Have you ever wondered how South Carolinians paid for goods and services before the advent of the U.S. dollar? The pound sterling formed the basis of their accounts until the 1790s, but the economic realities of frontier life obliged early Carolinians to embrace monetary tools and strategies that deviated from British traditions. For more than a century, inhabitants of the Palmetto State used foreign coins, paper bills, promissory notes, and sophisticated credit schemes that fueled upward mobility and set the stage for the financial systems we use today.

Phebe Fletcher was an intriguing woman of eighteenth-century Charleston whose unconventional lifestyle earned both derision and respect from her neighbors. Born to a respectable family of unknown origin, she was allegedly “seduced” from the bounds of traditional feminine “virtue” and obliged to associate with “vicious” persons, Black and White, to forge an independent career in a patriarchal society. She acquired a colorful reputation as a woman of dubious morals, but Charlestonians long remembered and praised the benevolent care she rendered to ailing soldiers during the American Revolution.

Thomas Francis Meagher (1823–1867) was a famous Irish patriot of the mid-nineteenth century whose agitation for independence from Britain led to his exile from the Emerald Isle. After settling in New York in 1852, Meagher visited Charleston several times to deliver public lectures on history and politics. South Carolina’s Irish immigrants embraced him as a national hero during the 1850s, but denounced Meagher in 1861 when he fought against the rebellious Confederate States. On the next episode of Charleston Time Machine, we’ll explore the context and legacy of Meagher’s brief connection to the Palmetto City.

The Shaw Community Center at 22 Mary Street in downtown Charleston embodies an important historical legacy: It arose shortly after the Civil War as a memorial to Robert Gould Shaw and members of the 54th Massachusetts Regiment who died in battle at Morris Island. Their comrades pooled money to establish in 1868 a school for African-American children that continued until 1937, when it evolved into the present multipurpose youth hub. Long managed by the City of Charleston, the Shaw Center perpetuates a noble commitment to the advancement of civil rights.

The Charleston County Public Library opened its doors to the public in 1931, but welcomed visitors unequally and conditionally until the early 1960s. Like nearly every other institution existing in the American South during that era, the Charleston Free Library, as it was then known, maintained separate facilities and unequal collections for two classes of customers identified as either Black or white. This long-standing practice continued until November 1960, when the opening of a new, racially-integrated library on King Street shocked some members of the community and signaled the twilight of a prejudicial tradition.

The recently renovated John L. Dart Library at 1067 King Street bears the name of a pioneering figure in the history of education in Charleston. Born free during the last years of slavery, Dart benefited from the first flowering of African-American schools after the Civil War and attained advanced degrees. He returned to his home town in 1886 as a Baptist minister and devoted the rest of his life to the creation of free schools providing practical, vocational training to African-American children. In the next episode of Charleston Time Machine, we’ll trace the mercurial progress of Rev. Dart’s educational campaign and the enduring legacy of his work.

Nearly a century before Charleston’s municipal headquarters moved to the northeast corner of Meeting and Broad Streets, residents gathered daily at this site to procure meat and other foodstuffs. The city abandoned this so-called “Beef Market” in 1789, following the construction of a new facility in Market Street, and the old market was briefly used for artillery storage. Events associated with the Haitian Revolution triggered its reactivation in 1795, until fire consumed the old Beef Market in 1796 and cleared the site for the present bank building that became City Hall.

The first exhibition game of American-style “scientific” football in the Lowcountry of South Carolina kicked-off in December 1892, when two teams of eleven college boys scrimmaged at Charleston’s Base Ball Park on Christmas Eve. Only few local youths had by that time seen or played the novel game developed up North, but their interest was keen. Furman University brought its record to bear against the first team ever fielded by South Carolina College (USC), battling for the title of state champion and infusing the roaring Charleston crowd with football fever.

Charleston’s venerable newspaper, the Post and Courier, is transforming its headquarters on upper King Street into an upscale mixed-use development called Courier Square. The present twentieth-century structures will soon disappear, exposing a piece of ground with a forgotten claim to fame. A few years before the American Revolution, a Scottish gardener named John Watson developed the site as South Carolina’s first commercial nursery, cultivating both native and exotic plants for sale. The war devastated Watson’s Garden, but the family persevered in the horticultural business until the turn of the nineteenth century.

