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The paper boat /

By: Material type: TextTextPublisher: Toronto, ON ; Berkeley, CA : Owlkids Books, [2020]Copyright date: 2020Description: 1 volume (unpaged) : color illustrations ; 29 cmContent type:
  • text
  • still image
Media type:
  • unmediated
Carrier type:
  • volume
ISBN:
  • 9781771473637
  • 1771473630
Subject(s): Genre/Form: DDC classification:
  • jC813/.6 23
Other classification:
  • cci1icc
Summary: "Thao Lam's family came to Canada as refugees during the Vietnam War. When Thao started thinking about how to tell this story, she couldn't stop thinking about ants: small, seemingly insignificant creatures who are able to travel amazingly long distances overwater, work hard, and thrive on almost every continent on the planet. The Paper Boat starts with a story inspired by Thao's mother's life: a young girl watches as a bowl of sugar water is put out to attract (and get rid of) some pesky aunts. As the adults around her frantically make plans for escape, she dips her chopstick into the bowl to save the drowning insects. When the army arrives, the family must flee, and in the chaos, the girl and her mother become separated from the others, and get lost in the jungle. The mother gives the hungry girl a bun wrapped in paper, which she then folds into a paper boat. After they eat, the girl spots a trail of ants in the moonlight. They follow the insects to water and manage to meet up with the boat that will take them to safety. The story switches to the perspective of a family of ants who have boarded the paper boat. Their journey is full of peril. The sun is relentless, the ants are attacked by seagulls, they starve, a storm capsizes their boat, and many ants are lost. The survivors, however, cling to each other, creating a raft of their own bodies, eventually making it to shore. One ant ends up on a kitchen table, surrounded by food, much like the table from the first scene. But the family members around this table aren't quite the same. The grandmother is no longer there, the little girl has grown, and she's been joined by a baby sister. But they seem happy, and most importantly, they are safe. As the story ends, the reader zooms out to see that they are but one family in an apartment building full of families, in a busy city full of apartment buildings full of tiny, seemingly insignificant creatures, working hard and thriving. With this picture book, Thao is returning to an earlier format: the wordless picture book of sequential art. But she has pushed herself again with the artwork--and this story is a collage of simple shapes, clean geometry, and impressionistic washes of colour. Its simplicity belies its great depth of feeling. This is a heartfelt, one-of-a-kind book on every level."--
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Holdings
Item type Current library Home library Collection Call number Copy number Status Date due Barcode Item holds
Standard Loan Coeur d'Alene Library Easy Fiction Coeur d'Alene Library Book E LAM (Browse shelf(Opens below)) 1 Available 50610022330604
Standard Loan (Child Access) Harrison Library Easy Fiction Harrison Library Book LAM (Browse shelf(Opens below)) 1 Available 50610022791292
Standard Loan (Child Access) Hayden Library Easy Fiction Hayden Library Book LAM (Browse shelf(Opens below)) 1 Available 50610022791284
Total holds: 0

Enhanced descriptions from Syndetics:

Named a best picture book of 2020 by Kirkus , School Library Journal , Booklist , New York Public Library, the Globe and Mail , CBC, and the Bulletin of the Center for Children's Books -- a heartfelt and personal immigration story by critically acclaimed author Thao Lam

New from Thao Lam, the award-winning author of picture books My Cat Looks Like My Dad , Wallpaper , and Skunk on a String , comes a personal story inspired by her family's refugee journey.

In The Paper Boat , Thao's signature collage art tells the wordless story of one family's escape from Vietnam--a journey intertwined with an ant colony's parallel narrative.

At her home in Vietnam, a girl rescues ants from the sugar water set out to trap them. Later, when the girl's family flees war-torn Vietnam, ants lead them through the moonlit jungle to the boat that will take them to safety. Before boarding, the girl folds a paper boat from a bun wrapper and drops it into the water, and the ants climb on. Their perilous journey, besieged by punishing weather, predatory birds, and dehydration, before reaching a new beginning, mirrors the family's own.Impressionistic collages and a moving, Own Voices narrative make this a one-of-a-kind tale of courage, resilience, and hope.

"A refugee story."--Cover.

"Thao Lam's family came to Canada as refugees during the Vietnam War. When Thao started thinking about how to tell this story, she couldn't stop thinking about ants: small, seemingly insignificant creatures who are able to travel amazingly long distances overwater, work hard, and thrive on almost every continent on the planet. The Paper Boat starts with a story inspired by Thao's mother's life: a young girl watches as a bowl of sugar water is put out to attract (and get rid of) some pesky aunts. As the adults around her frantically make plans for escape, she dips her chopstick into the bowl to save the drowning insects. When the army arrives, the family must flee, and in the chaos, the girl and her mother become separated from the others, and get lost in the jungle. The mother gives the hungry girl a bun wrapped in paper, which she then folds into a paper boat. After they eat, the girl spots a trail of ants in the moonlight. They follow the insects to water and manage to meet up with the boat that will take them to safety. The story switches to the perspective of a family of ants who have boarded the paper boat. Their journey is full of peril. The sun is relentless, the ants are attacked by seagulls, they starve, a storm capsizes their boat, and many ants are lost. The survivors, however, cling to each other, creating a raft of their own bodies, eventually making it to shore. One ant ends up on a kitchen table, surrounded by food, much like the table from the first scene. But the family members around this table aren't quite the same. The grandmother is no longer there, the little girl has grown, and she's been joined by a baby sister. But they seem happy, and most importantly, they are safe. As the story ends, the reader zooms out to see that they are but one family in an apartment building full of families, in a busy city full of apartment buildings full of tiny, seemingly insignificant creatures, working hard and thriving. With this picture book, Thao is returning to an earlier format: the wordless picture book of sequential art. But she has pushed herself again with the artwork--and this story is a collage of simple shapes, clean geometry, and impressionistic washes of colour. Its simplicity belies its great depth of feeling. This is a heartfelt, one-of-a-kind book on every level."--

