The secret history of Wonder Woman /

Enhanced descriptions from Syndetics:

A riveting work of historical detection revealing that the origin of one of the world's most iconic superheroes hides within it a fascinating family story--and a crucial history of twentieth-century feminism

Wonder Woman, created in 1941, is the most popular female superhero of all time. Aside from Superman and Batman, no superhero has lasted as long or commanded so vast and wildly passionate a following. Like every other superhero, Wonder Woman has a secret identity. Unlike every other superhero, she has also has a secret history.

Harvard historian and New Yorker staff writer Jill Lepore has uncovered an astonishing trove of documents, including the never-before-seen private papers of William Moulton Marston, Wonder Woman's creator. Beginning in his undergraduate years at Harvard, Marston was influenced by early suffragists and feminists, starting with Emmeline Pankhurst, who was banned from speaking on campus in 1911, when Marston was a freshman. In the 1920s, Marston and his wife, Sadie Elizabeth Holloway, brought into their home Olive Byrne, the niece of Margaret Sanger, one of the most influential feminists of the twentieth century. The Marston family story is a tale of drama, intrigue, and irony. In the 1930s, Marston and Byrne wrote a regular column for Family Circle celebrating conventional family life, even as they themselves pursued lives of extraordinary nonconformity. Marston, internationally known as an expert on truth--he invented the lie detector test--lived a life of secrets, only to spill them on the pages of Wonder Woman.

The Secret History of Wonder Woman is a tour de force of intellectual and cultural history. Wonder Woman, Lepore argues, is the missing link in the history of the struggle for women's rights--a chain of events that begins with the women's suffrage campaigns of the early 1900s and ends with the troubled place of feminism a century later.

Excerpt provided by Syndetics

The Splash Page Wonder Woman is the most popular female comic-book superhero of all time. Aside from Superman and Batman, no other comic-book character has lasted as long. Like every other superhero, Wonder Woman has a secret identity. Unlike every other superhero, she also has a secret history. Superman first bounded over tall buildings in 1938. Batman began lurking in the shadows in 1939. Wonder Woman landed in her invisible plane in 1941. She was an Amazon from an island of women who had lived apart from men since the time of ancient Greece. She came to the United States to fight for peace, justice, and women's rights. She had golden bracelets; she could stop bullets. She had a magic lasso; anyone she roped had to tell the truth. To hide her identity, she disguised herself as a secretary named Diana Prince; she worked for U.S. military intelligence. Her gods were female, and so were her curses. "Great Hera!" she cried. "Suffering Sappho!" she swore. She was meant to be the strongest, smartest, bravest woman the world had ever seen. She looked like a pin-up girl. In 1942, she was recruited to the Justice Society of America, joining Superman, Batman, the Flash, and Green Lantern; she was the only woman. She wore a golden tiara, a red bustier, blue underpants, and knee-high, red leather boots. She was a little slinky; she was very kinky. Over seven decades, across continents and oceans, Wonder Woman has never been out of print. Her fans number in the millions. Generations of girls have carried their sandwiches to school in Wonder Woman lunch boxes. But not even Wonder Woman's most ardent followers know the true story of her origins. She's as secret as a heart. In an episode from 1944, a newspaper editor named Brown, desperate to discover Wonder Woman's secret past, assigns a team of reporters to chase her down. She easily escapes them, outrunning their car in her high-heeled boots, leaping like an antelope. Brown, gone half mad, suffers a breakdown and is committed to a hospital. Wonder Woman, taking pity on him, puts on a nurse's uniform and brings him a scroll. "This parchment seems to be the history of that girl you call 'Wonder Woman'!" she tells him. "A strange, veiled woman left it with me." Brown leaps out of bed and, not stopping to change out of his hospital johnny, races back to the city desk, where he cries out, parchment in hand, "Stop the presses! I've got the history of Wonder Woman!" Brown's nuts; he hasn't really got the history of Wonder Woman. All he's got is her Amazonian legend. This book has got something else. The Secret History of Wonder Woman is the result of years of research in dozens of libraries, archives, and collections, including the private papers of Wonder Woman's creator, William Moulton Marston--papers that have never been seen by anyone outside of Marston's family. I read the published material first: newspapers and magazines, trade journals and scientific papers, comic strips and comic books. Then I went to the archives. I didn't find anything written on parchment; I found something better: thousands of pages of documents, manuscripts and typescripts, photographs and drawings, letters and postcards, criminal court records, notes scribbled in the margins of books, legal briefs, medical records, unpublished memoirs, story drafts, sketches, student transcripts, birth certificates, adoption papers, military records, family albums, scrapbooks, lecture notes, FBI files, movie scripts, the carefully typed meeting minutes of a sex cult, and tiny diaries written in secret code. Stop the presses. I've got the history of Wonder Woman. Wonder Woman isn't only an Amazonian princess with badass boots. She's the missing link in a chain of events that begins with the woman suffrage campaigns of the 1910s and ends with the troubled place of feminism fully a century later. Feminism made Wonder Woman. And then Wonder Woman remade feminism, which hasn't been altogether good for feminism. Superheroes, who are supposed to be better than everyone else, are excellent at clobbering people; they're lousy at fighting for equality. But Wonder Woman is no ordinary comic-book superhero. The secrets this book reveals and the story it tells place Wonder Woman not only within the history of comic books and superheroes but also at the very center of the histories of science, law, and politics. Super- man owes a debt to science fiction, Batman to the hard-boiled detective. Wonder Woman's debt is to the fictional feminist utopia and to the struggle for women's rights. Her origins lie in William Moulton Marston's past, and in the lives of the women he loved; they created Wonder Woman, too. Wonder Woman is no ordinary comic-book character because Marston was no ordinary man and his family was no ordinary family. Marston was a polymath. He was an expert in deception: he invented the lie detector test. He led a secret life: he had four children by two women; they lived together under one roof. They were masters of the art of concealment. Their favorite hiding place was the comics they produced. Marston was a scholar, a professor, and a scientist; Wonder Woman began on a college campus, in a lecture hall, and in a laboratory. Marston was a lawyer and a filmmaker; Wonder Woman began in a courthouse and a movie theater. The women Marston loved were suffragists, feminists, and birth control advocates. Wonder Woman began in a protest march, a bedroom, and a birth control clinic. The red bustier isn't the half of it. Unknown to the world, Margaret Sanger, one of the most influential feminists of the twentieth century, was part of Marston's family. Wonder Woman has been fighting for women's rights for a very long time, battles hard fought but never won. This is the story of her origins--the stuff of wonders, and of lies. Excerpted from The Secret History of Wonder Woman by Jill Lepore All rights reserved by the original copyright owners. Excerpts are provided for display purposes only and may not be reproduced, reprinted or distributed without the written permission of the publisher.

