All ears, all eyes

Material Type	Library	Call Number	Item Barcode	Location
Book	Searching... North Andover - Stevens Memorial Library	JP NATURE STORIES JAC	31478003404739	Searching... Unknown
Book	Searching... Boxford Town Library	EJ JAC	32115001771938	Searching... Unknown
Book	Searching... Carlisle - Gleason Public Library	JJ JACKSON	32117001882582	Searching... Unknown
Book	Searching... Chelmsford Public Library	JJ/JACKSON	31480010957097	Searching... Unknown
Book	Searching... Essex - T.O.H.P. Burnham Free Library	E JAC	32119000351486	Searching... Unknown
Book	Searching... Hamilton-Wenham Public Library	JJ JAC	30470001528354	Searching... Unknown
Book	Searching... Haverhill Public Library	J/PIC/JACKSON	31479006834583	Searching... Unknown
Book	Searching... Ipswich Public Library	JE JACKSON	32122002624785	Searching... Unknown
Book	Searching... Lowell - Pollard Memorial Library	J-E JAC	31481005192930	Searching... Unknown
Book	Searching... Manchester-by-the-Sea Public Library	JJ JAC	32124001788678	Searching... Unknown
Book	Searching... Middleton - Flint Public Library	JJ JAC	32126001498885	Searching... Unknown
Book	Searching... Newbury Town Library	JJ JAC	32127001137358	Searching... Unknown
Book	Searching... Newburyport Public Library	J JA / PICTURE	32128003514180	Searching... Unknown
Book	Searching... North Reading - Flint Memorial Library	JJ JAC	31550002223912	Searching... Unknown
Book	Searching... Topsfield Town Library	JJ JACKSON	32133002282763	Searching... Unknown
Book	Searching... West Newbury - G.A.R. Memorial Library	JJ JAC	32135001367420	Searching... Unknown
Book	Searching... Westford - J.V. Fletcher Library	E JACKSON	31990004453630	Searching... Unknown
Book	Searching... Wilmington Memorial Library	PICTURE BOOK JACKSON	32136003215625	Searching... Unknown

Shh...look...listen...to the sounds of the dark say Goodnight!

What sails? What flies? Those...these, Down low, nearby, far off, up high.
Who listens? Who looks? Who hears? Who sees?

An homage to the melodies of nighttime, to each critter that sings, hoots, or glows, All Ears, All Eyes takes us on a moonlit journey where the landscape shimmers with Fantasia-like beauty. Where if you look and listen, you might spy an owl, a deer, a chipmunk--or--what else!--before falling asleep.

Reviews (5)

School Library Journal Review

PreS-Gr 2-A forest night setting created with watercolor and digital techniques at first connotes quiet and stillness, but from beginning to end, this story encourages readers to look closer and listen deeper to discover a symphony of sight and sound. As the day starts to fade, an owl sits practically camouflaged in a tree, painted in the same blues and purples as the leaves. When night falls, the following pages repeat the technique, and many of the creatures cannot be seen until they, surprisingly and delightfully, become visible. This pairs well with the questions and cadence of the text ("What surprises? What sings? Crick-crick-crickets chirring in the thick-thick-thickets."). There's no need to fear the dark knowing that there's such company stirring within it, and yet even with this noise and activity, the ending provides a gentle send-off to slumber. VERDICT This lovely, evocative selection is a guessing game and a soothing bedtime offering that's perfect for reading aloud, especially to young animal and nature lovers.-Joanna K. Fabicon, Los Angeles Public Library © Copyright 2017. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

