Bildungsromans |
Musicians -- Juvenile fiction. |
Dating (Social customs) -- Juvenile fiction |
Families -- New York (State) -- New York -- Juvenile fiction. |
African Americans -- Juvenile fiction |
New York (N.Y.) -- Juvenile fiction. |
Apprenticeship novels |
Bildungsroman |
Bildungsromane |
Coming of age -- Fiction |
Coming of age -- Juvenile fiction |
Coming-of-age novels |
Entwicklungsromane |
Erziehungsromane |
Family |
Families -- Social aspects |
Families -- Social conditions |
Family life |
Family relationships |
Family structure |
Relationships, Family |
Structure, Family |
New York (City) |
Ni͡u Ĭork (N.Y.) |
Novi Jork (N.Y.) |
Nova Iorque (N.Y.) |
Nyu-Yorḳ (N.Y.) |
Nueva York (N.Y.) |
Nu Yorḳ (N.Y.) |
Nyuyok (N.Y.) |
Nuyorḳ (N.Y.) |
New York City (N.Y.) |
Niyū Yūrk (N.Y.) |
Niyūyūrk (N.Y.) |
Niu-yüeh (N.Y.) |
Nowy Jork (N.Y.) |
Corporation of the City of New York (N.Y.) |
City of New York (N.Y.) |
New York Stad (N.Y.) |
نيويورك (N.Y.) |
Táva Nueva York (N.Y.) |
Nyu-York Şähäri (N.Y.) |
Нью-Йорк (N.Y.) |
Горад Нью-Ёрк (N.Y.) |
Horad Nʹi͡u-I͡Ork (N.Y.) |
Нью-Ёрк (N.Y.) |
Ню Йорк (N.Y.) |
Nova York (N.Y.) |
Çĕнĕ Йорк (N.Y.) |
Śĕnĕ Ĭork (N.Y.) |
Dakbayan sa New York (N.Y.) |
Dinas Efrog Newydd (N.Y.) |
Efrog Newydd (N.Y.) |
Nei Yarrick Schtadt (N.Y.) |
Nei Yarrick (N.Y.) |
Νέα Υόρκη (N.Y.) |
Nea Yorkē (N.Y.) |
Ciudad de Nueva York (N.Y.) |
Novjorko (N.Y.) |
Nouvelle York (N.Y.) |
Nua-Eabhrac (N.Y.) |
Cathair Nua-Eabhrac (N.Y.) |
Caayr York Noa (N.Y.) |
York Noa (N.Y.) |
Eabhraig Nuadh (N.Y.) |
Baile Eabhraig Nuadh (N.Y.) |
Нью Йорк балhсн (N.Y.) |
Nʹi͡u Ĭork balḣsn (N.Y.) |
Шин Йорк (N.Y.) |
Shin Ĭork (N.Y.) |
뉴욕 (N.Y.) |
Lungsod ng New York (N.Y.) |
Tchiaq York Iniqpak (N.Y.) |
Tchiaq York (N.Y.) |
New York-borg (N.Y.) |
Nuova York (N.Y.) |
ניו יורק (N.Y.) |
New York Lakanbalen (N.Y.) |
Lakanabalen ning New York (N.Y.) |
Evrek Nowydh (N.Y.) |
Nouyòk (N.Y.) |
Bajarê New Yorkê (N.Y.) |
New Yorkê (N.Y.) |
Mueva York (N.Y.) |
Sivdad de Mueva York (N.Y.) |
סיבֿדאד די מואיבֿה יורק (N.Y.) |
Sivdad de Muevah Yorḳ (N.Y.) |
מואיבֿה יורק (N.Y.) |
Muevah Yorḳ (N.Y.) |
Novum Eboracum (N.Y.) |
Neo-Eboracum (N.Y.) |
Civitas Novi Eboraci (N.Y.) |
Ņujorka (N.Y.) |
Niujorkas (N.Y.) |
Niujorko miestas (N.Y.) |
Niuiork (N.Y.) |
Њујорк (N.Y.) |
Njujork (N.Y.) |
Bandar Raya New York (N.Y.) |
Bandaraya New York (N.Y.) |
Nuoba Iorque (N.Y.) |
Нью-Йорк хот (N.Y.) |
Nʹi͡u-Ĭork khot (N.Y.) |
Āltepētl Yancuīc York (N.Y.) |
Niej-York (N.Y.) |
ニューヨーク (N.Y.) |
Nyū Yōku (N.Y.) |
ニューヨーク市 (N.Y.) |
Nyū Yōku-shi (N.Y.) |
NYC (N.Y.) |
N.Y.C. (N.Y.) |
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Summary
Summary
"A dreamy summer rom-com that'll make you believe in love again." --Bustle
"Full of not only sigh-inducing swoons but the social commentary Thorne is talented at writing." --Paste
Music was Ruby's first love, but did it ever love her back? After a nightmare audition at the music school where her famous father teaches, the answer to this question is unavoidable. And so, it seems, is Oscar Bell. Musical genius, YouTube sensation, and her dad's new protege, Oscar is the last person Ruby needs in her life. Being around him feels dangerously like being with her first love again--except music never kissed her like this. Oscar is falling for Ruby too, but he knows how it'll look to the ultra-privileged, ultra-white world of classical music--a Black guy dating his mentor's white daughter. As the New York City summer heats up, though, so does the spark between them. Can two people still figuring themselves out figure out how to be together? And will Ruby get over her first love in time to save what she has with her second?
