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Please note: This is a companion version & not the original book.
#1 In 1972, Jean McConville, who was thirty-eight when she disappeared, had fourteen children. She had just gotten out of the bath when eight people burst into her apartment and tried to force her to go with them. The children went berserk, and the intruders tried to calm them down.
#2 One night, Jean McConville was kidnapped from her home in Divis Flats by the IRA. Her children,...
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""Meticulously reported, exquisitely written, and grippingly told, Say Nothing is a work of revelation." --David Grann, #1 New York Times bestselling author of Killers of the Flower Moon from award-winning New Yorker staff writer Patrick Radden Keefe, a stunning, intricate narrative about a notorious killing in Northern Ireland and its devastating repercussions In December 1972, Jean McConville, a thirty-eight-year-old mother of ten, was dragged from...
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"From the prize-winning, New York Times bestselling author of SAY NOTHING and EMPIRE OF PAIN, twelve enthralling stories of skulduggery and intrigue by one of the most decorated journalists of our time "I read everything he writes. Every time he writes a book, I read it. Every time he writes an article, I read it ... he's a national treasure." - Rachel Maddow Patrick Radden Keefe has garnered prizes ranging from the National Magazine Award to the...
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"The Sackler name has adorned the walls of many storied institutions -- Harvard, the Metropolitan Museum of Art, Oxford, the Louvre. They are one of the richest families in the world, known for their lavish donations to the arts and the sciences. The source of the family fortune was vague, however, until it emerged that the Sacklers were responsible for making and marketing a blockbuster painkiller, OxyContin, that was the catalyst for the opioid...
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"A celebrated Irish writer's magisterial, brilliantly insightful chronicle of the wrenching transformations that dragged his homeland into the modern world. Fintan O'Toole was born in the year the revolution began. It was 1958, and the Irish government--in despair, because all the young people were leaving--opened the country to foreign investment and popular culture. So began a decades-long, ongoing experiment with Irish national identity. In We...
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