Publisher's Weekly Review

Using words that glint and sparkle, Jackson (In Plain Sight) captures human perceptions of the forest at twilight. Lyrical ("as light falls and night rises") and warm ("Nature's ark glows"), Jackson's fragmentary lines suggest a dialogue between two voices-an adult and a child?-and their observations create a darkness that is inviting, mysterious, and full of life, without being threatening. "What scoots between roots?" asks one voice as a porcupine scuttles past a towering tree. Spots of light suggest moonlight amid the dark greens, blues, mauves, and lavenders of Tillotson's (Shoe Dog) artwork, making the environment easier to discern and the animals identifiable-an owl on a branch, a fox darting between tree trunks, a mouse on a limb. In other scenes, Tillotson concentrates on the way that the deepening twilight allows for only ghostly glimpses of the nearby creatures, like the silhouette of a cat that walks right in front of the reader ("Where? There! Shhh"). There are no fireworks, no high-flown language-just an immediate and vivid connection to the living world. Ages 4-8. (Mar.) © Copyright PWxyz, LLC. All rights reserved.

Horn Book Review

"An owl hoots in our dim-dimming woods. / Who-who." As the sun sets in a forest, viewers must keep their senses alert to catch all the activity in Tillotson's atmospheric pictures, glowing with saturated color, and Jackson's impressionistic text. Illustrations done in watercolor and with digital techniques create a deepening twilight that camouflages all the creatures to which the text calls attention, using questions, labels, description, and onomatopoeia ("Crick-crick-crickets / chirring / in the thick-thick-thickets"). The woods get darker with each page-turn, and the words provide a subtle guide to what might be present on each page: "Fox, mouse, owl, bat, / this and that / (was that a cat?) / in our deep, dark woods. / Where? / There! / Shhh." By the end, the sun has set, the moon has risen, and the woods and the book have both become quite dark, contrasting with the bright stars in the sky. Suited for the slow pace of bedtime, the text works most effectively when read with extra pauses, leaving time for looking and noticing. julie roach(c) Copyright 2017. The Horn Book, Inc., a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

Kirkus Review

This quiet book explores what happens in a forest as day slips into night. Under a full moon, the landscape glows, exposing various night creatures and their activities. The air above resounds with the hooting of owls and the whirring of bats. On the ground, other creatures stir. A porcupine "scoots between roots." Others prowl through the shadows, such as a fox, a deer, and mice. Others make no sounds at all, like the fireflies that fill the night with glowing lights. Jackson's sparse but sensory text entices readers' imaginations while sparking their curiosity. Its rich onomatopoeia adds to the story's enjoyment, while its quiet pace creates a soothing bedtime story for young readers. Tillotson's mottled illustrations that sneakily play with positive and negative space complement the text. Digitally worked watercolors hold on to the fading light, shapes morphing from page to page so that leaves become eyes; translucent print in varying typefaces and fonts floats on the page, in motion with the forest creatures. Readers will relish finding the veiled creatures in the darkening woodsboth those that are mentioned on the pages and those that are not. In addition to fostering observational skills in young children, this book could also tie in well with primary grade environmental curricula. Dazzling. (Picture book. 4-7) Copyright Kirkus Reviews, used with permission.

Booklist Review

*Starred Review* Look closely: Do you see the owl sitting in the leaves on the front cover? Are you all eyes? Now listen: Do you hear the chomping of raccoons, who are the same burnt orange as the sundown? Are you all ears? Whether you look up or down, there are messages everywhere. Jackson's text, full of evocative words (whirring, chirring, stirring), takes us on a journey into the growing darkness: at first, just a dim-dimming woods; later, the dark is near brimming now. The text, with rhyme that delights and surprises, is big and bold for main concepts, smaller and closer to the background hues when describing some of the animal action. Tillotson's illustrations take us full circle, from bright leaves swirling on a white background on the opening end pages to luminescent ones swirling against the dark sky as the book closes. The colors of the approaching nightfall are soft, the images impressionistic, and lots of swirls and horizontal lines propel viewers forward. Like Mordicai Gerstein's The Night World (2015), this is a celebration of the approaching darkness and all that happens in the night. Repeat visits reveal new images hidden within the illustrations, and the gentle text lends itself well to read-alouds. A lovely book from start to finish.--Ching, Edie Copyright 2017 Booklist

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