Publisher's Weekly Review
In 1918, a devastating influenza epidemic swept across the globe, infecting one-third of the world's population and killing an estimated 50 million people. Organized as "a three-act tragedy," this slim graphic novel describes the spread of the 1918 Spanish flu with an unemotional narrative voice supplemented by direct quotes from historical accounts. Act I provides historical context and documents the first tremors of the outbreak in the U.S. and its spread to Europe. Act II, the bulk of the book, chronicles the worst of the pandemic, spotlighting the valiant efforts of medical professionals as well as various attempts at cures, from home remedies to the work of dedicated scientists. Act III covers the culmination of the disease and the later discovery of the virus responsible. Though the majority of deaths took place outside of the U.S. and Europe, the book rarely looks beyond these locations. Brown (Drowned City) matches his economical text with art that skillfully depicts the steadily growing horror. Grim figures, often with indistinguishably miserable faces, appear against empty cities and overflowing hospitals or in anonymous crowds of the infected, all painted in a muted, muddy palette that is stark and effective. A succinct epilogue summarizes this already concise introduction to the epidemic and its devastating impact. Final art not seen by PW. Ages 12--up. (Sept.)
Horn Book Review
Brown (most recently The Unwanted, rev. 9/18) here turns his attention to the deadly Spanish Flu pandemic of 1918, which brought "sickness to a third of the planet and death to millions of people." The book, in comics format, is billed as "a tragedy in three acts." Act I covers the first half of 1918 and describes the disease's probable origin in the United States; Act II, the longest section, covers the second half of 1918 and details the inexorable spread of the infection throughout the world; Act III covers 1919 as the epidemic finally begins to fade away-leaving in its wake "incalculable" misery and sorrow. In his illustrations, Brown has a knack for dramatizing details with striking visual angles that produce maximum emotional impact while still conveying solid, accurate information. His text succinctly traces the evolution of the medical disaster with statistics and anecdotes woven in, while his somber, muted palette expertly captures the mood of the period ("America was at war...People had decided to ration happiness along with beef and chicken"). Source notes and a bibliography are appended. Read alongside two more traditional nonfiction accounts that marked the pandemic's centennial, Albert Marrin's Very, Very, Very Dreadful (rev. 3/18) and Kenneth C. Davis's More Deadly Than War. Jonathan Hunt November/December 2019 p.106(c) Copyright 2019. The Horn Book, Inc., a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
Kirkus Review
A general overview of the flu pandemic of 1918.While World War I was raging, a particularly virulent influenza began to strike civilians and soldiers alike. No one knew, at first, that a virus caused the disease, and it spread rapidly and apparently randomlya fact underscored by Brown's (The Unwanted, 2018, etc.) use of statistics regarding mortality rates and the pace of infection from locations around the globe. One of the more confusing aspects of this flu was that it seemed to strike the healthy and young rather than the old and infirm. But this information, along with other factse.g. why black American nurses were not allowed to serve overseasis not explored further. Also not explored, frustratingly, is what made this particular flu so deadly. The story emphasizes the important work of nurses as well as the complete ineffectiveness of health officials and civic leaders in combating the disease and preventing its spread, but it doesn't delve beneath the surface. Brown's illustrations, done in a sketchy style with a muted palette, are clear but lack vigor. The majority of people portrayed are white, and characters of power and interest are mainly white men, but this white male default as a Western society norm is not challenged. The term "colored" is modified with "sic" but is not contextualized.Long on death, short on depth. (source notes, bibliography) (Graphic history. 12-14) Copyright Kirkus Reviews, used with permission.
Booklist Review
As WWI neared its end, the world began another war. From army camps to the world's great cities, Brown presents the terrifying influenza pandemic of 1918 as a three-act tragedy. Brown follows the disease's lightning-fast spread carefully, capturing both its large scale and daily effects on a full one third of humanity. Pertinent historic details and quotes heighten the drama, from the denial by authorities don't even discuss it . . . talk of cheerful things, advised the Philadelphia Inquirer to the blind search for a cure based on a faulty nineteenth-century theory. Brown is comics' premiere chronicler of historical catastrophes, and he knows that the story requires emotional investment. This he finds by, for instance, highlighting the common bravery of nurses and volunteers, and making keen visual choices: a double-page splash showing the life of the city stopped, and intimate panels depicting family corpses laid to rest in a corner of the household. A somewhat abrupt ending relating a scientist's efforts in 1995 doesn't detract from the urgency of the tale.--Jesse Karp Copyright 2019 Booklist
