Kirkus Review
Two men shape lives of uncommon integrity. In his radiant first novel, Irish musician Hession (aka Mumblin' Deaf Ro) takes readers into the quiet, seemingly ordinary world of two unusual men, both in their 30s, both solitary by nature: Leonard, who writes entries for children's encyclopedias, and Hungry Paul, a substitute postman, who works, when needed, on Mondays. Leonard lived with his mother, who has just died; Hungry Paul, with his parents, a retired economist and his cheerful wife, a primary school teacher, nearly retired herself. Although gossips may disparage an adult still living with parents as indolent, Hession portrays the men with respect and generosity. Hungry Paul "never left home because his family was a happy one, and maybe it's rarer than it ought to be that a person appreciates such things." The two appreciate their friendship as well: They play board games together, take walks, and confide in one another. Their friendship is a pact "to resist the vortex of busyness and insensitivity that had engulfed the rest of the world. It was a pact of simplicity, which stood against the forces of competitiveness and noise." Of the two, Hungry Paul seems the more content, blessed with an inviolable "mental stillness" and "natural clarity" that inure him to troubling thoughts: "He just had no interest in, or capacity for, mental chatter." Leonard is more inclined to second-guess himself and to conjure problems. He becomes afraid that withdrawing from the world might narrow his perspective, turn him "vinegary," and make other people seem increasingly "unfathomable and perplexing." He wants to open himself to experiences but worries that if Hungry Paul is content within his small universe, Leonard's yearning to break out of his "own palpable milky loneliness" will threaten their friendship. The prospect of change propels the plot, prodding each man to articulate, with surprising self-awareness, the depths of his identity and to realize, as Hungry Paul reflects, that "making big decisions was just as consequential as not making them." No one is "entirely outside of life's choices; everything leads somewhere." A charming, luminous debut. Copyright (c) Kirkus Reviews, used with permission.
Booklist Review
Children's encyclopedia writer Leonard's mother has recently died, leaving him the family home. His best friend, Hungry Paul, is a substitute postman. He lives with his parents, and his family is in the midst of preparations for his older sister's wedding. These lonely, thirtysomething bachelors have been friends for years, convening regularly for game nights and quiet conversation. Both suffer from "lack of assertiveness and lifelong social invisibility," but small changes begin to nudge the two into the world. An office mate begins to flirt with Leonard, and he screws up the courage to ask her on a date. For his part, Hungry Paul enters a contest to devise a new closing for emails, and he wins. His timid forays into the world have unexpected repercussions when he connects with (of all people) a mime, which leads to possibilities for independence. Readers in search of high drama and action will not find it in Hession's understated debut; rather, they will meet lovely, beautifully-realized characters. An especially delightful read for Anglophiles.
Library Journal Review
DEBUT Leonard ghostwrites children's encyclopedias. Hungry Paul is a substitute postman. They are best friends who both live with parents, enjoy learning and discussing facts, and prefer strategic board games to other forms of entertainment. When Leonard's mother passes away a few weeks before Hungry Paul's sister, Grace, is to marry, they find themselves poised at the thresholds of diverging futures. For Leonard, a budding romance may fall apart because of his guilelessness. And Grace has been pushing the idea that Hungry Paul needs to get a full-time job and leave their parents' house, for the good of all. These and other circumstances compel both men beyond their comfort zones, and their friendship undergoes some strain. But their decency prevails, and their friendship expands as they embrace new experiences. In the end, Leonard and Hungry Paul's love for each other and for others around them might change the world for the better. VERDICT Dublin-based songwriter Hession has written a tender and hilarious debut. The title characters are unforgettable, and their shared amazement of the world is a gift to readers. Essential reading, especially in these times.--John G. Matthews, Washington State Univ. Libs., Pullman
Excerpts
CHAPTER ONE Leonard was raised by his mother alone with cheerfully concealed difficulty, his father having died tragically during childbirth. Though she was not by nature the soldiering type, she taught him to look at life as a daisy chain of small events, each of which could be made manageable in its own way. She was a person for whom kindness was a very ordinary thing, who believed that the only acceptable excuse for not having a bird feeder in the back garden was that you had one in the front garden. As sometimes happens with boys who prefer games to sports, Leonard had few friends but lots of ideas. His mother understood with intuitive good sense that children like Leonard just need someone to listen to them. They would set off to the shops discussing conger eels and have a deep conversation about Saturn's moons on the way back; they would talk about tidal waves at bath time, and say goodnight with a quick chat about the man with the longest fingernails in the Guinness Book of World Records. But Leonard grew up at a time when quiet, imaginative children did not yet enjoy the presumption of innocence. His mother often found herself having to take his side against ornery teachers who complained that they found it impossible to get through to him. With patient maternal endurance she would sit by herself at parent-teacher meetings explaining that, like his late father, he 'just lacked a Eureka face.' Even into his thirties, Leonard's mother still liked to fuss over him, buying his favourite ham for lunch--the one with fewer