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What is not yours is not yours : stories /

By: Material type: TextTextPublisher: New York : Riverhead Books, 2016Description: 325 pages ; 22 cmContent type:
  • text
Media type:
  • unmediated
Carrier type:
  • volume
ISBN:
  • 9781594634635
  • 1594634637
Uniform titles:
  • Short stories. Selections
Subject(s): DDC classification:
  • 823/.92 23
LOC classification:
  • PR6115.Y49 A6 2016
Contents:
Books and roses -- "Sorry" doesn't sweeten her tea -- Is your blood as red as this? -- Drownings -- Presence -- A brief history of the homely wench society -- Dornicka and the St. Martin's Day goose -- Freddy Barrandov checks...in? -- If a book is locked there is probably a good reason for that don't you think.
Summary: The stories collected here are linked by more than the exquisitely winding prose of their creator: Helen Oyeyemi's ensemble cast of characters slip from the pages of their own stories only to surface in another. The reader is invited into a world of lost libraries and locked gardens, of marshlands where the drowned dead live and a city where all the clocks have stopped; students hone their skills at puppet school, the Homely Wench Society commits a guerrilla book-swap, and lovers exchange books and roses on St Jordi's Day. It is a collection of towering imagination, marked by baroque beauty and a deep sensuousness.
List(s) this item appears in: Short Story Collections | LGBTQ+ Fiction Reads
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Holdings
Item type Current library Home library Collection Call number Copy number Status Date due Barcode Item holds
Standard Loan Priest River Library Adult Fiction Hayden Library Book OYEYEMI (Browse shelf(Opens below)) 1 On hold 50610020137605 1
Total holds: 1

Enhanced descriptions from Syndetics:

"Transcendent." -- The New York Times Book Review

"Flawless. . . another masterpiece from an author who seems incapable of writing anything that's less than brilliant." -- NPR

From the award-winning author of Boy, Snow, Bird and Mr. Fox comes an enchanting collection of intertwined stories.
 
Playful, ambitious, and exquisitely imagined, What Is Not Yours Is Not Yours is cleverly built around the idea of keys, literal and metaphorical. The key to a house, the key to a heart, the key to a secret--Oyeyemi's keys not only unlock elements of her characters' lives, they promise further labyrinths on the other side. In "Books and Roses" one special key opens a library, a garden, and clues to at least two lovers' fates. In "Is Your Blood as Red as This?" an unlikely key opens the heart of a student at a puppeteering school. "'Sorry' Doesn't Sweeten Her Tea" involves a "house of locks," where doors can be closed only with a key--with surprising, unobservable developments. And in "If a Book Is Locked There's Probably a Good Reason for That Don't You Think," a key keeps a mystical diary locked (for good reason).
 
Oyeyemi's tales span multiple times and landscapes as they tease boundaries between coexisting realities. Is a key a gate, a gift, or an invitation? What Is Not Yours Is Not Yours captivates as it explores the many possible answers.

Books and roses -- "Sorry" doesn't sweeten her tea -- Is your blood as red as this? -- Drownings -- Presence -- A brief history of the homely wench society -- Dornicka and the St. Martin's Day goose -- Freddy Barrandov checks...in? -- If a book is locked there is probably a good reason for that don't you think.

The stories collected here are linked by more than the exquisitely winding prose of their creator: Helen Oyeyemi's ensemble cast of characters slip from the pages of their own stories only to surface in another. The reader is invited into a world of lost libraries and locked gardens, of marshlands where the drowned dead live and a city where all the clocks have stopped; students hone their skills at puppet school, the Homely Wench Society commits a guerrilla book-swap, and lovers exchange books and roses on St Jordi's Day. It is a collection of towering imagination, marked by baroque beauty and a deep sensuousness.

Reviews provided by Syndetics

Library Journal Review

The words original and unique are thrown around quite often to describe authors, but in the case of Oyeyemi (Boy, Snow, Bird), those adjectives are entirely accurate. In her newest work, a short story collection, these loosely interconnected tales (each has a lock and/or key as one of its elements, and characters from one work may appear in another) beguile listeners while also keeping them slightly off balance. Expectations are met, then thwarted, and the pieces turn in unexpected ways. Characters surprise and, in surprising, delight. Readers Ann Marie Gideon, Piter Marek, and Bahni Turpin bring these incandescent stories to life in entrancing and wonderful ways. -Oyeyemi's singular voice is the key that opens the door to this beautifully imagined and finely wrought collection. VERDICT Recommended most highly to those who love literary fiction.-Wendy Galgan, St. Francis Coll., Brooklyn © Copyright 2016. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

