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Hystopia : a novel /

By: Material type: TextTextPublisher: New York : Farrar, Straus and Giroux, 2016Edition: First editionDescription: pagesContent type:
  • text
Media type:
  • unmediated
Carrier type:
  • volume
ISBN:
  • 9780865479135
  • 0865479135
Subject(s): Genre/Form: DDC classification:
  • 813/.54 23
LOC classification:
  • PS3563.E195 H97 2016
Other classification:
  • FIC019000
Summary: "By the early 1970s, President John F. Kennedy has survived several assassination attempts and--martyred, heroic--is now in his third term. Twenty-two-year-old Eugene Allen returns home from his tour of duty in Vietnam and begins to write a war novel--a book echoing Catch-22 and Slaughterhouse-Five--about veterans who have their battlefield experiences "enfolded," wiped from their memories through drugs and therapy. In Eugene's fictive universe, veterans too damaged to be enfolded stalk the American heartland, reenacting atrocities on civilians and evading the Psych Corps, a federal agency dedicated to upholding the mental hygiene of the nation by any means necessary. This alternative America, in which a veteran tries to reimagine a damaged world, is the subject of Hystopia, the long-awaited first novel by David Means. The critic James Wood has written that Means's language "offers an exquisitely precise and sensuous register of an often crazy American reality." Means brings this talent to bear on the national trauma of the Vietnam era in a work that is outlandish, ruefully funny, and shockingly violent. Written in conversation with some of the greatest war narratives from the Iliad to the Rolling Stones' "Gimme Shelter," Hystopia is a unique and visionary novel"--
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Enhanced descriptions from Syndetics:

LONGLISTED FOR THE MAN BOOKER PRIZE

At the bitter end of the 1960s, after surviving multiple assassination attempts, President John F. Kennedy is entering his third term in office. The Vietnam War rages on, and the president has created a vast federal agency, the Psych Corps, dedicated to maintaining the nation's mental hygiene by any means necessary. Soldiers returning from the war have their battlefield traumas "enfolded" -- wiped from their memories through drugs and therapy -- while veterans too damaged to be enfolded roam at will in Michigan, evading the government and reenacting atrocities on civilians.

This destabilized version of American history is the vision of twenty-two-year old Eugene Allen, who has returned from Vietnam to write the book-within-a-book at the center of Hystopia . In conversation with some of the greatest war narratives, from Homer's Iliad to the Rolling Stones' "Gimme Shelter," David Means channels the voice of Allen, the young veteran out to write a novel that can bring honor to those he fought with in Vietnam while also capturing the tragic history of his own family.

The critic James Wood has written that Means's language "offers an exquisitely precise and sensuous register of an often crazy American reality." In Hystopia , his highly anticipated first novel, David Means brings his full talent to bear on the crazy reality of trauma, both national and personal. Outlandish and tender, funny and violent, timely and historical, Hystopia invites us to consider whether our traumas can ever be truly overcome. The answers it offers are wildly inventive, deeply rooted in its characters, and wrung from the author's own heart.

"By the early 1970s, President John F. Kennedy has survived several assassination attempts and--martyred, heroic--is now in his third term. Twenty-two-year-old Eugene Allen returns home from his tour of duty in Vietnam and begins to write a war novel--a book echoing Catch-22 and Slaughterhouse-Five--about veterans who have their battlefield experiences "enfolded," wiped from their memories through drugs and therapy. In Eugene's fictive universe, veterans too damaged to be enfolded stalk the American heartland, reenacting atrocities on civilians and evading the Psych Corps, a federal agency dedicated to upholding the mental hygiene of the nation by any means necessary. This alternative America, in which a veteran tries to reimagine a damaged world, is the subject of Hystopia, the long-awaited first novel by David Means. The critic James Wood has written that Means's language "offers an exquisitely precise and sensuous register of an often crazy American reality." Means brings this talent to bear on the national trauma of the Vietnam era in a work that is outlandish, ruefully funny, and shockingly violent. Written in conversation with some of the greatest war narratives from the Iliad to the Rolling Stones' "Gimme Shelter," Hystopia is a unique and visionary novel"--

Reviews provided by Syndetics

Publishers Weekly Review

After four story collections, Means delivers his first novel, and it's a dazzling and singular trip. The novel within this novel is flanked by interviews, editorial clarifications, and multiple attempts at a suicide note by "author" Eugene Allen, a Vietnam vet who reconciles the death of his sister by writing the story of three wounded Vietnam vets and two wounded women connected by repressed-or "enfolded"-trauma. Returning vets have their traumas-and all other associated memories-erased by the Psych Corps, a federal agency created by J.F.K., who has survived six assassination attempts and three terms in office as the 1960s draw to a brutal close. Rake, on whom the enfolding treatment didn't work, frees Meg from Corps treatment and keeps her captive on a murderous rampage across Michigan. They take shelter with fellow vet Hank, who has partially reversed his enfolding treatment and quietly plots to save Meg from Rake. Meanwhile, drug-addled Corps agents Wendy and Singleton embark on a "mission gone haywire" in pursuit of Rake. The two narratives alternate between briefly disorienting perspective shifts but eventually converge. Means (The Spot) writes stunning prose and draws his characters with verve-Rake is a memorable psychopath. This tale reads like an acid flashback, complete with the paranoia, manic monologues, and violent visions, proving that some traumas never go away. (Apr.) © Copyright PWxyz, LLC. All rights reserved.

Booklist Review

*Starred Review* Having established his literary standing with short stories, Means (The Spot, 2010) delivers his long-anticipated debut novel, a compelling, imaginative alternative-history tale about memory and distress. Now in his third presidential term, John F. Kennedy has survived multiple attempts on his life, flaunting his fearlessness in a series of national wave-by tours. Meanwhile, fresh off the battlefield, Vietnam War vet Eugene Allen pens a speculative tale in which the seemingly immortal Kennedy has founded Psych Corps, a government organization committed to preserving the mental state of soldiers and thus the country by expunging their traumatic memories with drugs and therapy, a process called enfolding. Psych Corps agents must track down veterans who have evaded the procedure, a band of whom are wreaking havoc around the Midwest. One such rebel is Rake, an impulsive murderer who leaves his bloody signature in his wake, dragging along his enfolded partner, Meg, who's not sure how she got into this mess. Another enfoldee, Psych Corps agent Singleton, plays by agency rules until he's off the clock, when his affair with a coworker threatens to reawaken his suppressed memories. By turns disturbing, hilarious, and absurd, Means' novel is also sharply penetrating in its depiction of an America all too willing to bury its past.--Fullmer, Jonathan Copyright 2016 Booklist

Author notes provided by Syndetics

David Means was born and raised in Michigan. He is the author of several collections of stories, including The Spot ; Assorted Fire Events , which won the Los Angeles Times Book Prize for fiction; and The Secret Goldfish , which was short-listed for the Frank O'Connor International Short Story Prize. His work has appeared in The New Yorker , Harper's Magazine , Zoetrope , The Best American Short Stories , The O. Henry Prize Stories , and numerous other publications. He lives in Nyack, New York, and teaches at Vassar College.

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