School Library Journal Review
Gr 1--4--Hans Christian Andersen's stories are such a prevalent part of children's literature that readers sometimes forget they were written in the 1800s. Traveling by stagecoach in 1800s Denmark, a seven-year-old girl named Elsa and her mother meet an older gentleman who offers to tell the child a fairy tale to pass the time. The book's design uses many graphic novel elements. Some pages are divided into panels with rounded edges; others are full-bleed illustrations. Instead of using speech bubbles, the book places text within the image panel or outside the frame. Kastelic presents the narrative and Andersen's fairy tales in soft but vibrant watercolors, while the retelling of Andersen's own past is rendered in a sepia palette. Poetic language conveys the magical qualities of Andersen's life and the hardships he faced, while the illustrations depict enchanting, unexpected scenes. As Andersen talks to Elsa, he describes many of his stories, such as "The Ugly Duckling," "The Snow Queen," and "Thumbelina." A brief note above the copyright information reveals that references to familiar authors of children's literature and famous children's book characters "crept" into the illustrations. VERDICT This lovely book should be savored. The pages should be studied for every detail, then read alongside Andersen's stories for a wholly immersive experience.--Lucinda Snyder Whitehurst, St. Christopher's Sch., Richmond, VA
Publisher's Weekly Review
This fanciful picture biography by Janisch opens as a girl in a coach headed for Copenhagen puts a startling question to the passenger sitting across from her: "Are you old?" Kindly Hans Christian Andersen is happy to answer this question and more: "I'm always pleased to meet inquisitive children." He traces, as if telling one of his own stories, the arc from his family's poverty and his father's illness ("All night long the family could hear him coughing and talking feverishly") to fame and success ("The son of the poor cobbler was now being invited to the homes of lords and princes"). He speaks of the power of fairy tales to "hold a mirror out in front of other people without them realizing it." With a featherlight touch, Kastelic paints Andersen's earlier life in somber sepias and switches to full-color, bright spreads as his fame grows. Readers will smile over scenes from Andersen's tales: swans reflected on lakes, courtiers in doublets and parti-colored leggings, swallows darting to and fro. Janisch's story reads like a fairy tale, and, more gratifyingly, it ends like one, too. Ages 4--8. (Sept.)
Booklist Review
On a coach ride to Copenhagen, the elegantly clad Andersen entertains a young fellow passenger with the story of a Danish lad named Hans who, despite a childhood "full of great big holes through which there blew a very cold, wild wind," nonetheless learned how to fly thanks to the fairy tales his father read to him. In response to her questions, he proceeds to show how several of his best-known tales are mirrors, reflecting both his own experiences and those of his readers. Kastelic illustrates this perceptive introduction to the great writer and his work with a mix of sequential panels and larger scenes, in sepia (for past life events) or full color (for the coach and storyscapes). Among her graceful, delicately drawn figures, sharp-eyed viewers may spot not only Andersen's creations but occasional nods to other classic tales. An afterword fills in further details. Aside from the stories themselves, this lyrical outing offers younger audiences the best insight into Andersen's life and gifts since Jane Yolen's The Perfect Wizard (2005).