"Delightful...Hits all the right notes." --Mackenzi Lee, author of The Gentleman's Guide to Vice and Virtue
"Seriously swoony...I loved it." --Rachel Hawkins, author of Royals
"Sweet and intense... An engrossing romance with a social conscience." --Kirkus
"Utterly romantic." --Tanaz Bhathena, author of A Girl Like That
"Full of heart and humor. It crackles with energy." --Kelly Loy Gilbert, author of Picture Us in the Light
"Timely and romantic." -- Publishers Weekly
"Beautiful, heartfelt, aware, and raw." --Lauren Gibaldi, author of This Tiny Perfect World
"Thoughtful, nuanced." -- Booklist
Reviews (4)
School Library Journal Review
Gr 9 Up-Seventeen-year-old Ruby Chertok is the daughter of famed composer Martin Chertok. Her mother and siblings are elite musicians as well, making Ruby's failed attempt to enter the prestigious Amberley School of Music so much more than just a bad audition. Vowing to leave the classical music world for good, Ruby begins her summer searching for an identity that will provide purpose and meaning. Her plans take a detour when Oscar Bell, her father's newest protege, arrives in New York. Oscar (who is black) and Ruby (who is white) have an instant attraction but are acutely aware of how the music world will perceive Oscar's involvement with the daughter of his famous mentor. Despite their reservations, Oscar and Ruby's love of music binds them together. Their relationship is put to the test when Ruby's father intervenes to remove distractions, including Ruby, as Oscar composes his latest piece. Musically inclined readers will appreciate the countless references to classical music. The characters' voices are witty but almost indistinguishable. The exploration of issues related to racial stereotypes and sexual relationships is welcome but at times seems forced and heavy-handed. Classical music performers and fans will revel in the detailed descriptions of the elite New York music scene, but romance fans may find Ruby and Oscar's on-page chemistry to be lacking. VERDICT Purchase where there are avid music fans; otherwise an additional purchase for large libraries.-Lynn Rashid, Marriotts Ridge High School, Marriottsville, MD © Copyright 2019. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
Publisher's Weekly Review
In the mostly white world of classical music, 17-year-old Ruby Chertok seems like a crown princess. Her father is a composer and teacher, her mother is a pianist, and her three older siblings are musicians. But after failing an audition for the summer program that her father runs, Ruby wonders who she truly is. Then her father's new protAcgAc arrives: he's handsome, super talented, and staying in their basement. He and Ruby connect immediately, but can Oscar really date his mentor's daughter? More pressingly, the school's board, headed by Ruby's godmother, wants to position African-American Oscar as the answer to its diversity problems, even if it means misrepresenting and stereotyping him. Thorne (The Wrong Side of Right) keeps a complex plot moving-encompassing Ruby's reconnection with a childhood friend, her fraught relationship with her absent mother, and Oscar's drive to compose work-while convincingly depicting the casual racism of seemingly well-intentioned liberals. Given all this, a thread about the board's financial chicanery seems almost superfluous. At heart, though, this is a timely and romantic story about teens who feel like fish out of water finding the person who understands them. Ages 14-up. (Mar.) © Copyright PWxyz, LLC. All rights reserved.
Kirkus Review
After failing her audition at an elite music school, Ruby falls for Oscar, her father's musical genius protg.A disastrous audition at the prestigious Amberley School of Music would be heartbreaking for anyone with their heart set on a musical career. But for Ruby Chertok, what does the future hold if not a career as a classical pianist, a birthright from her loving, accomplished, but imperfect parents? Her father is on the faculty of Amberley and is in charge of the upcoming season at the Metropolitan Opera in New York City. Enter Oscar Bell, a charming prodigy and YouTube sensation from Maryland who's spending the summer studying with Ruby's father. Oscar is African-American. Ruby and her family and friends are whiteaside from her seven black friends, so few she can quickly count and list them, Oscar notes with good humor. Race matters in the course of their budding romance, but Oscar's rising star and Ruby's uncertain future factor in far more. Ruby struggles to figure out the next stage of her life while Oscar wants to avoid ugly assumptions about his interest in his mentor's daughter. Ruby and Oscar's sweet and intense romance sparkles. Readers will root for them not just as a couple, but as individuals trying their best to understand their gifts and passions while facing pressures from the adult world.A smart, funny, engrossing romance with a social conscience. (Fiction. 13-18) Copyright Kirkus Reviews, used with permission.
Booklist Review
As the daughter of a world-famous classical composer, Ruby Chertok has always had music in her soul. But love, unfortunately, is not the same as skill; Ruby's older siblings may be living up to the Chertok name by achieving success throughout the classical music world, but when Ruby, a lifelong pianist, tanks a blind audition for the music academy where her father teaches, she finds herself suddenly in need of a new path. That's when she meets Oscar, a seemingly indefatigable young composer whom her father has taken under his wing for the summer, and as the months progress, they find themselves unable to resist their attraction to each other. Thorne (The Inside of Out, 2016) presents a careful examination of privilege. White, wealthy Ruby comes to realize just how much she takes for granted as she watches how African American Oscar is treated; though he comes from a well-off family, the school is eager to present him to donors as someone from an underprivileged background. A thoughtful, nuanced romance.--Maggie Reagan Copyright 2019 Booklist