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Hench : a novel /

By: Material type: TextTextPublisher: New York, NY : William Morrow, an imprint of HarperCollinsPublishers, [2020]Edition: First editionDescription: 403 pages : illustrations ; 24 cmContent type:
  • text
Media type:
  • unmediated
Carrier type:
  • volume
ISBN:
  • 9780062978578
  • 0062978578
Subject(s): Genre/Form: DDC classification:
  • 813/.6 23
LOC classification:
  • PR9199.4.W3444 H46 2020
Summary: Anna does boring things for terrible people because even criminals need office help and she needs a job. As a temp, she's just a cog in the machine. But when she finally gets a promising assignment, everything goes very wrong, and an encounter with the so-called 'hero' leaves her badly injured. So, of course, then she gets laid off. With no money and no mobility, with only her anger and internet research acumen, she discovers her suffering at the hands of a hero is far from unique. When people start listening to the story that her data tells, she realizes she might not be as powerless as she thinks. Because the key to everything is data: knowing how to collate it, how to manipulate it, and how to weaponize it.
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Holdings
Item type Current library Home library Collection Call number Copy number Status Date due Barcode Item holds
Standard Loan Coeur d'Alene Library Adult Fiction Coeur d'Alene Library Book WALSCHO (Browse shelf(Opens below)) 1 Available 50610022720960
Standard Loan Hayden Library Adult Fiction Hayden Library Book WALSCHO (Browse shelf(Opens below)) 1 Available 50610022896968
Total holds: 0

Enhanced descriptions from Syndetics:

"This book is fast, furious, compelling, and angry as hell." -- Seanan McGuire, New York Times bestselling author

The Boys meets My Year of Rest and Relaxation in this smart, imaginative, and evocative novel of love, betrayal, revenge, and redemption, told with razor-sharp wit and affection, in which a young woman discovers the greatest superpower--for good or ill--is a properly executed spreadsheet.

Anna does boring things for terrible people because even criminals need office help and she needs a job. Working for a monster lurking beneath the surface of the world isn't glamorous. But is it really worse than working for an oil conglomerate or an insurance company? In this economy?

As a temp, she's just a cog in the machine. But when she finally gets a promising assignment, everything goes very wrong, and an encounter with the so-called "hero" leaves her badly injured. And, to her horror, compared to the other bodies strewn about, she's the lucky one.

So, of course, then she gets laid off.

With no money and no mobility, with only her anger and internet research acumen, she discovers her suffering at the hands of a hero is far from unique. When people start listening to the story that her data tells, she realizes she might not be as powerless as she thinks.

Because the key to everything is data: knowing how to collate it, how to manipulate it, and how to weaponize it. By tallying up the human cost these caped forces of nature wreak upon the world, she discovers that the line between good and evil is mostly marketing. And with social media and viral videos, she can control that appearance.

It's not too long before she's employed once more, this time by one of the worst villains on earth. As she becomes an increasingly valuable lieutenant, she might just save the world.

A sharp, witty, modern debut, Hench explores the individual cost of justice through a fascinating mix of Millennial office politics, heroism measured through data science, body horror, and a profound misunderstanding of quantum mechanics.

Anna does boring things for terrible people because even criminals need office help and she needs a job. As a temp, she's just a cog in the machine. But when she finally gets a promising assignment, everything goes very wrong, and an encounter with the so-called 'hero' leaves her badly injured. So, of course, then she gets laid off. With no money and no mobility, with only her anger and internet research acumen, she discovers her suffering at the hands of a hero is far from unique. When people start listening to the story that her data tells, she realizes she might not be as powerless as she thinks. Because the key to everything is data: knowing how to collate it, how to manipulate it, and how to weaponize it.

Reviews provided by Syndetics

Library Journal Review

Walschots's (Doom: Love Poems for Supervillians) adventure-filled new novel takes the lead character of a villain's henchwoman, with all the potential for evil, and creates a reluctant and sympathetic antihero. Anna does boring temp desk jobs for villains and is questioning her career choices until one job places her in the middle of a superhero vs. villain fight. She ends up being severely injured by the superhero, which turns her life around, but not quite the way the hero imagined. She realizes how much damage superhero fights cause to the people who become unintentional victims. With her data analysis acumen, she is able to catch the eye of villainous mastermind Leviathan, who hires her to oust his opponents. A superb marketing strategy causes people to begin questioning whether the good and evil personas are as clear-cut as they seem. There is a price to all this so-called justice and Anna means to reveal both its ugliness and its potential. VERDICT Smart, witty, and at times bloody, this book will please comic book fans who wish to take a jab at the superhero tropes, as well as readers who enjoy dark humor with a bit of satire tossed into the mix. [See Prepub Alert, 3/4/20.]--Lucy Roehrig, Ann Arbor Dist. Lib., MI

Booklist Review

Hold on to your capes, there's a new superpower in town in the form of, um, data analysis? In Anna's world, Superheroes and Supervillains are very real, so naturally they have their trusty sidekicks and evil henchmen. In reality, henching isn't as evil or dangerous as you might think--most henches are just regular folks trying to get by. Anna does temp work for villains, but she's just a data nerd. If she had a superpower, it would be making spreadsheets. But her boring, static life gets rocked when she has a quite literal run-in with the national icon of heroes: Supercollider. Angered by being cast aside as collateral damage, Anna decides to dig into the data. How much death and destruction do heroes cause as a consequence of their "heroism"? What she finds shocks her and catapults her into the heart of the battle between heroes and villains. In this refreshing, subversive, and darkly humorous debut novel, poet and journalist Walscholts slowly reveals the nuances of her superpower-filled world, keeping readers guessing. Hench reads like a comic without the illustrations and is packed with subplots and rapid-fire wit. With a diverse and inclusive cast of characters, Walschots' original tale performs a brilliant and exciting variation on the superhero trope and is not to be missed.

Kirkus Book Review

An aggrieved Millennial henchwoman sets out to prove that not all heroes are super in poet Walschots' fiction debut. Shortly after freelance "hench" Anna Tromedlov lands a full-time job entering data for Electrophorous Industries, her boss--a minor supervillain known as the Electric Eel--offers her some fieldwork. Anna is nervous but excited--until she discovers that she's simply female set dressing for the Eel's latest press conference. When her employer publicly announces that he's holding the mayor's son for ransom, Supercollider--an A-list superhero--crashes through the window, saving the boy but killing multiple henches and shattering Anna's femur in the process. Upon learning that her surgically repaired leg will take six months to heal, a laid-off Anna moves in with her best friend, fellow hench June. While convalescing, Anna starts calculating approximately how many dollars and life-years the Supercollider and other so-called "heroes" have cost not just her, but the world at large. She posts her findings online, earning public scorn--and the attention of Leviathan, the world's most infamous supervillain and Supercollider's archnemesis. Evocative prose, acerbic wit, and patient yet propulsive pacing complement Walschots' sophisticated plot, which juxtaposes philosophic profundity with brutal, meticulously choreographed action. Boldly drawn characters of sundry ethnicities, sexualities, and gender identities engage in realistically complex relationships that evolve (and devolve) over the course of the tale, illustrating the relativity of good and evil, the corrupting influence of power, and the necrotic nature of revenge. A fiendishly clever novel that fizzes with moxie and malice. Copyright (c) Kirkus Reviews, used with permission.

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