Here in Berlin :

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Long-listed for the Andrew Carnegie Medal for Excellence

"García, a transcendentally imaginative, piquantly satiric, and profoundly compassionate novelist, dramatizes the helter-skelter of lives ruptured by tyranny, war, and political upheavals with sharp awareness of unlikely multicultural alliances . . . With echoes of W. G. Sebald and Günter Grass, García has created an intricate, sensitive, and provocative montage revolving around the question: 'Do people remember only what they can endure, or distort memories until they can endure them?'" -- Booklist (starred review)

Here in Berlin is a portrait of a city through snapshots, an excavation of the stories and ghosts of contemporary Berlin--its complex, troubled past still pulsing in the air as it was during World War II. Critically acclaimed novelist Cristina García brings the people of this famed city to life, their stories bristling with regret, desire, and longing.

An unnamed Visitor travels to Berlin with a camera looking for reckonings of her own. The city itself is a character--vibrant and postapocalyptic, flat and featureless except for its rivers, its lakes, its legions of bicyclists. Here in Berlin she encounters a people's history: the Cuban teen taken as a POW on a German submarine only to return home to a family who doesn't believe him; the young Jewish scholar hidden in a sarcophagus until safe passage to England is found; the female lawyer haunted by a childhood of deprivation in the bombed-out suburbs of Berlin who still defends those accused of war crimes; a young nurse with a checkered past who joins the Reich at a medical facility more intent to dispense with the wounded than to heal them; and the son of a zookeeper at the Berlin Zoo, fighting to keep the animals safe from both war and an increasingly starving populace.

A meditation on war and mystery, this an exciting new work by one of our most gifted novelists, one that seeks to align the stories of the past with the stories of the future.

Reviews (5)

Publisher's Weekly Review

A nameless Visitor, lonely and insecure, spends several months in Berlin during 2013, absorbing the stories of dozens of people whose lives have been shaped, or twisted out of shape, by the Second World War and its aftermath. With the vividness-and unreliability-of a fevered hallucination, they tell haunting, and occasionally intersecting, stories that last only a few pages but linger much longer. An elderly Cuban, visiting the city for a funeral, recalls being kidnapped as an adolescent by the sailors on a German submarine, and then returned months later to his astonished family. A woman often mistaken for Eva Braun first embraces the similarity and then disguises it. A centenarian recalls visiting the United States in 1935 to research "the oratorical styles of black preachers in the South" for the benefit of Hitler. Garcia (Dreaming in Cuban) evokes a multicultural Berlin, shaped by those who arrived in East Berlin from Cuba, Angola, and Russia. The novel's many excellent characters and their stories combine to create a sense of a city where, as an amnesiac photojournalist puts it, the ghosts "aren't confined to cemeteries." (Oct.) © Copyright PWxyz, LLC. All rights reserved.

Kirkus Review

A visitor to Berlin accumulates the haunting stories of its residents.When a nameless traveler comes to contemporary Berlin, to learn about the city and about herself, she confronts first the challenge of language and then, once that is conquered, the challenge of understanding. As she meets more people, walks more streets, her diligent recording illustrates how an interloper can learn by listening, observing, asking. As one character astutely and elegantly notes, "When one no longer belongs to a tribeor is a newcomer, a visitor, like youeverything reveals itself." Along the visitor's way she meets characters of all kind, their binding attribute the lasting effects of the desperation, trauma, and violence of World War II: a Jewish woman who hid for 37 days, buried in a sarcophagus in a church graveyard, surviving on poetry; a man who lived through the war as a "homosexual decoy, recruiting foreign informants"; a woman whose mother tried to kill her three timesonce by "stuffing an oil-soaked rag down her throat," once by abandoning her in a jungle, and once by slashing her with a blunt machetewho is now pregnant with her own child; a man who traveled to Alabama for the Nazi Party to research the preaching abilities of African-American pastors so their skills might be adapted for the Fhrer. Garca, author of Dreaming in Cuban (1992), which was a finalist for the National Book Award, and more recently King of Cuba (2013), is a skilled writer, crafting a complete story from the threads of many glimpses. In the assembly of these glimpses, she has created a vivid portrait of a decimated yet surging Berlin since World War II, of individuality and humankind, of terror and resilience. It is beautifully written in a fluent and evocative prose. It is the story of how people live with their pasts. A stunning collection of memories, snippets, and specters. Copyright Kirkus Reviews, used with permission.

