honor Book
A Coretta Scott King Illustrator Honor Book
An Ezra Jack Keats New Writer Award Book
An Ezra Jack Keats New Illustrator Honor Book
A Society of Illustrators Gold Medal Book
Named one of the best books of 2017 by NPR, the Huffington Post , Publishers Weekly , Kirkus Reviews , the Los Angeles Times , the Boston Globe , the Horn Book Magazine , the News & Observer , BookPage , Chicago Public Library, and more
The barbershop is where the magic happens. Boys go in as lumps of clay and, with princely robes draped around their shoulders, a dab of cool shaving cream on their foreheads, and a slow, steady cut, they become royalty. That crisp yet subtle line makes boys sharper, more visible, more aware of every great thing that could happen to them when they look good: lesser grades turn into As; girls take notice; even a mother's hug gets a little tighter. Everyone notices.
A fresh cut makes boys fly .
This rhythmic, read-aloud title is an unbridled celebration of the self-esteem, confidence, and swagger boys feel when they leave the barber's chair--a tradition that places on their heads a figurative crown, beaming with jewels, that confirms their brilliance and worth and helps them not only love and accept themselves but also take a giant step toward caring how they present themselves to the world. The fresh cuts. That's where it all begins.
Crown: An Ode to the Fresh Cut is a high-spirited, engaging salute to the beautiful, raw, assured humanity of black boys and how they see themselves when they approve of their reflections in the mirror.
Educational resources for Crown can be found here .
Reviews (2)
Horn Book Review
Brown skin, a dimpled smile, and a fresh haircut worthy of a standing ovation. Barnes takes a weekly, mundane activity for an African American boy--a trip to the barbershop--and shows its potential for boosting his self-esteem and therefore his place in the universe. The unnamed protagonist tells of his haircut from start to finish, narrating most of it in the second person, which invites all readers, regardless of ethnic background or hair texture, to witness and share in his experience. Jamess color-saturated, full-page illustrations aptly capture the protagonists bravado, swagger, and even his humility, which he needs in accepting a post-cut kiss from his admiring mother. In the accompanying text, Barnes creatively portrays and affirms the boys hubris and hyperbole: he calls himself a brilliant, blazing star so bright that theyre going to have to wear shades when they look up to catch your shine. Alternately precise, metaphorical, and culturally specific, Barness descriptions make each page a serendipity. In his afterword, Barnes notes that the barbershop and the church are pretty much the only place in the black community where a boy is tended to--treated like royalty. A not-to-be-missed portrayal of the beauty of black boyhood. michelle h. martin (c) Copyright 2017. The Horn Book, Inc., a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
Kirkus Review
Safe to say, there's nothing like the feeling of the fresh cut. You feel so extra visible with a fresh new cut, and this book built from that experience translates it in a way never before brought to the children's bookshelf. Basquiat-inspired king insignias and a bit of Kehinde Wiley flair shape portraits of all the various ways men (and women too!) come into the black barbershop to restore their cool, leaving the chair with high self-esteem, self-pride, and confidenceif only for as long as their hairlines remain crisp. It's sacred. The all-important line and the diverse styles take center stage here. The Big Daddy Kane-homage flat-top. The part. The light shape-up surrounded by cornrows and locs. The taper. The classic wavy dark Caesar. Barnes' imaginative prose mirrors the hyperbole and swagger of the barbershop. No cut is just good. It will have you looking "presidential," "majestic." Like you own "a couple of acres of land on Saturn." The swagger is on a million. The sauce is drippin'. James' oil-based portraiture will send many readers reminiscing. This book oozes black cool and timely, much-needed black joy, using the unique and expansive experience of the barbershop to remind young boys that their inner lives have always mattered there. One of the best reads for young black boys in years, it should be in every library, media center, and, yes, barbershop. (Picture book. 5-12) Copyright Kirkus Reviews, used with permission.