Crossings : consisting of three manuscripts /

Enhanced descriptions from Syndetics:

"A sparkling debut. Landragin's seductive literary romp shines as a celebration of the act of storytelling." -- Publishers Weekly

"Romance, mystery, history, and magical invention dance across centuries in an impressive debut novel." -- Kirkus Reviews (Starred Review)

"Deft writing seduces the reader in a complex tale of pursuit, denial, and retribution moving from past to future. Highly recommended." -- Library Journal (Starred Review)

Alex Landragin's Crossings is an unforgettable and explosive genre-bending debut--a novel in three parts, designed to be read in two different directions, spanning a hundred and fifty years and seven lifetimes.

On the brink of the Nazi occupation of Paris, a German-Jewish bookbinder stumbles across a manuscript called Crossings . It has three narratives, each as unlikely as the next. And the narratives can be read one of two ways: either straight through or according to an alternate chapter sequence.

The first story in Crossings is a never-before-seen ghost story by the poet Charles Baudelaire, penned for an illiterate girl. Next is a noir romance about an exiled man, modeled on Walter Benjamin, whose recurring nightmares are cured when he falls in love with a storyteller who draws him into a dangerous intrigue of rare manuscripts, police corruption, and literary societies. Finally, there are the fantastical memoirs of a woman-turned-monarch whose singular life has spanned seven generations.

With each new chapter, the stunning connections between these seemingly disparate people grow clearer and more extraordinary. Crossings is an unforgettable adventure full of love, longing and empathy.

Reviews provided by Syndetics

Library Journal Review

DEBUT This highly imaginative novel allows the reader to decide the order of the narrative. Read sequentially, the book is a related set of intersecting tales. Read as defined by a note to the reader, the book assumes an interleaved wholeness, with the end of the story occurring in the middle. The premise of the tale is the existence of the human ability to "cross," that is, to switch consciousness between two bodies. This first occurs on a remote Pacific isle where a Native, Koahu, crosses with a French ship's doctor. A second islander, Alula, crosses with a seaman from the same ship to pursue Koahu, her soul mate. Thus begins the world- and time-spanning journey of Alula pursuing Koahu. Multiple lives are touched through multiple crossings, including those of the famous poet Charles Baudelaire and his lover Madeleine. The narrative is made more complex by a malevolent force pursuing the original lovers. VERDICT This novel is outstanding for its sheer inventiveness. The alternative ordering of chapters creates a tension that heightens the awareness of the interlocking aspects of time and space, while deft writing seduces the reader in a complex tale of pursuit, denial, and retribution moving from past to future. Highly recommended. [See Prepub Alert, 1/15/20.]--Henry Bankhead, San Rafael P.L., CA

Publishers Weekly Review

Landragin careens through time, space, and multiple genres in his ambitious, sparkling debut. The reader is given a choice in the preface by the first of many narrators, a Paris bookbinder who claims to have discovered a manuscript: read it cover to cover, or follow mysterious instructions for zigzagging through three separate narratives. One of these is purportedly a lost story written by the poet Charles Baudelaire. Another follows doomed lovers, a mysterious woman named Madeleine and a man who may or may not be the German-Jewish writer Walter Benjamin, searching for Baudelaire's lost manuscript on the eve of the Nazi occupation of Paris. The third is told by a pre-colonial south sea island magus who travels through history via the souls of others, including Baudelaire and Madeleine, to link the three stories together. Landragin colors each section with playful references to other historical figures, from French navigator Etienne Marchand to Coco Chanel and Arthur Koestler. While tacking back and forth through the three narratives is going to require more effort than some readers will be willing to give, the author has a talent for injecting intrigue and answers into his literary puzzle at all the right moments while deepening themes of memory and migration. Landragin's seductive literary romp shines as a celebration of the act of storytelling. (July)

Kirkus Book Review

Romance, mystery, history, and magical invention dance across centuries in an impressive debut novel. Landragin layers historical fiction, metafiction, mystery, fantasy, myth, and romance in a way that might remind readers of such books as Cloud Atlas, Life After Life, The Time Traveler's Wife--or even Dan Brown's conspiracy-based adventures, albeit with more elegant prose. Its preface begins with a metafictional tease: "I didn't write this book. I stole it." The narrator sets forth the history of three manuscripts delivered to him for bookbinding by a wealthy client in contemporary Paris. Each novella has a different author/narrator, including two based on real people: There's a creepy story supposedly written by poet Charles Baudelaire, a World War II noir romance by critic/novelist Walter Benjamin, and a surrealistic memoir by someone described as "a kind of deathless enchantress." The tales' relation to one another, the preface narrator promises, will be revealed, whether we read the three in order or in the "Baroness sequence," named for the manuscript's ill-fated owner, which interlaces chapters from all three into one novel. "The Education of a Monster" is Baudelaire's self-portrait of a colossally self-centered snob. His poetic reputation endures, however, in Benjamin's "City of Ghosts," as the posh Baudelaire Society becomes the epicenter of a breathless mystery, playing out as the Nazis advance upon the city. "Tales of the Albatross" is the fantastic story that lies behind the other two, beginning with the arrival of the first Europeans on a remote island in Polynesia. Narrated by a young woman called Alula, its tragic love story is set in motion when a crossing, or rather two of them, occurs. Long practiced by the island's people, the crossing is a spiritual exchange in which two carefully prepared individuals pass into each other's bodies. But these crossings go terribly sideways, and Alula's search for her beloved, Koahu, will take her through seven bodies and across two centuries, through the lives of a globe-circling sailor, a woman born enslaved on a Louisiana plantation, a terribly disfigured Belgian heiress, and a hypnotist-turned-psychologist, among others. In whatever order you read, Landragin carries off the whole handsomely written enterprise with panache. This novel intrigues and delights with an assured orchestration of historical research and imaginative flights. Copyright (c) Kirkus Reviews, used with permission.

Author notes provided by Syndetics

ALEX LANDRAGIN is a French-Armenian-Australian writer. Currently based in Melbourne, Australia, he has also resided in Paris, Marseille, Los Angeles, New Orleans and Charlottesville. He has previously worked as a librarian, an indigenous community worker and an author of Lonely Planet travel guides in Australia, Europe and Africa. Alex holds an MA in Creative Writing from the University of Melbourne and occasionally performs early jazz piano under the moniker Tenderloin Stomp. Crossings is his debut novel.