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Summary
Summary
From the dark days of WWII to present-day North Carolina, this New York Times bestseller shares the lives of two couples overcoming destructive secrets -- and finding joy together.
Ira Levinson is in trouble. Ninety-one years old and stranded and injured after a car crash, he struggles to retain consciousness until a blurry image materializes beside him: his beloved wife Ruth, who passed away nine years ago. Urging him to hang on, she forces him to remain alert by recounting the stories of their lifetime together - how they met, the precious paintings they collected together, the dark days of WWII and its effect on them and their families. Ira knows that Ruth can't possibly be in the car with him, but he clings to her words and his memories, reliving the sorrows and everyday joys that defined their marriage.
A few miles away, at a local bull-riding event, a Wake Forest College senior's life is about to change. Recovering from a recent break-up, Sophia Danko meets a young cowboy named Luke, who bears little resemblance to the privileged frat boys she has encountered at school. Through Luke, Sophia is introduced to a world in which the stakes of survival and success, ruin and reward -- even life and death - loom large in everyday life. As she and Luke fall in love, Sophia finds herself imagining a future far removed from her plans -- a future that Luke has the power to rewrite . . . if the secret he's keeping doesn't destroy it first.
Ira and Ruth. Sophia and Luke. Two couples who have little in common, and who are separated by years and experience. Yet their lives will converge with unexpected poignancy, reminding us all that even the most difficult decisions can yield extraordinary journeys: beyond despair, beyond death, to the farthest reaches of the human heart.
Reviews (1)
Kirkus Review
Love means never having to say you're dead. Sparks (The Best of Me, 2011, etc.) fans know the drill: sweetness and light, darkness and despair, kissing and making up. And always, always, intertwining storylines. Got the template? Here, Sparks opens with a grim scene that soon turns as sappy as a maple: Old Ira Levinson (there's a signal there) has driven off the road in black ice and snow, and now he's feeling, as he says, "the Grim Reaper tapping my shoulder." Now, it stands to reason that up there in the Southern highlands, a tow truck is likely to arrive less expeditiously than the nearest friendly ghost, in this case, that of Ira's beloved wife, Ruth. If you've seen that Patrick Swayze/Demi Moore movie, you'll know how this part works. But Ira isn't just any old Southern Jew expiring in the cold: He's had a hobby that's morphed into a grail. Exit stage right; enter Sophia and Luke. Sophia's a sorority sweetie with a brawler of a boyfriend whom she's trying to ditch, and Luke is the cowboy hero who comes loping along to save the day. But let Sparks explain: "The cowboy's words were clear and slow, as if he were addressing a dimwit." Indeed. Well, bad boyfriend is conflict No. 1, and Luke's nerves are conflict No. 2, especially when it comes to a session with the monster bull of his darkest dreams. All that remains to be done is to lasso these two couples together, jerk some tears: "My plea to you is this: despite your sadness, do not forget how happy you have made me; do not forget that I loved a man who loved me in return, and this was the greatest gift I could ever have hoped to receive." To which, in cowboy-speak, the proper reply is: "Aw, shucks." Just the sort of thing for Sparks buffs.]]]] Copyright Kirkus Reviews, used with permission.
