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What was mine : a novel /

By: Material type: TextTextPublisher: New York : Gallery Books, 2016Description: 323 pagesContent type:
  • text
Media type:
  • unmediated
Carrier type:
  • volume
ISBN:
  • 9781476732350 (paperback)
  • 1476732353 (paperback)
Subject(s): Genre/Form: DDC classification:
  • 813/.6 23
LOC classification:
  • PS3618.O845263 W53 2016
Other classification:
  • FIC044000 | FIC045000 | FIC019000
Summary: "Simply told but deeply affecting, this urgent novel unravels the heartrending yet unsentimental tale of a woman who kidnaps a baby in a superstore--and gets away with it for twenty-one years"--
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Holdings
Item type Current library Home library Collection Call number Copy number Status Date due Barcode Item holds
Standard Loan Coeur d'Alene Library Adult Fiction Coeur d'Alene Library Book ROSS (Browse shelf(Opens below)) 1 Available 50610020434697
Standard Loan Kellogg Library Adult Paperback Kellogg Library Book ROSS (Browse shelf(Opens below)) Withdrawn 50610020421843
Standard Loan Liberty Lake Library Adult Fiction Liberty Lake Library Book FIC ROSS (Browse shelf(Opens below)) Available 31421000542507
Standard Loan Rathdrum Library Adult Paperback Rathdrum Library Book ROSS (Browse shelf(Opens below)) 1 Available 50610020397589
Total holds: 0

Enhanced descriptions from Syndetics:

"A suspenseful, moving look at twisted maternal love and the limits of forgiveness." -- People

"Not only a terrific, spellbinding read but a fascinating meditation on the choices we make and the way we love." --Elin Hilderbrand, New York Times bestselling author

Simply told but deeply affecting, in the bestselling tradition of Alice McDermott and Tom Perrotta, this urgent novel unravels the heartrending yet unsentimental tale of a woman who kidnaps a baby in a superstore--and gets away with it for twenty-one years.

Lucy Wakefield is a seemingly ordinary woman who does something extraordinary in a desperate moment: she takes a baby girl from a shopping cart and raises her as her own. It's a secret she manages to keep for over two decades--from her daughter, the babysitter who helped raise her, family, coworkers, and friends.

When Lucy's now-grown daughter Mia discovers the devastating truth of her origins, she is overwhelmed by confusion and anger and determines not to speak again to the mother who raised her. She reaches out to her birth mother for a tearful reunion, and Lucy is forced to flee to China to avoid prosecution. What follows is a ripple effect that alters the lives of many and challenges our understanding of the very meaning of motherhood.

Author Helen Klein Ross, whose work has appeared in The New Yorker , weaves a powerful story of upheaval and resilience told from the alternating perspectives of Lucy, Mia, Mia's birth mother, and others intimately involved in the kidnapping. What Was Mine is a compelling tale of motherhood and loss, of grief and hope, and the life-shattering effects of a single, irrevocable moment.

"Simply told but deeply affecting, this urgent novel unravels the heartrending yet unsentimental tale of a woman who kidnaps a baby in a superstore--and gets away with it for twenty-one years"--

Reviews provided by Syndetics

Publishers Weekly Review

Ross crafts a surprisingly sensitive meditation on the definitions of family and motherhood around a ripped-from-the-tabloids story. Reeling from a collapsed marriage and yearning to be a mother, Lucy Wakefield is perhaps not totally in her right mind when she snatches an unattended four-month-old infant from an Ikea shopping cart. Renaming the baby Mia, Lucy raises her to adulthood without arousing suspicion from the child's family, friends, or nanny. Twenty-one years later, though, a convoluted twist involving a bestselling novel and a few Facebook searches brings the secret to light, and Mia is confronted with the shocking truth. As Lucy flees to China to avoid prosecution, Mia travels from New York to California to meet her birth family, but for Mia, coming to terms with this information is not quite so simple as assuming her old identity, and however angry she feels at Lucy, she finds it hard to reconcile the warm, loving mother she's known with the actions of a kidnapper. Although the process by which Mia's abduction comes out seems unrealistic and the shifting first-person narration doesn't fully cohere, Ross deftly creates genuinely sympathetic characters and emotionally resonant prose around what could have felt sensationalistic. (Jan.) © Copyright PWxyz, LLC. All rights reserved.

Booklist Review

Lucy Wakefield never planned to steal her. The baby was alone, buckled into a cart at IKEA, listing sideways with a toothy grin. Lucy thought she'd just take her outside for some air since the IKEA was so aggressively air-conditioned. In a daze, Lucy brought the baby home and watched the news reports roll in. Lucy knew the baby was named Natalie, but she was too terrified of the legal consequences to return her to Marilyn, her panicked mother. She decided to call the baby Mia. With cleverly forged documents and a believable adoption story, Mia and Lucy became the family Lucy always imagined, until Mia finds out about her abduction. A story of three women learning to navigate new love and loss, What Was Mine is an emotionally-grounded read. Ross weaves the lives of Marilyn, Lucy, and Mia together, charting the decades-long aftershocks that come from one fateful decision. By giving readers the chance to examine what may be unforgivable, Ross brings an entirely new twist to the usual abduction story. Fans of Gillian Flynn and Maria Semple will enjoy the intensely introspective What Was Mine.--Turza, Stephanie Copyright 2015 Booklist

Kirkus Book Review

An infertile advertising executive leaves IKEA with another woman's baby and, despite "promises to the universe," keeps her. When a co-worker suggested "visualization" after Lucy Wakefield's unsuccessful fertility treatments, Lucy furnished a nursery. Her husband, suspecting she'd never move on, left her. When Lucy spots a baby slumped in an IKEA cart, she's overcome. "I can honestly say that my only intention in reaching into the cart was to right the baby. But as soon as I pressed my palms against her doughy arms, I felt a force so strong I can still feel the bind in my chest." She tells herself they'll just get some fresh air but goes home and names the child Mia. From the beginning readers know she doesn't get away with it forever. The novel is told in first-person chapters from the points of view of Lucy; Mia's biological mother, Marilyn; Mia when she's 21; and several more peoplesome have a cameo, others get many chapters. It's never clear who they're speaking to, which adds to the strangeness. Marilyn moves to northern California and gets into yoga and crystals; she's a little too perfectly positioned to help Mia heal from "bad energy" when she discovers the truth. Lucy sets up that discovery in a fairly unbelievable way, then escapes immediate repercussions through another unreal plot twist. All of this is consistent with the improbable premise that an otherwise successful, stable woman would help herself to a stranger's baby. But suspending disbelief when reading well-written fiction can be pleasant. Ross' prose is both readable and enjoyable, and she touches on interesting ideas about identity, family, and the malleability of the human psyche. Palatable lies that, once digested, potentially reveal some unpalatable truths, not unlike ads. Copyright Kirkus Reviews, used with permission.

Author notes provided by Syndetics

Helen Klein Ross is a poet and novelist whose work has appeared in The New Yorker , The Los Angeles Times , The New York Times , and in The Iowa Review where it won the 2014 Iowa Review award in poetry. She graduated from Cornell University and received an MFA from The New School. Helen lives with her husband in New York City and Salisbury, CT.

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