Kirkus Review

A bizarre murder in 1970s Japan continues to reverberate through the decades. This book, originally published in 2005 under the title Eugenia, is the first by Onda to be translated into English.After opening with a short, unusually lyrical excerpt from the transcript of a police interview, the book unfolds through chapters told from strikingly different perspectives. The first narrator is Makiko Saiga, who wrote a book about the crime in question, the poisoning of 17 people at a birthday party at the Aosawa family estate. Looking back on the murders 30 years later, Saiga, who was a child at the time, remembers it was a humid summer in a beautiful setting by the sea. Then, several months after the crime, a man who didn't seem to have any connection to the Aosawas wrote up a confession and then hanged himself. Though skeptical, the police took the opportunity to close the case. Saiga went on to research and publish The Forgotten Festival, her only book, about the crime. As she winds up her story, she implies that Hisako, the blind young Aosawa heiress and the only survivor of the massacre, might have been the killer. "You see, it's a very simple story. If there are ten people in a house and nine die, who is the culprit?" The next narrator is Saiga's assistant, who's highly suspicious of her boss's motives. An excerpt from The Forgotten Festival follows, a thinly veiled dramatization in which Saiga places her younger self at the scene of the crime and implicates a man she sees as the messenger of death. Subsequent sections focus on the housekeeper's daughter, the detective, Saiga's older brother, and others on the way to the surprising conclusion. The domino effect of the murder on the community and the nation, as well as the swirl of uncertainty concerning the way its narratives are shaped, gives the book a striking resonance.This dark and dazzling novel defies easy categorization but consistently tantalizes and surprises. Copyright Kirkus Reviews, used with permission.