At the center of all beauty : solitude and the creative life

Title:

Author:

Johnson, Fenton, author.

Personal Author:

Johnson, Fenton, author.

ISBN:

9780393608298

Edition:

First edition.

Physical Description:

233 pages ; 22 cm

Abstract:

"A meditation on solitude as a font of creativity and spirituality. Known for his lyrical prose and clear insight, Fenton Johnson explores what it means to be not "single"-meaningless outside of coupledom-but "solitary," able to be alone, inclined to mine the treasures of inner life. Americans tend to celebrate "fortress marriage," turning an equal right into an omnivorous expectation, marginalizing solitaries as odd, even potentially threatening. Johnson taps into an older tradition embodied by Trappist monks near the Kentucky home where he grew up, and by artists and writers including Paul Cézanne, Walt Whitman, Emily Dickinson, Henry David Thoreau, Henry James, Eudora Welty, Zora Neale Hurston, Rod McKuen, Nina Simone, and Bill Cunningham. Johnson includes his parents, who in workshop or garden found places to be alone; married people, too, can be solitaries in spirit. A hybrid of memoir, inspiration, social criticism, and celebration of the lives of great solitary artists, At the Center of All Beauty will resonate with anyone needing a break from the clamor of "society.""-- Provided by publisher.

Personal Subject:

Johnson, Fenton.

Subject Term:

Solitude.

Personality and creative ability.

Creation (Literary, artistic, etc.)

Gay men -- Biography.

Summary:

Holds:

Available:*

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Summary

Whether seeking more time for solitude or suffering what seems a surfeit of it, readers will find the best of companions here. Fenton Johnson's lyrical prose and searching sensibility explores what it means to choose to be solitary and celebrates the notion, common in his Roman Catholic childhood, that solitude is a legitimate and dignified calling. He delves into the lives and works of nearly a dozen iconic "solitaries" he considers his kindred spirits, from Thoreau at Walden Pond and Emily Dickinson in Amherst, to Bill Cunningham photographing the streets of New York; from Cézanne (married, but solitary nonetheless) painting Mont Sainte-Victoire over and over again, to the fiercely self-protective Zora Neale Hurston. Each character portrait is full of intense detail, the bright wakes they've left behind illuminating Fenton Johnson's own journey from his childhood in the backwoods of Kentucky to his travels alone throughout the world and the people he has lost and found along the way.

Combining memoir, social criticism, and devoted research, At the Center of All Beauty will resonate with solitaries and with anyone who might wish to carve out more space for solitude.

Reviews (1)

Kirkus Review

A memoir of the author's life and a study of solitude in highbrow modern culture.Like Thoreau and many other creatives before him, Harper's contributor Johnson (English/Univ. of Arizona and Spalding Univ.; Everywhere Home: A Life in Essays, 2017, etc.) would prefer to be alone. "To use the term favored by the Trappist monk and mystic Thomas Merton," he suggests the socially uninclined be referred to as "solitaries," and he strives to reframe their stories (and his own) under society's critical eye. "Solitude and silence are positive gestures," he writes in defense of those in the world who would prefer to live alone and aim "for the cultivation of an interior life." While reminiscing on his own past, Johnson explores notions of solitude as seen in the writings of a pantheon of exalted literary and creative figures. Poems by Walt Whitman and Emily Dickinson, along with reflections on the lives of Paul Czanne, Nina Simone, and fashion photographer Bill Cunningham, help shape this unconventional lifestyle into a "personal, particular spiritual philosophy" that will be recognizable to even the most skeptical of readers. "In the silence of my solitary walks I hear the voices of the trees. I hear them singing of a solitude that admits no loneliness," writes the author, seamlessly integrating a wealth of source material from his diverse and multifaceted cast of saintly solitaries. Beneath his scholarly efforts (and the occasional curmudgeonly aside), a tender memoir appears in pieces, delicately woven into his artists' profiles. A monastic, transcendent visit to Czanne's studio in Aix-en-Provence suggests that particular emotional experiences can only emerge during an independent sojourn. Memories of Johnson's childhood and parents as well as stories of friends and old lovers surface during bouts of quiet research, growing from well-chosen poems, letters, and interviews into rhapsodic recollections of a profoundly full life.An erudite lesson in embracing aloneness. Copyright Kirkus Reviews, used with permission.