Booklist Review

*Starred Review* Feeling untethered after the collapse of her second marriage and estrangement from her mother, an unnamed Cuban American woman travels to Berlin and transforms herself into an oral historian, eliciting the traumatic, shameful, bemused, or unapologetic memories of WWII survivors. Together their tales form a jarring and haunting choral work of remembrance and pragmatism, pride and regret. The characters, subtly linked by past deeds, residency in a nursing home, or as patients of an African eye doctor with her own striking backstory, reveal a staggering array of war and postwar experiences. Garcia (King of Cuba, 2013), a transcendentally imaginative, piquantly satiric, and profoundly compassionate novelist, dramatizes the helter-skelter of lives ruptured by tyranny, war, and political upheavals with sharp awareness of unlikely multicultural alliances. The nearly 40 entrancing and unnerving recitations include revelations of the struggles of a starving German girl saved by an African American soldier, a German who discovers that his birth mother was Cuban, a Stasi spy forced to be a homosexual decoy, sisters running a Nazi sex club, and a war-crimes investigative lawyer. With echoes of W. G. Sebald and Günter Grass, Garcia has created an intricate, sensitive, and provocative montage revolving around the question: Do people remember only what they can endure, or distort memories until they can endure them? --Seaman, Donna Copyright 2017 Booklist

New York Review of Books Review

RED CLOCKS, by Leni Zumas. (Little, Brown, $26.) This highly absorbing novel imagines a near future of America in which abortion is illegal in all 50 states. Zumas has a perfectly tuned ear for the way society relies on a moralizing sentimentalism to restrict women's lives and enforce conformity. HERE IN BERLIN, by Cristina Garcia. (Counterpoint, $26.) In a series of short quasi-fictional encounters, the Cuban-American novelist uses a chorus of voices to explore the long, ghostly reach of Germany's history, in which the remembered or purposefully forgotten past seems as alive as the present. THE NEWCOMERS: Finding Refuge, Friendship, and Hope in an American Classroom, by Helen Thorpe. (Scribner, $28.) Thorpe spent a year with teenage refugees in a Denver school's "newcomer class," documenting their lives as the presidential campaign stirred up nativist resentment. Partly a story of assimilation, it also details her growing awareness of other cultures. THE LARGESSE OF THE SEA MAIDEN: Stories, by Denis Johnson. (Random House, $27.) Johnson's long preoccupation with mortality culminates in a posthumous collection. "It's plain to you that at the time I wrote this, I'm not dead," one character says. "But maybe by the time you read it." TRUMPOCRACY: The Corruption of the American Republic, by David Frum. (HarperCollins, $25.99.) Frum argues that the Trump presidency is not only about Donald Trump but also about the deeper structural problems of America in general, and conservative America in particular. He thinks that what the country faces is nothing less than a threat to the democratic order. THE YEARS, MONTHS, DAYS, by Yan Lianke. Translated by Carlos Rojas. (Black Cat, paper, $16.) A pair of novellas in which the noted Chinese novelist (and frequent target of government censorship) paints a darkly satirical portrait of stranded characters adrift in a depraved society. BIRDING WITHOUT BORDERS: An Obsession, a Quest and the Biggest Year in the World, by Noah Strycker. (Houghton Mifflin Harcourt, $27.) Follow one young birder as he spends an entire year traveling the world to see as many species of birds as he can - a number that ends up being a record-breaking 6,042. JEFFERSON'S DAUGHTERS: Three Sisters, White and Black, in a Young America, by Catherine Kerrison. (Ballantine, $28.) Kerrison follows the lives of the third president's three daughters, including Harriet Hernings, born to his slave Sally Hernings. GORILLA AND THE BIRD: A Memoir of Madness and a Mother's Love, by Zack McDermott. (Little, Brown, $27.) McDermott spent years battling bipolar disorder with the support of his Midwestern mother, who didn't quit even when he was in a psych ward. The full reviews of these and other recent books are on the web: nytimes.com/books

Library Journal Review

This latest from García, a National Book Award finalist for Dreaming in Cuban, recounts conversations held by the narrator, known only as the "visitor," with strangers around modern-day Berlin. Most of the interactions are with people who lived through World War II, from a Jewish woman who hid in a coffin built by her husband to a woman who defended former Nazis in court. We hear the story of one woman who performs cataract surgery and another who is happy that her cataracts have blurred her vision so she can no longer see her reflection in the mirror. Others have more anecdotal stories, e.g., a doppelganger of Hitler's wife, Eva Braun, and a man who was commissioned to create a new dance craze by the German Ministry of Culture. VERDICT Unfortunately, most of García's vignettes are only a few pages long, leaving readers no chance of getting to know the emotions or details of the characters' lives. This novel touches on complex themes such as exile, memory, and life in wartime but without much depth.-Kate Gray, Boston P.L., MA © Copyright 2017. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

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