Publisher's Weekly Review
Mangan follows her well-received debut, 2018's Tangerine, with an elegantly elegiac thriller. On the heels of a headline-grabbing drunken meltdown at a London publishing gala, British novelist Frankie Croy accepts best friend Jack's offer to lay low in Jack's family's vacant palazzo in Venice. But unmoored in the exotic surroundings as she waits for Jack to join her, the emotionally vulnerable loner, who has never managed to match her star-making first novel two decades earlier, worries whether at 42 she's suffering a mid-life crisis or some deeper sort of breakdown--which makes encountering a vivacious young admirer who claims to have met her previously, Gilly Larson, a not entirely unwelcome distraction. However, the more Frankie sees of this persistent new acquaintance, who eventually admits to being an aspiring writer herself, the greater her conviction that Gilly has been lying to her. Unraveling answers will lead the increasingly unsettled Frankie into deep waters and some treacherous situations. Though not all the Highsmithian deceptions come off as equally convincing, Mangan, unlike Frankie, more than lives up to the promise of her debut. (June)
Kirkus Review
A bestselling British author takes refuge from self-inflicted scandal in Venice. Fortunately, this novel is set in the 1960s, since its most crucial plot developments could not have occurred in the 2020s. Glaring among these is the fact that going to Venice to escape a scandal in London would no longer be an option, scandals being inescapable. Stung by a dismissive anonymous review of her latest novel, Frances "Frankie" Croy seethes for a few weeks, then, at a literary gala, confides drunkenly in a waiter before slugging a stranger. The waiter turns out to be a tabloid reporter. After Frankie spends a stint in a posh asylum, her best friend, Jack, offers her family's palazzo in Venice as a place for Frankie to recuperate and perhaps start the fifth novel her faithful editor, Harold, has been nagging her for. To Frankie's consternation, Jack and her husband, Leonard, delay joining her in Venice, which, conveniently for the plot, allows Frankie to get in the kind of trouble a lonely midlife author is prone to, especially one with a severe but unacknowledged drinking problem and who fears her talent is waning. Enter 26-year-old fan/stalker Gilly, who buttonholes Frankie in the fish market, claiming to be the daughter of a colleague. At first, Frankie is charmed by Gilly's youthful hero worship and willingness to befriend an older woman of 42. But something is "off" about "the girl." Are Gilly's changing stories calculated or absent-minded? Much of the suspense here is driven by misdirection, abetted by Frankie's puzzling inability to ask pointed questions. Not surprisingly, it develops that Gilly herself has writerly ambitions, and the narrative takes an All About Eve turn. A reference to Patricia Highsmith, like Chekhov's gun, will also play out, because Gilly has much in common with Ripley, in that her real aim is to supplant her hero. These tropes wind down in a not entirely unexpected but fitting way. Against the grim backdrop of off-season Venice, literary rivalry can be menacing. Copyright (c) Kirkus Reviews, used with permission.
Booklist Review
Frankie Croy is a 42-year-old British novelist whose first book created a stir, followed by several less-successful efforts. In fact, it's an unsigned bad review that launches Frankie on a downward spiral: a drunken outburst at a publishing party, a mini-scandal, and a breakdown. Now, in the fall of 1966, she's in Venice, staying at the palazzo of a friend and attempting to put a bad year behind her. Enter a young fan, Gilly, whom Frankie encounters on the street and who slowly insinuates herself into the fragile writer's life. Mangan has been down this street before. Her outstanding debut, Tangerine (2018), also concerned a woman attempting to rebound from a breakdown who falls into a destructive pas de deux with another woman. The Highsmithian gaslights are twinkling once more, as it becomes clear that Gilly, a writer herself, is up to something. Unlike in Tangerine, this one unwinds in a largely predictable fashion, but Mangan again displays a gift for using setting to create mood, this time in her evocation of the creepy palazzo and in the high tides engulfing Venice.
Library Journal Review
In When Justice Sleeps, Abrams takes a break from her considerable political responsibilities to craft a legal thriller featuring Avery Keene, who clerks for Supreme Court Justice Wynn and takes over the background investigation of a key case when he falls into a coma. In Hairpin Bridge, Adams's No Exit follow-up, Lena Nguyen doesn't believe that estranged twin sister Cambry committed suicide; otherwise, she likely wouldn't have called 911 16 times before her death (100,000-copy first printing). In Hummel's Lesson in Red, follow-up to the Reese's Book Club x Hello Sunshine pick Still Lives, Maggie Richter faces another artworld mystery. In Edgar-nominated, New York Times best-selling author McCreight's Friends Like These, a bachelor party in the Catskills is a cover for a staged intervention to help one of the guests, but someone ends up dead (75,000-copy first printing). Abducted from her found-religion parents' isolated Arkansas homestead and returned unharmed yet still treated as damaged, teenage Sarabeth gladly makes her exit, but in International Thriller Writer Award winner McHugh's What's Done in Darkness, she gets called back five years later to help with a copycat crime. Following Mangin's nationally best-selling Tangerine, Palace of the Drowned stars flailing British novelist Frankie Croy, who is staying in a friend's vacant Venice palazzo in 1966 while struggling to regain her early writing promise and doesn't quite trust a fan who comes her way (200,000-copy first printing). Having had a huge international best seller with The Silent Patient, Michaelides aims for another winner in his Untitled new work (one-million-copy first printing). Following the New York Times best-selling, Reese Witherspoon-optioned Something in the Water, Steadman returns with The Disappearing Act, about a British actress who realizes that she's the only witness to the disappearance of a woman she auditioned with during Hollywood's harried pilot season.
