A view of the empire at sunset /

Enhanced descriptions from Syndetics:

Award-winning author Caryl Phillips presents a biographical novel of the life of Jean Rhys, the author of Wide Sargasso Sea , which she wrote as a prequel to Charlotte Brontë's Jane Eyre .

Caryl Phillips's A View of the Empire at Sunset is the sweeping story of the life of the woman who became known to the world as Jean Rhys. Born Ella Gwendolyn Rees Williams in Dominica at the height of the British Empire, Rhys lived in the Caribbean for only sixteen years before going to England. A View of the Empire at Sunset is a look into her tempestuous and unsatisfactory life in Edwardian England, 1920s Paris, and then again in London. Her dream had always been to one day return home to Dominica. In 1936, a forty-five-year-old Rhys was finally able to make the journey back to the Caribbean. Six weeks later, she boarded a ship for England, filled with hostility for her home, never to return. Phillips's gripping new novel is equally a story about the beginning of the end of a system that had sustained Britain for two centuries but that wreaked havoc on the lives of all who lived in the shadow of the empire: both men and women, colonizer and colonized.

A true literary feat, A View of the Empire at Sunset uncovers the mysteries of the past to illuminate the predicaments of the present, getting at the heart of alienation, exile, and family by offering a look into the life of one of the greatest storytellers of the twentieth century and retelling a profound story that is singularly its own.

Table of contents provided by Syndetics

• I Going Home (p. 1)
• II Home (p. 17)
• III Aunt Clarice (p. 69)
• IV Performance (p. 91)
• V Love (p. 125)
• VI Continental Drift (p. 197)
• VII Mr. and Mrs. Smith (p. 227)
• VIII Two Journeys (p. 253)
• IX All at Sea (p. 267)
• X A Now Empty World (p. 289)

Reviews provided by Syndetics

Publishers Weekly Review

Following The Lost Child, Phillips's haunting novel centers on the life and work of Jean Rhys, born Ella Gwendolyn Williams and most celebrated for her novel Wide Sargasso Sea. The story opens in 1930s London, as the author and her second husband, Leslie Tilden Smith, plan a voyage to the West Indies. Jean hopes that showing Leslie her birthplace will help him understand her sense of alienation; Leslie wants to soothe his wife's coldness and alcoholic caprice. The trip still pending, Phillips shifts to his protagonist's childhood as the daughter of a Welsh doctor and a Creole mother in the Dominican city of Roseau. Sent from her beloved homeland to England for schooling at 16, the wayward and homesick Gwennie has an incomprehensible accent, "mongrel" looks, and the persistent unease of an outsider. A string of marginal careers and unsatisfactory relationships, two children lost in different ways, and an emerging talent for fiction lead to her meeting with Leslie, an agent who appreciates her writing. Closing the novel and bringing its narrative full circle, the couple's trip to the Caribbean is in equal measure revelatory and futile. The brief vignettes and small, disquieting moments from which Phillips crafts his story push against the epic grandeur its scope suggests. Though Rhys fans might be disappointed by Phillips's decision to depict little of her literary development, they will appreciate the rich echoes of Wide Sargasso Sea, another novel of untamed "misfit" women, colonial wreckage, the West Indies, and the power dynamics of gender and race. Phillips is at his best in this powerful evocation of Rhys's vision, which illuminates both her time and the present. (May) © Copyright PWxyz, LLC. All rights reserved.

Booklist Review

*Starred Review* Distinguished novelist and essayist Phillips (Color Me English, 2011) explores with rigor and artistry the ever-aftereffects of the toxic double-helix of racism and imperialism embodied in the African diaspora. In The Lost Child (2015), Phillips improvised on Emily Brontë's Wuthering Heights. In his eleventh novel, he performs a daring fictionalization of the life and psyche of Jean Rhys, an earlier British West Indian immigrant writer who reimagined another cherished English classic, Charlotte Brontë's Jane Eyre, in Wide Sargasso Sea (1966). Born on the island of Dominica just as the sun was beginning to set on the British Empire, Gwen is sent to England at age 16, where she is made to feel freakish; works as a chorus girl; drinks to excess; and, as both mistress and wife, relies on men to support her. Alluringly waiflike yet intractable, Gwen is preemptively observant, stoic, depressed, hostile and often hysterical, even dangerous. Phillips' hypnotic interpretation of the first half of Gwen's life is riddled with strategic lacunae, so that the sudden mention of her writing cracks the bitter gloom like a lightning bolt. Phillips' bravura, empathic, and unnerving performance makes the real-world achievement of his muse all the more surprising and significant.--Seaman, Donna Copyright 2018 Booklist

Kirkus Book Review

Another novel with a Bront connection from the award-winning British author.Long before she became known for writing the feminist classic Wide Sargasso Sea, the author Jean Rhys was a girl named Ella Gwendolyn Rees Williams. Phillips begins his fictional account of Rhys' life with her childhood on the island of Dominica, in the British West Indies. In his last book, The Lost Child (2015), Phillips used Wuthering Heights as the inspiration for a modern story about race and colonialism. The connections between Emily Bront's life and work and Phillips' own novel were both rich and subtle. Race and colonialism are key themes, here, too, but their treatment is less thought-provoking, in part because race and colonialism are such obvious factors in Rhys' biography and her masterpiece. For instance, it comes as no surprise that young Gwendolen's (this is the spelling Phillips uses) mother doesn't want her to socialize with the child of "Negro" servants, and Phillips' depiction of the moment when Gwendolen is forever separated from her friend goes unexamined. Indeed, this novel is, for the most part, written in a blandly expository style, and it often veers dangerously close to clich. Also, Phillips makes the stylistic choice to refer to his protagonist only as "she" (except when other characters refer to her in dialogue), regardless of any interfering antecedent, and there are many instances in which this is confusing, even for the reader who's learned to expect it. After The Lost Child, this novel is a bit of a letdown. This is surprising, too, because Rhys led an undeniably unusual life. After she left homeat her parents' insistencefor England at the age of 16, she studied acting. She spent much of the 1920s in Paris. She had numerous lovers and three husbands. And her oeuvre, though small, has been hugely influential, especially for female writers and academics. Phillips is under no obligation to make his protagonist sensational, of course, but he doesn't even make her interesting. We get that Gwen is high-strung. We watch as she endures disappointments and tragedies. We see all this as if from a distance. There's no depth here.A lackluster novel from a great writer. Copyright Kirkus Reviews, used with permission.

Author notes provided by Syndetics

Caryl Phillips, 1958 - Author Caryl Phillips was born in St. Kitts on March 13, 1958. He received a B.A. with honors from Oxford University and soon after began his writing career. He is now professor at Yale University and a visiting professor at Barnard College of Columbia University. Phillips has received many awards and fellowships and was appointed to the post of chief editor of the Faber and Faber Caribbean writers' series.

Phillips' writing explores the challenges of dealing with such divisions as race and heritage, and investigates how they were created in the first place. In "Cambridge," he presents his characters confused identities and frequently compares their personal histories and questions the process of how stories become known as history. He draws links between groups, like the Jews during the Holocaust or Victorian women, to make analogies for the West Indian situation.

(Bowker Author Biography)