Reviews provided by Syndetics

Library Journal Review

Lepore (Book of Ages: The Life and Opinions of Jane Franklin) presents a wide-ranging background story of the creation and mission of Wonder Woman (1941), the third longest-running comic book character in the United States. The beginning of the feminist movement, the evolution of comic book publishing, and the mores of the 1940s and 1950s are all discussed. Wonder Woman was created by William Moulton Marston, whose varied callings include academician, psychologist, and inventor of the lie-detector test. Much of the book discloses a profile of Marston that reveals a bizarre, strong-minded individual out of step with his time. The content is interesting and thorough, but the narration is poor. Lepore's voice has only a few ranges: her normal voice for most of the recording and another voice that becomes blustery and cartoonish for males or very high-pitched for females. This production would have greatly benefited from a professional narrator. VERDICT Not recommended. ["Fans interested in the background of the character and readers who appreciate well-written popular history will enjoy this thought-provoking volume," read the much more positive review of the Knopf hc, LJ 9/15/14.]-Deb West, Gannon Univ. Lib., Erie, PA (c) Copyright 2015. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

CHOICE Review

Though the title of Lepore's latest book suggests simply a history of a superhero, her study of Wonder Woman actually aims at something much more ambitious: a broad, accessible exploration of feminism in American history-an exploration that refuses to accept the widely held idea that such activism has "come [only] in waves." Arguing for an understanding of the "fight for women's rights [as] a river, wending," Lepore (American history, Harvard) seeks to use the Amazonian superhero as a "missing link" that helps readers understand the connections (and disconnections) between women's rights activism in the earlier and later parts of the 20th century. Focusing on the unorthodox lifestyles and reformist politics of Wonder Woman's creators-William Moulton Marston, Sadie Elizabeth Holloway, and Olive Byrne-and at the same time connecting them to a wide range of better-known activists, this exploration of Wonder Woman places the superhero in the broader context of scientific, legal, and political history. Lepore demonstrates the power of exploring popular culture as history, and her readable style, as well as the subject matter, allows her to introduce this more nuanced understanding of a complex past to a wide audience. Summing Up: Highly recommended. All readers. --Allan W. Austin, Misericordia University

