From the magical moments on set as Draco Malfoy to the challenges of growing up in the spotlight, get a backstage pass into Tom Felton's life on and off the big screen with this audiobook read by the author.
Tom Felton's adolescence was anything but ordinary. His early rise to fame in beloved films like The Borrowers catapulted him into the limelight, but nothing could prepare him for what was to come after he landed the iconic role of the Draco Malfoy, the bleached blonde villain of the Harry Potter movies. For the next ten years, he was at the center of a huge pop culture phenomenon and yet, in between filming, he would go back to being a normal teenager trying to fit into a normal school. 

 

Speaking with great candor and his signature humor, Tom shares his experience growing up as part of the wizarding world while also trying to navigate the muggle world. He tells stories from his early days in the business like his first acting gig where he was mistaken for fellow blonde child actor Macaulay Culkin and his Harry Potter audition where, in a very Draco-like move, he fudged how well he knew the books the series was based on (not at all). He reflects on his experiences working with cinematic greats such as Alan Rickman, Sir Michael Gambon, Dame Maggie Smith, and Ralph Fiennes (including that awkward Voldemort hug). And, perhaps most poignantly, he discusses the lasting relationships he made over that decade of filming, including with Emma Watson, who started out as a pesky nine-year-old whom he mocked for not knowing what a boom mic was but who soon grew into one of his dearest friends. Then, of course, there are the highs and lows of fame and navigating life after such a momentous and life-changing experience.

 

Tom Felton's Beyond the Wand is an entertaining, funny, and poignant must-read for any Harry Potter fan. Prepare to meet a real-life wizard.

In this eighth installment in Alexander McCall Smith's captivating Isabel Dalhousie series, our irrepressible heroine tries to untangle complex questions about both the past and the present. Isabel's new friend Jane Cooper, a visiting Australian philosopher who was adopted as a small child, has come to Edinburgh searching for information about her biological father. Naturally, Isabel is more than happy to offer her services. At the same time, she must find time for her own concerns: her young son Charlie, who's leaving babyhood further behind each day; her housekeeper Grace, who has recently begun getting financial advice from her spiritualist; her niece Cat, who's in a new relationship, and the most pressing question of all: when and how Isabel and Jamie will finally get married. As she investigates the forgotten affairs of youth Isabel begins to wonder what those affairs lead to in the present, and in the process she discovers a whole new understanding of the meaning of family.

Nothing in the whole of literature compares with The Master and Margarita. Full of pungency and wit, this luminous work is Bulgakov's crowning achievement, skilfully blending magical and realistic elements, grotesque situations and major ethical concerns. Written during the darkest period of Stalin's repressive reign and a devastating satire of Soviet life, it combines two distinct yet interwoven parts, one set in contemporary Moscow, the other in ancient Jerusalem, each brimming with incident and with historical, imaginary, frightful and wonderful characters. Although completed in 1940, The Master and Margarita was not published until 1966 when the first section appeared in the monthly magazine Moskva. Russians everywhere responded enthusiastically to the novel's artistic and spiritual freedom and it was an immediate and enduring success. This new translation has been made from the complete and unabridged Russian text.

A powerful new history of the idea of race, forcing us to rethink today's culture wars.
Is white privilege real? Does American history begin in 1619 or 1776? Why has left-wing antisemitism grown? How racist is the working class? Who benefits most, when anti-racists speak in racial terms? These very different questions have all emerged from today's heated debates around race, identity and culture.
Not So Black and White offers that clarity by taking the long view, explaining the real origins of 'race' in Western thought, and tracing its path from those beginnings to today's fractious world. In doing so, the book upends many accepted views about race, identity, whiteness and privilege.
Leading thinker Kenan Malik interweaves three narratives: the history of the idea of race, from the Enlightenment to the present; the historical and current relationship between race and class; and his account of how we created a world riven by identity politics. Through these histories, he challenges longstanding assumptions, revealing forgotten stories of a racialised working class, and questioning fashionable concepts like cultural appropriation.
Not So Black and White is both a lucid history that rewrites the story of race and class, and an elegant polemic making an anti-racist case against the politics of identity.

Five years ago, Matt Starks' drug addiction cost him his family, his job, everything. As bad off as he was, he could still tell that he was no longer able to care for Tara, the golden retriever puppy he had rescued and nursed back to health, so he took her to the shelter, which is where defense lawyer Andy Carpenter found her. Now, Matt has turned his life around. He's working as a counselor at the rehab clinic that saved him, and he has gotten his family back. Everything has been made right. That's until the police show up with charges of murder. Five years ago, a college student and daughter of a prominent businessman was killed in a fire. At the time, scientific techniques weren't sound enough to test the DNA and get conclusive results. But now they are, and the findings point right at Matt. Ellen, his wife, can't lose him again. Without the money to hire a top lawyer, she goes to Andy, but is there anything that he can do to save the man who saved Tara? Andy will have to pull out all of his tricks, both old and new, to get to the bottom of this cold case turned white hot.

A man walks into a trendy Los Angeles restaurant -- a disgruntled ex-employee with an automatic weapon -- and seconds later, thirteen people are dead and thirty-two more have been wounded. It is a heinous act of mass slaughter that haunts Homicide Detective Peter Decker.
But, though eyewitnesses saw only the lone gunman -- who apparently took his own life after his bloody work was done -- evidence suggests more than one weapon was fired. It is a disturbing inconsistency that sends Decker racing headlong into a sordid, labyrinthine world of Southern California money and power, on an investigation that threatens to destroy his reputation and his career.