veins running through it--leaving tea by the bedside for when he woke up, and ironing well-meaning creases into his jeans, which Leonard would quietly iron out later. He repaid her thoughtfulness by keeping her company through her later years and generally including her in the uncrowded bandwidth of his life. Leonard was not exactly sure, but there must have come a point when their relationship grew from a purely filial one into one of partnership. Though an adult son living with his widowed mother is a situation about which society has yet to adopt a formal position, it is clearly seen in second-best terms. Insofar as anyone noticed, they might have assumed that she was overbearing or that he lacked initiative and possibly a sex drive. In reality, neither sought to limit or interfere with the other, both being independent people who liked their own space and who, quite simply, got along. Leonard did recall some awkwardness around the suggestion that they go on holidays together, though he was not entirely certain which of them had first proposed it. Mother/daughter holidays are normal of course, and father/son trips are famously storied as a way to come of age. Mother/son holidays, though, have the connotation that one of them must be a burden on the other. But truth be told, they were well suited as travelling companions. She was a keen walker and had good gallery feet, being able to wander around any reasonable exhibition in its entirety without being distracted by the gift shop honeypot that drew in tired women half her age. They both liked churches and even though Leonard was not religious himself, much of the world's art is. He would enjoy visiting famous paintings and sculptures in European cathedrals, while his mother would busy herself lighting a candle in the side chapel for her fragile, long-departed husband. She had never really asked Leonard about girls, knowing the delicacy of the subject for him, and also because of her own doubts about whether his apparently celibate life was due to a lack of interest or opportunity. For Leonard, the fact that he still lived at home with his mother led to a certain self-restraint on practical grounds. He had wondered what would have happened had he brought a girl home only for them to wake up to two cups of tea at the bedside the next morning. His mother passed away unexpectedly one midweek night in her sleep, tucked into a duvet with her clothes all laid out for the next day, her neatness being a sign of her respect for the small things in her life. The doctor noted the cause of death as a heart attack, but emphasised that there were no signs of suffering or drama. He said that her heart must have simply 'run out of beats.' As Leonard was a shy only child of two shy only children, it was a small funeral. The front of the church was practically empty with the exception of Leonard, as people tended to underestimate their relative closeness to the deceased and sit several rows further back than they should. With no extended family to rely on, Leonard had to multi-task at the funeral: reading the prayers of the faithful, bringing up the offertory gifts, and taking care of all the other minor jobs that are usually done by cousins and in-laws. The priest's sermon was a generic one about death and hope, which was a relief for Leonard, as his mother disliked it when people summarised a dead person's life in a glib caricature. Had he had the courage, Leonard would have spoken up and said that his mother looked after everyone in her life as though they were her garden birds: that is to say, with unconditional pleasure and generosity. At the crematorium, her coffin was launched through the red drapes on a set of rails in a slightly halting motion, fittingly reminiscent of the Ghost Train she so enjoyed at the funfair. With her fear of heights and contests, she had often found funfairs a bit of a trial, but went for Leonard's sake and enjoyed the Ghost Train as it was basically a slow drive through a dark fluorescent art gallery. As the curtains closed over the coffin to the strains of 'Nothing Rhymed' by her favourite singer, Gilbert O'Sullivan, Leonard wiped a tear from his glasses and headed back to the family home, now his home, as an orphan. When an only child loses their second parent, the calendar of the generations turns a page. There are practicalities and arrangements to take care of, but there is also a more general facing up to things. Ready or not, here they come. The result is an alloy of sadness and bewilderment. It was in this state, with his mood tuned down an octave, that Leonard spent his first few weeks after the funeral: staring at a pie cooking in the oven; lingering over a bag of sunflower hearts at the bird feeder; or pausing sadly with a highlighter over an entry in the TV guide. If, during that period, you were to ask him what was on his mind or otherwise use the commonplace ways of snapping someone out of it--that is to say, interrupting them for no reason--he would have been at a loss to tell you, his mundane consciousness returning like a cat who walks in after being away for a few days without any explanation. After dinner each evening, he would sit on the couch in that customary way of single men for whom time is something to fill rather than spend. He would open one of the historical biographies waiting patiently on his bookcase, several of which had bookmarks just a few pages in, the subjects yet to get beyond their childhood. He found book shops to be comforting places and book buying a comforting activity, but he was an absent-minded reader these days, the act of reading that much more solitary without his mother pottering around the house in the background. He would sit at the table and try to copy sketches from A Birdwatcher's Year--a Sanderling scuttling along the shore, or a Guillemot with its eggs shaped like a pear to stop them from rolling off cliffs--but, with nobody to show the sketches to, he became careless about the details on the feathers and the subtlety of the colours. And of course there was always the TV: supreme among alternatives, though