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Girl in black and white : the story of Mary Mildred Williams and the abolition movement / Jessie Morgan-Owens.

By: Material type: TextTextPublisher: New York : W.W. Norton & Company, [2019]Edition: First editionDescription: 324 pages : illustrations ; 25 cmContent type:
  • text
Media type:
  • unmediated
Carrier type:
  • volume
ISBN:
  • 9780393609240 (hardcover)
  • 0393609243 (hardcover)
Subject(s): Genre/Form: DDC classification:
  • 306.3/62092 B 23
Contents:
Summary: "The riveting, little-known story of Mary Mildred Williams--a slave girl who looked 'white'--whose photograph transformed the abolitionist movement. When a decades-long court battle resulted in her family's freedom in 1855, seven-year-old Mary Mildred Williams unexpectedly became the face of American slavery. During a sold-out abolitionist lecture series, Senator Charles Sumner paraded Mary in front of rapt audiences as evidence that slavery knew no bounds. Weaving together long-overlooked primary sources and arresting images, including the daguerreotype that turned Mary into the poster child of a movement, Jessie Morgan-Owens investigates tangled generations of sexual enslavement and the fraught politics that led Mary to Sumner. She restores Mary's story to history and uncovers a dramatic narrative of travels along the Underground Railroad, relationships tested by oppression, and the struggles of life after emancipation. The result is an exposé of the thorny racial politics of the abolitionist movement and the pervasive colorism that dictated where white sympathy lay--one that sheds light on a shameful legacy that still affects us profoundly today"--
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Holdings
Item type Current library Home library Collection Call number Status Date due Barcode
Book Fort Scott Public Library Adult Non-Fiction Fort Scott Public Library Adult Books 306.3 Morg (Browse shelf(Opens below)) Available 35326000463719

Includes bibliographical references and index.

Prologue: Boston, May 29, 1855 -- Constance Cornwell, Prince William County, Virginia, 1805 -- Prudence Nelson Bell, Nelson's Plantation and Mill, 1826 -- Jesse and Albert Bell Nelson, Washington, 1847 -- Henry Williams, Boston, 1850 -- John Albion Andrew, Boston, 1852 -- Elizabeth Williams, Prince William County, 1852 -- Evelina Bell, Washington, February 1855 -- Mary Hayden Green Pike, Calais, Maine, November 1854 -- Julian Vannerson, Washington, February 1855 -- Richard Hildreth, Boston, March 1855 -- Charles Sumner, Washington, February 1855 -- "A white slave from Virginia," New York, March 1855 -- The Williams family, Boston, March 7, 1855 -- "Features, skin, and hair," Boston, March 1855 -- Thomas Wentworth Higginson, Worcester, Massachusetts, March 27, 1855 -- "The antislavery enterprise," Boston, March 29, 1855 -- Private life, Boston, October 1855 -- "The crime against Kansas," Washington, May 1856 -- Frederick Douglass, Boston, 1860 -- Prudence Bell, Plymouth County, Massachusetts, 1864 -- Epilogue: Hyde Park, Massachusetts, 2017.

"The riveting, little-known story of Mary Mildred Williams--a slave girl who looked 'white'--whose photograph transformed the abolitionist movement. When a decades-long court battle resulted in her family's freedom in 1855, seven-year-old Mary Mildred Williams unexpectedly became the face of American slavery. During a sold-out abolitionist lecture series, Senator Charles Sumner paraded Mary in front of rapt audiences as evidence that slavery knew no bounds. Weaving together long-overlooked primary sources and arresting images, including the daguerreotype that turned Mary into the poster child of a movement, Jessie Morgan-Owens investigates tangled generations of sexual enslavement and the fraught politics that led Mary to Sumner. She restores Mary's story to history and uncovers a dramatic narrative of travels along the Underground Railroad, relationships tested by oppression, and the struggles of life after emancipation. The result is an exposé of the thorny racial politics of the abolitionist movement and the pervasive colorism that dictated where white sympathy lay--one that sheds light on a shameful legacy that still affects us profoundly today"--

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