Publishers Weekly Review

In her first story collection, Oyeyemi (Boy, Snow, Bird) conjures present-day Europe, made enticingly strange by undercurrents of magic, and populated by ghosts, sentient puppets, and possible witches alongside middle-aged psychiatrists, tyrants, and feminist undergrads. Loosely linked by a theme of keys and doors, many of the stories feature female protagonists discovering their sexuality or coming into their own. In "'Sorry' Doesn't Sweeten Her Tea," 14-year-old Aisha and Tyche, her father's colleague, send the goddess Hecate to torment teen idol Matyas Füst for beating a prostitute; in "A Brief History of the Homely Wench Society," Aisha's sister, Dayang, is a member of a women's society at Cambridge University, waging a good-natured war against the Bettencourt Society, a rival all-male club. "Drownings" is an allegorical tale set in a dictatorship where citizens are "drowned in the gray marshlands deep in the heart of the country." "Dornicka and the St. Martin's Day Goose" is a retelling of Little Red Riding Hood, draw on Eastern European history and lore. And in "Presence," a married couple in London undergo a pharmaceutical trial causing them to hallucinate a son they never had, a "makeless" boy. Readers will be drawn to Oyeyemi's contagious enthusiasm for her characters and deep sympathy for their unrequited or thwarted loves. Agent: Jin Auh, Wylie Agency. (Mar.) © Copyright PWxyz, LLC. All rights reserved.

School Library Journal Review

Keys are central to the short stories in this collection; they can either open or lock away something of significance for the characters. All of the tales are intertwined with themes of search and possible retrieval, which will draw young adult readers into worlds that are sometimes secretive and sometimes elusive; they will be able to easily identify with that search of self that so often comes with adolescence. The characters are relatable to YA readers, from the young woman looking for her long-lost mother and heritage to the hopeful music fan wanting to find the best in a broken artist. These worlds and characters are complex and passionate, and readers will find themselves longing for more once the stories end. Even though the settings are quite strange (a locked library, a city of stopped clocks, a marshland of the drowned), there's a complexity here and the brilliant prose gently pulls readers in, encouraging them to identify with the characters. VERDICT A must-add to libraries, this work will appeal to fans of literary fiction.-April Sanders, Spring Hill College, Mobile, AL © Copyright 2016. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

Booklist Review

Oyeyemi, who penned the magical novels Mr. Fox (2011) and Boy Snow Bird (2014), offers an equally imaginative set of nine short stories. Lovers populate the pages of these fable-like tales, pining passionately as their quest for a beloved takes them on bewitching journeys. For Radha in is your blood as red as this?, it means enrolling in a puppetry school in pursuit of Myrna, the beautiful instructor who catches her eye at a party. Myrna puts Radha off by choosing another student as her apprentice, but Radha is not to be deterred as she studies under another instructor and is given a puppet who used to be a live woman. In books and roses, Montse, a laundress who was left at a chapel as a baby and raised by monks, learns about her mother's passionate love affair with a wealthy recluse as she herself falls in love with a painter haunted by her own lost love. And love turns to loathing when a teenager's pop star idol brutalizes a prostitute in sorry' doesn't sweeten her tea. A beguiling collection.--Huntley, Kristine Copyright 2016 Booklist

Kirkus Book Review

These nine casually interlocking stories, set in a familiar yet surreal contemporary world, overflow with the cerebral humor and fantastical plots that readers have come to expect from Oyeyemi (Boy Snow Bird, 2014). The opener, "Books and Roses," sets the tone: stories within stories and a fittingly cockeyed view of Gaudi's architecture as two women in Barcelona share their experiences in abandonment while searching for the loved ones who left them behind. Most of the volume takes place in England, with nods toward Eastern Europe. In " 'Sorry' Doesn't Sweeten Her Tea," weight-loss clinician Anton becomes increasingly involved in raising his boyfriend's two adolescent daughters, Aisha and Dayang, while fishsitting for a traveling friend. The story seems straightforward until Anton's friend falls in long-distance love with a mystery woman who's entered his locked house without a key and Anton's co-worker Tyche helps Aisha recover from a crisis in disillusionment by casting a spell from the Greek goddess Hecate. Tyche returns as a student puppeteer in "Is Your Blood as Red as This?," which layers creepy echoes of Pinocchio onto realistically genuine adolescent sexual confusion. Readers realize Tyche's fellow students Radha and Myrna have ended up sexually happy-ever-after when they pop up in "Presence" to lend their shared apartment to a psychologist so she and her grief-counselor husband can carry out the ironically eponymous science-fiction experiment that forces the psychologist to accept the absences in her life. While Aisha appears as a filmmaker employing puppets in "Freddy Barrandov ChecksIn?," Dayang stars as ingnue in "A Brief History of the Homely Wench Society," a post-feminist romantic comedy about warring men's and women's societies at Cambridge. Several stories are pure fairy tale, like "Dornicka and the St. Martin's Day Goose," a twisted take on "Little Red Riding Hood," and "Drownings," in which good intentions defeat a murderous tyrant. For all the portentous metaphors (keys and locks appear in every story) and all the convoluted and fabulist narrations, Oyeyemi's stories are often cheerfully sentimental. Copyright Kirkus Reviews, used with permission.

Author notes provided by Syndetics

Helen Oyeyemi was born on December 10, 1984 in Nigeria. She attended Corpus Christie College and later graduated form Cambridge University in 2006. She has authored seven books including: Boy, Snow, Bird, What is Not Yours in Not Yours, Mr. Fox and The Icarus Girl. She won the PEN/Open Book Award in 2017 for "What is Not Yours is Not Yours".

(Bowker Author Biography)

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