Reviews provided by Syndetics

Publishers Weekly Review

In wordless cut paper and mixed media collage, Lam (My Cat Looks Like My Dad) fictionalizes her family's escape from Vietnam, drawing a human family into relationship with the ants that are interested in food on their table. Though grown-ups smack at the insects with a newspaper, a child rescues one, pulling it out of a bowl using chopsticks. Ants, in turn, lead the way when the child and mother leave their home, through tall grass to a boat that will carry them away from stern officers and a large green tank. Instead of using people to represent the hardships endured at sea, Lam employs an ant family on a folded paper boat as proxies. The insects journey across the ocean, through bad weather and seagull attacks, and land in a place where the human family, safe, dines at another table. Crisply cut paper represents intricate domestic scenes and just as skillfully conveys suspense during the silent, tense trip. An author's note supplies important detail in this story of bravery and resilience, and provides its most powerful message: "When looking for strength and courage, I often picture my mother pregnant with my sister, and stranded at sea with me." Ages 6--9. (Sept.)

School Library Journal Review

Gr 1--4--In a semi-autobiographical recounting of her departure from post-war Vietnam, Lam crafts a wordless story of the refugee experience from a child's perspective. Shown in multi-paneled pages, a family hurriedly packs up their belongings and flees into the night. A mother and child are separated from the group, but find their way to an escape boat. A microcosmic story is told as the child rescues ants from a trap (in an image similar to the iconic photographs of helicopter rescues from the U.S. embassy in Saigon). Rather than showing the family's traumatic sea voyage, Lam chooses to show the ants' voyage on a paper boat that the child has left behind. They face many perils: hunger, thirst, predators, storms, all of which readers can imagine have real-life counterparts in the author's journey. At last the ants and humans find safety. They meet again for a meal in an apartment which, as the view pans out, is revealed to be in a lively, diverse city. The general story arc comes out clearly through the illustrations, especially if there is a knowledgeable adult to provide scaffolding. However, the details are much more clear after reading the author's note, so educators might start there. The artistry in the illustrations is spectacular. Lam's textured cut-paper collages are layered and feel three-dimensional, with shades of white, black, and gray, along with themes in several repeated colors. She portrays the ants' journey from all angles and perspectives. Small effective details like the lined school paper of the boat's sail and the characters' simple faces make the exquisite illustrations approachable to young audiences. VERDICT An important story told in an impeccable format.--Clara Hendricks, Cambridge P.L., MA

Booklist Review

In an Author's Note, Lam (My Cat Looks like My Dad, 2019) likens refugees to ants: migratory, collaborative, adaptable, and resilient. In the brilliant Paper Boat, she captures these shared traits with simplicity and depth, using a limited palette of precise cut-paper collages in sequential panels--and not a single word. The story recalls her mother's escape from the Vietcong after the war as, silent as ants, a girl and her mother hide in the tall grasses until they can board a boat to safety. Before they leave, they fold the paper that contained their meal into a boat and set it on the beach. A small colony of ants climbs in and takes float. The ants' peril at sea mirrors that of human refugees: a blistering sun, predators, turbulent waters, hunger, weather, and loss. Eventually, both ants and people are safe. The author's ability to capture emotions in the expressions and gestures of ants is breathtaking, their fragility and strength evident in downturned antennae and tenacious limbs. Each panel is so detailed that readers will want to linger over them all, admiring Lam's craft even while being immersed in emotions. A tender tribute to the author's parents and to all refugees who survive and thrive despite enormous odds.

Kirkus Book Review

A refugee story features distinctive artwork honoring courage, kindness, and memory. A child-centered retelling of one family's escape from Communist-ruled Vietnam, this wordless picture book renders a harrowing experience through clever uses of paper craft. From the outset, a visual motif of ants is key in unfolding the story. Close-up views of a single child are juxtaposed against others of preoccupied adults standing by the same dinner table. No one eats; armored tanks drive past, hastening the family's departure. Mother and child navigate darkness and heart-stopping moments, becoming lost, until ants appear in the moonlight and lead them to a body of water. As they await passage, mother folds a paper sailboat to distract the child. Later, ants board this paper craft and seem to travel for days in a dramatic montage that feels almost quaint until the page turn reveals increasingly hostile conditions, starting with a parching sun. Only some of the ants survive the ensuing sea gull attacks, thunderstorms, and violent waves, crystallizing for viewers of all ages the perilous journey confronting refugees. When the child's family reappears, they have settled in a racially diverse metropolis and are seated for a sumptuous meal at home. There is much going on, and children will be compelled to return again and again to digest its story. A timely, resonant, exceptional model of visual storytelling; the ironic title is a seaworthy companion to "a wing and a prayer." (author's note) (Picture book. 5-9) Copyright (c) Kirkus Reviews, used with permission.

Author notes provided by Syndetics

THAO LAM is the critically acclaimed author/illustrator of Wallpaper, My Cat Looks Like My Dad, and Skunk on a String. She studied illustration at Sheridan College and has an insatiable love of colored and textured papers, which she uses to create her exuberant collages. She draws inspiration from the stories she hears, from the beauty in everyday things, and from the work of the many illustrators she admires. She lives in Toronto, Ontario.

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