| Fiction |
Summary
Summary
Set against the volatile events of the last forty years of Sri Lankan history, A Disobedient Girl traces the lives of three characters whose interwoven fates and histories force them to answer life's most difficult questions. Beautiful, haunting, alive, and brimming with truth, it is, above all, a novel about extraordinary circumstances that change life in an instant and the power of love to transcend time and place.The story begins with two little girls, mistress and servant, one with every luxury and opportunity that money can buy and the other with nothing but her yearning for a better life. Together, they grow up bound by love, betrayal, resentment, and an impossible secret.Then there is Biso, a devoted mother of three, who risks everything to escape from the hands of her tyrannical husband. But her journey, which begins with such hope, takes her on a disastrous path that ultimately leads her to give her life over to strangers she never imagined she would have reason to know, binding her story with that of the girls in the most unexpected and heartbreaking of ways.A Disobedient Girl is a compelling exploration of personal desire set against the volatile backdrop of class and prejudice, as three women journey toward their future, united by a shared history but separated by different fates. A bold and deeply moving account that spans three decades of love and loss, it is a tale about the will to survive and the incredible power of the human spirit to transcend the unforgiving sweep of tragedy.
Reviews (1)
Kirkus Review
Human-rights activist Freeman considers selfhood, desire and social status in her first novel. Purchased as a five-year-old and taken to a wealthy home in Colombo, Latha is raised to be a companion and servant to Thara. The girls are the same age, they live in the same house, but they grow up at opposite ends of Sri Lanka's rigid class system. Latha gets encouragement from a teacher with communist leanings, and she takes inspiration from the example of Princess Diana, who worked as a nanny before she became royalty. Ultimately, though, she ends up using one of the only forms of power generally available to disenfranchised women: When her employers refuse to give her any of the money she has supposedly earned so that she can buy new shoes, she takes her revenge by seducing the upper-class boy Thara loves. This relationship does not work out quite the way it would on the soap operas that provide Latha with all her knowledge of romance. Meanwhile, Biso travels from the city to the countryside with her three children. She is fleeing her husband, who has murdered her lover. During her journey, she recalls the series of events that brought her to this unfortunate pass. Freeman does an outstanding job of depicting tragically circumscribed lives without turning her characters into cartoonish victims; the childhood scenes between Latha and Thara are especially subtle explorations of class dynamics. Latha is utterly aware of the disparity between her experience and that of her "mistress," but she isin the way of adolescents everywheretoo vain to be cowed. Thara's unselfconscious sense of entitlement gives her relationship with Latha complex depths, and that relationship, in turn, reveals a great deal about the fluid, often paradoxical bond between ruler and ruled. Although Freeman has been an advocate for women and workers, she does not lecture the reader; she lets the story and her characters speak for themselves. An earnest, worthy, well-crafted debut. Copyright Kirkus Reviews, used with permission.
