| Art -- Juvenile fiction. |
| Supernatural -- Juvenile fiction. |
| Fathers and sons -- Juvenile fiction. |
| Art galleries, Commercial -- Juvenile fiction. |
| Art thefts -- Juvenile fiction. |
| Detective and mystery fiction. |
| Beaverbrook Art Gallery -- Juvenile fiction. |
Available:*
Library | Collection | Material Type | Call Number | Status | Item Holds |
|---|---|---|---|---|---|
Searching... Cobourg Branch | Searching... Unknown | Junior Fiction | JF Mac | Searching... Unknown | Searching... Unavailable |
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Summary
Summary
When Sargent Singer discovers that the paintings in his father's gallery are alive, he's pulled into a captivating world behind the frame he never knew existed.
Filled with devious plots, shady characters, and a grand art heist, this inventive mystery-adventure celebrates art and artists and is perfect for fans of Night at the Museum and Blue Balliett's Chasing Vermeer. School Library Journal said, "This middle grade read paints fantasy, humor, and mystery into a satisfying tale about the power of friendship."
There's one important rule at the Beaverbrook Art Gallery--don't let anyone know the paintings are alive. Mona Dunn, forever frozen at thirteen when her portrait was painted by William Orpen, has just broken that rule.
Luckily twelve-year-old Sargent Singer, an aspiring artist himself, is more interested in learning about the vast and intriguing world behind the frame than he is in sharing her secret. And when Mona and Sargent suspect shady dealings are happening behind the scenes at the gallery, they set out to uncover the culprit. They must find a way to save the gallery--and each other--before they are lost forever.
With an imaginative setting, lots of intrigue, and a thoroughly engaging cast of characters, The Frame-Up will captivate readers of Jacqueline West's The Books of Elsewhere series. Booklist said, "This chapter book's most memorable element is also its most unusual: the imaginative conviction that art is alive." Includes images of the real paintings featured in the book.
Reviews (5)
School Library Journal Review
Gr 3-6-Inspired by the author's lifelong love of art and the moving portraits in Harry Potter and the Sorcerer's Stone, this inventive fantasy gives a second life to its painted subjects. For the past 100 years, Mona Dunn has watched the world go by. Like the rest of the pieces at the Beaverbrook Art Gallery, she is alive but only allowed to interact with the other painted inhabitants of the gallery. Communicating with the real world is strictly forbidden. These rules keep the gallery's secret safe but make life lonely and boring for the eternally 13-year-old Mona. So boring, that one afternoon she is caught recklessly moving in front of the gallery director's son, Sargent. Sargent's own loneliness prompts him to develop a friendship with Mona. Their mutual insecurity with peers is relatable despite the magical circumstances. Readers will delight in the canvas world that exists on the other side of the frame. Mona's gallery neighbors are equal parts quirky and endearing, while a sinister threat propels the plot forward. The book includes a full-color insert of the masterpieces referenced, which could be a great starting point for readers to imagine stories and worlds of their own. VERDICT Not just for art enthusiasts, this middle grade read paints fantasy, humor, and mystery into a satisfying tale about the power of friendship.-Sophie Kenney, Vernon Area Public Library District, IL © Copyright 2018. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
Publisher's Weekly Review
While 12-year-old budding artist Sargent Singer (his name is an homage to artist John Singer Sargent) spends the summer with his father, the executive director of the Beaverbrook Art Gallery in Canada, he discovers a secret. After the subject of one portrait, 13-year-old Mona Dunn, sticks her tongue out at him, he learns that the figures in the gallery's "world-class" paintings can come to life and can speak and travel between frames. Sargent forms a close friendship with Mona, but the most powerful relationship proves to be the nuanced, raw one between Sargent and his estranged father as they repair damage caused by divorce and distance. MacKnight (It's a Mystery, Pig Face!) gives sly nods to similar uses of the living art idea, including those in the Harry Potter series and Night at the Museum. Explanations of art concepts and works can bog the narrative down a bit, but the gradual pacing and slow-building tension will help readers navigate the complexities of the central mysteries about disappearing art, a forgery scheme, and Sargent's father's work. Despite some uneven moments, this fantasy, supported by an inventive cast of characters, offers a compelling portrait of art and life. Ages 8-12. Agent: Lauren Galit, LKG Agency. (June) © Copyright PWxyz, LLC. All rights reserved.
Horn Book Review
Twelve-year-old Sargent Singer aspires to be an artist like his famous namesake. When his estranged gallery-director father invites Sargent for a summer visit, Sargent discovers that figures in the gallery's paintings can interact with one another--and with him. Full-color art reproductions may inspire art-history buffs, though explanations of art terms and history somewhat bog down a mystery plot involving art theft. (c) Copyright 2019. The Horn Book, Inc., a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
Kirkus Review
A girl in a painting and a boy visiting the gallery she hangs in foil art thieves.Twelve-year-old Sargent Singernamed in honor of master painter John Singer Sargentis visiting his partly estranged, emotionally volatile father, Isaac, in New Brunswick, Canada, for the summer. Isaac runs the top-tier Beaverbrook Art Gallery, which houses works by, among others, Thomas Gainsborough, Salvador Dal, and Sargent's namesake. Mona Dunn, the other protagonist, is forever 13: William Orpen painted her portrait, Mona Dunn, in 1915, and since then she's been alive inside her painting. Unbeknownst to the public, Mona and the gallery's other painted subjects can jump from painting to painting, visiting one another and exploring the various paintings' landscapes. Sargent and Mona's friendshipbegun when he catches her sticking out her tongue at obnoxious kidsfeatures a poignant trip outdoors and conversation about each one's unique melancholy. With help, they also identify nefarious deeds (forgery? art theft?) and bravely thwart criminals. MacKnight entices with art critique and technique, although, sadly, readers never see artistic genius Sargent actually paint. In a mismatch to the emotional realism, villains are stereotypescartoonishly fat or lower-class. Some of the mechanics of life inside the frame are clear and others vague, but the ending's an unexpected bolt of perfect gratification. Everyone's white except one black friend, whom another friend refers to as intimidating. Color reproductions of relevant paintings are included in an insert.For anyone who's wondered about the people inside the frames. (gallery map, afterword) (Fantasy/mystery. 9-12) Copyright Kirkus Reviews, used with permission.
Booklist Review
*Starred Review* Sargent is nervous about spending the summer with his divorced father, the director of the Beaverbrook Art Gallery in Fredericton, New Brunswick. A gifted painter and a bit of a loner, 12-year-old Sargent enjoys the Beaverbrook's small summer art camp, where he finds other kids who share his interests. One day, when he glimpses the stately, century-old portrait of 13-year-old Mona Dunn sticking her tongue out at the backs of rude visitors, he uncovers a startling secret: the people in the paintings are alive. His growing friendship with Mona is later crucial in thwarting an art theft and discovering the culprits. The mystery plot will keep readers guessing until near the end, but they will find other parts of the story even more involving, from the ups and downs of Sargent's relationship with the father he barely knows to the intricately envisioned, surprisingly contentious world of the artwork, where painted figures have secret lives, thinking, conversing, and leaping from one picture to the next. Readers will find themselves frequently referring to the full-color reproductions of the paintings mentioned. While Sargent and Mona are vividly portrayed, this chapter book's most memorable element is also its most unusual: the imaginative conviction that art is alive.--Phelan, Carolyn Copyright 2018 Booklist