Booklist Review

*Starred Review* In her latest compelling book of historical sleuthing and resurrection, Lepore (Book of Ages, 2013) chronicles the creation and assesses the impact of Wonder Woman, the most popular female comic-book superhero of all time. The tiara-wearing amazon burst forth in 1941, the brainchild of Charles Moulton (pen name of William Moulton Marston), a controversial, Harvard-educated polymath and huckster who invented the lie-detector test and lived a life of deception. The first historian granted access to Marston's private papers, Lepore tells a true tale nearly as outlandish as the plots Marston concocted for Wonder Woman. While Marston's schemes led to precedent-setting court cases, he was living a daringly unconventional life with his wife, the diligent attorney Sadie Elizabeth Holloway; his student-turned-lover, Olive Byrne, niece of the great birth-control advocate, Margaret Sanger; and the children he had with each. Lepore thoroughly covers their colorful lives and every aspect of Wonder Woman's persona and adventures, including Marston's penchant for depicting the superhero bound in chains, then breaking triumphantly free. Evidence of a fascination with bondage or a visual metaphor for overcoming the oppression of sexism? Lepore restores Wonder Woman to her rightful place as an essential women's rights icon in this dynamically researched and interpreted, spectacularly illustrated, downright astounding work of discovery that injects new zest into the history of feminism. HIGH-DEMAND BACKSTORY: Vigorous promotion and a cross-country author tour will spread word of intellectual wonder woman Lepore's exciting portrait of a superhero.--Seaman, Donna Copyright 2014 Booklist

Kirkus Book Review

The surprising origins of a 20th-century goddess. Wonder Woman, writes Lepore (History/Harvard Univ.; Book of Ages: The Life and Opinions of Jane Franklin, 2013), "was the product of the suffragist, feminist, and birth control movements of the 1900s and 1910s and became a source of the women's liberation and feminist movements of the 1960s and 1970s." Long-legged, wearing short shorts and knee-high red boots, Wonder Woman burst into comics in 1941, the creation of William Moulton Marston, a Harvard-educated psychologist. Marston, a master at self-promotion, had failed as a college professor; colleagues scorned his publicity stunts. When he tried to market himself as a psychology consultant to the FBI, J. Edgar Hoover opened a file on him. Among the many topics on which Marston expounded was women's power. "Women have twice the emotional development, the ability for love, than man has," he announced. Oddly, he also believed that submission and bondage were intrinsic to women's happiness. "In episode after episode," writes Lepore, "Wonder Woman is chained, bound, gagged, lassoed, tied, fettered and manacled," scenes that Marston described "in careful, intimate detail, with utmost precision," so that the artist who drew the series could get them exactly right. The creation, publishing history and eventual demise of the cartoon character are only part of Lepore's story, which uncovers the secret of Marston's startlingly unconventional family. Married to Elizabeth "Betty" Holloway, who often provided the family's sole support, Marston brought into their home Olive Byrne, the niece of Margaret Sanger. Byrne had been his student, became his mistress, and had two of his children, who were brought up thinking their father had died. Marston had two children with Holloway, as well, whom Byrne raised, freeing Holloway to go to work. After Marston's death in 1947, the two women spent the rest of their lives together. Lepore mines new archival sources to reconstruct Marston's tangled home life and the controversy generated by Wonder Woman. It's an irresistible story, and the author tells it with relish and delight. Copyright Kirkus Reviews, used with permission.

Author notes provided by Syndetics

Jill Lepore is the David Woods Kemper '41 Professor of American History at Harvard University and a staff writer at The New Yorker. She has written several books including Book of Ages: The Life and Opinions of Jane Franklin, The Whites of Their Eyes: The Tea Party's Revolution and the Battle over American History, The Secret History of Wonder Woman, Joe Gould's Teeth, and These Truths: A History of the United States.

(Bowker Author Biography)