Self-portrait in black and white : unlearning race

Title:

Author:

Williams, Thomas Chatterton, 1981- author.

Personal Author:

Williams, Thomas Chatterton, 1981- author.

ISBN:

9780393608861

Edition:

First edition.

Physical Description:

174 pages ; 22 cm

Contents:

The view from near and far -- Marrying out -- Self-portrait of an ex-black man -- Epilogue: The shape of things to come.

Abstract:

"A meditation on race and identity from one of our most provocative cultural critics. A reckoning with the way we choose to see and define ourselves, Self-Portrait in Black and White is the searching story of one American family's multigenerational transformation from what is called black to what is assumed to be white. Thomas Chatterton Williams, the son of a 'black' father from the segregated South and a 'white' mother from the West, spent his whole life believing the dictum that a single drop of 'black blood' makes a person black. This was so fundamental to his self-conception that he'd never rigorously reflected on its foundations -- but the shock of his experience as the black father of two extremely white-looking children led him to question these long-held convictions. 'It is not that I have come to believe that I am no longer black or that my daughter is white,' Williams writes. 'It is that these categories cannot adequately capture either of us.' Beautifully written and bound to upset received opinions on race, Self-Portrait in Black and White is an urgent work for our time"-- Provided by publisher.

Personal Subject:

Williams, Thomas Chatterton, 1981-

Subject Term:

African Americans -- Race identity.

Racially mixed people -- Biography.

Racially mixed people -- Race identity.

Whites -- Race identity.

Geographic Term:

United States -- Race relations.

Genre:

Autobiographies.

Summary:

Holds:

Available:*

Library	Material Type	Shelf Number	Status
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Summary

A reckoning with the way we choose to see and define ourselves, Self-Portrait in Black and White is the searching story of one American family's multigenerational transformation from what is called black to what is assumed to be white. Thomas Chatterton Williams, the son of a "black" father from the segregated South and a "white" mother from the West, spent his whole life believing the dictum that a single drop of "black blood" makes a person black. This was so fundamental to his self-conception that he'd never rigorously reflected on its foundations--but the shock of his experience as the black father of two extremely white-looking children led him to question these long-held convictions.

It is not that he has come to believe that he is no longer black or that his kids are white, Williams notes. It is that these categories cannot adequately capture either of them--or anyone else, for that matter. Beautifully written and bound to upset received opinions on race, Self-Portrait in Black and White is an urgent work for our time.

Reviews (1)

Kirkus Review

A standout memoir that digs into vital contemporary questions of race and self-imageamong the most relevant, "What is proximity to the idea of whiteness worth and what does color cost? And the reverse?"Williams (Losing My Cool: How a Father's Love and 15,000 Books Beat Hip-Hop Culture, 2010), a 2019 New America Fellow and contributing writer at the New York Times Magazine, moves away from the "Black Man" label to offer a chronicle of why he is aiming to think of himself as "an ex-Black Man." Raised in the 1980s in New Jersey by a "black" father and a "white" mother, the author grew up thinking of himself as black. The trigger for writing this lyrical, incisive memoir was the birth of his daughter in 2013, followed by a son. They are also mixed-race given the author's marriage to Valentine, a Frenchwoman. (The family resides in Paris.) Though Williams is determined to move beyond categorizations of "black" and "white," in order to communicate clearly in this memoir, he knows he must rely heavily "on our language's descriptive conventions," which he explains in the opening author's note. We see the author's psychological struggle as he thinks through the conundrums, including what the confusion might mean for his white-looking children. In the hands of a lesser writer, the back and forth of his pondering could have sunk the memoir. However, it succeeds spectacularly for three main reasons: the author's relentlessly investigative thought process, consistent candor, and superb writing style. Almost every page contains at least one sentence so resonant that it bears rereading for its impact. The lengthy prologue is grounded heavily in discussions of race as a social construct. Part 1 takes readers through Williams' adolescence, Part 2 through his marriage, and Part 3 through dealing with his family on both sides. In the epilogue, the author speculates on "the shape of things to come." Shelve this one alongside Kiese Laymon's Heavy, Mitchell Jackson's Survival Math, and Imani Perry's Breathe.An insightful, indispensable memoir. Copyright Kirkus Reviews, used with permission.