strangely distant when there is no longer someone else on the couch to talk about it with. Had Leonard been a different type of person he might have gone to the pub to meet some friends for an evening of darts, dominoes, cards or other prison games, but nothing made him feel lonelier these days than the thought of spending time in the company of extroverts. It is at times like this that we find out who our true friends are, or in Leonard's case, we call upon our only friend. And so, to avoid or fill that stale chapter of the evening, Leonard had made it a habit to take refuge in the company of Hungry Paul. CHAPTER TWO Hungry Paul still lived with his parents at the family home he had grown up in. He was now more than thirty years through his allotted three score and ten, and to an outside busybody it might have seemed that he had no 'go' in him, or maybe that he was hoping to outlast his parents en route to easy home ownership. But Hungry Paul was a man whose general obliviousness defied gossip. In truth, he never left home because his family was a happy one, and maybe it's rarer than it ought to be that a person appreciates such things. His father, Peter, had worked for many years as an economist, but was now retired and living off a pension provided by the invisible hand of the market. He was bald, though it was as if his baldness had been caused by gravity, with the hair drawn from his scalp into his head, now tufting out of his ears, nose and eyebrows. Hungry Paul's mother, Helen, was a nearly-retired teacher, now down to two days a week. Helen had also taught Leonard for two years in primary school and used to praise his drawings, telling him that he had 'brains to burn if he would only use them,' which is the kindest possible way of calling someone lazy. Like any teacher who meets a former pupil as an adult, she always greeted Leonard with a genuine welcoming gladness. She met Peter after he had stopped one day to give her directions to an art exhibition and then invited himself along. They fell in love effortlessly. Their initial chemistry broadened into physics and then biology, until they were blessed with Hungry Paul's older sister Grace as their first child. They then had Hungry Paul after two difficult miscarriages and, understandably in the circumstances, they treasured him. As a couple, Helen and Peter continued to share the closeness of two people who have been through a lot together. On Hungry Paul's suggestion they had named their house 'Parley View' after a French song that he had once heard at a rugby club. Helen had insisted on a bird-friendly back garden and bee-friendly front garden, while Peter handled what he called 'internal maintenance': hanging pictures, changing light bulbs and doing all the things you can do to a needy house without buying much in the way of proper tools. Grace had long since moved out and was preparing for her impending wedding, a project that was being managed with the help of nightly phone calls to Helen, whose role largely involved lots of listening, punctuated by interjections of 'I know love, I know' every now and again in a soothing maternal voice. When Leonard arrived that evening, Peter answered the door with his usual smile and his bright happy-to-see-you eyes. 'Come on in Leonard, come on in.' Leonard entered with a needless drying of his clean shoes on the doormat, a gesture of social respect rather than hygiene. In the front room Helen was doing a jigsaw on a tea tray. It looked like a picture of an impressionist painting but it was hard to tell with just the edges completed so far. Her tea was balanced on the arm of the couch in a way that Leonard's mother would never have allowed. Peter and Helen resumed their habitual couch positions, nestled in like two jigsaw pieces themselves. 'How've you been, Leonard--everything getting back to normal? I'm sure you've a lot to sort out,' said Helen, getting the sensitive subjects out of the way early and gently. 'Getting there,' answered Leonard, not specifically referring to the normality, the grieving or the sorting out. 'It's good to see you--help yourself,' she said, pointing to an Easter egg opened three weeks ahead of schedule, the guilt neutralised by sharing. Leonard took a big bit, tried to break off a smaller, more respectable portion, but decided just to eat it all once it broke up into his lap. The TV was paused in the middle of University Challenge, one of Leonard's favourite programmes. Peter's style was to sit in readiness and then shout machine-gun guesses once a contestant buzzed: 'Thomas Cromwell, NO, Oliver Cromwell, NO...' just ahead of an impossibly well-rounded twenty-year-old answering 'Cardinal Wolsey.' In contrast to Peter's machine gun was Helen's sniper rifle. She liked to work on something else--a crossword, Sudoku puzzle or, like tonight, a jigsaw--pretending she wasn't listening. And then, on some obscure question that had both teams stumped, she would deliver the correct answer from nowhere, hardly looking up. It was usually something unguessable, like an event that had happened in a leap year or that King Someone the Someteenth was a twin. She pretended not to enjoy how one of her coolly delivered correct answers could cancel out half a dozen of Peter's panicked guesses. One time, Peter recorded an episode and learned the first twenty answers just to blow her mind when they watched it later, which he duly did, although we'll never know if Helen truly fell for it, or just enjoyed the lengths to which he was still prepared to go to impress her after all these years. Above all, what held their interest in the programme was that the two of them genuinely believed in young people. They rooted for them and forgave them any overconfidence, seeing something pure and perfect in any bright young person who had made the most of a good education. Excerpted from Leonard and Hungry Paul by Ronan Hession All rights reserved by the original copyright owners. Excerpts are provided for display purposes only and may not be reproduced, reprinted or distributed without the written permission of the publisher.