Native American ancestry provided a measure of legal immunity to mixed-race people in antebellum South Carolina. Check out the latest episode of Charleston Time Machine to hear examples of their legal victories.

In the late winter of 1684, representatives of eight Native American tribes in the Lowcountry of South Carolina surrendered their traditional homelands to English colonists. A series of documents ostensibly signed on a single day that February ceded Indigenous rights to millions of acres between the rivers Stono and Savannah, ranging from the Atlantic Ocean to the Appalachian Mountains. On the next episode of Charleston Time Machine, we’ll explore the forces driving this historic bargain, parse details of the several transactions, and consider their collective impact on the native peoples in question.

Petit Versailles, a forgotten residence in suburban Charleston, links the tragic stories of two women who expired prematurely during the second quarter of the eighteenth century. The modest house fronting the Cooper River was built for a child named Elizabeth Gadsden but occupied by her godfather, Francis LeBrasseur. Following their early deaths, Francis’s wife, Ann, quit the property and withdrew into a life of religious introspection that lead to suicide. Petit Versailles disappeared during the American Revolution, but the memory of its brief existence still haunts the fringes of Ansonborough.

At the beginning of the eighteenth century, South Carolina’s colonial government raised a fortified trace of earthen walls and moats around the nucleus of urban Charleston. These defensive works constrained the town’s growth for more than twenty years, but then quietly vanished before a burst of civic expansion in the mid-1730s. Questions of when and why the earthworks were dismantled have baffled generations of historians and inspired competing theories. On the next episode of Charleston Time Machine, we’ll unpack the forgotten story of government neglect that gradually erased the “Walled City” during the late 1720s.

Maritime traffic between Charleston and various ports in the Spanish-speaking Americas was once an important part of the local economy. Prohibited by British law for most of South Carolina’s colonial century, commerce with Cadiz, Havana, Vera Cruz, and other ports blossomed after the independence of the United States. The presence of a Spanish and later a Cuban consular office in Charleston between 1795 and 1959 provides framework for tracking the rise and fall of forgotten trade routes that brought Latin flavors to the Lowcountry.

In September 1973, a group of preservation activists coined the term “French Quarter” to describe a single block of urban Charleston that was slated for demolition. The site was added to the National Register of Historic Places that same month to deter redevelopment, and the new name soon became part of the local lexicon. Residents and visitors have embraced and expanded the concept of Charleston’s “French Quarter” over the past half-century, but few recall the curious circumstances of its creation. On the next episode of Charleston Time Machine, we’ll review the events that inspired the name and explore its historical pedigree.

Patriots Point is a well-known landmark on the east bank of the Cooper River in the Town of Mount Pleasant, but its modern name obscures a much deeper history. Known as Hog Island before 1973, the site has been radically transformed by nature and humans over the past three centuries. Its evolution from a tiny but habitable island to an expansive, vacant marshland, to a thriving community atop a mountain of dredge spoil, illustrates the shifting dynamics of tidal forces and human engineering that have reshaped the local ecology.

Champneys’s Row was a conspicuous anomaly at the time of its construction in 1781, the only civilian edifice adjacent to the brick curtain wall defining the eastern edge of East Bay Street. The building’s height and novel placement violated provincial zoning laws, and the Champneys family persevered against community opposition to protect their investment. Details of the modification and eventual acceptance of Champneys’s Row in the 1780s illuminate an important moment in the history of Charleston’s built environment.

John Champneys was a Charleston factor and wharf owner whose loyalty to the British Crown deranged his life during the American Revolution. While surviving documents provide details of his imprisonment, exile, and return, the slender row of brick stores Champneys built during the war at the southeast corner of East Bay and Exchange Streets bear witness to his tumultuous experience. On the next episode of Charleston Time Machine, we’ll trace the dramatic rise and fall and rehabilitation of both John Champneys and his controversial, confiscated, and truncated row.

The cheapest and simplest form of bathing in early South Carolina was an ancient practice shared by numerous cultures around the world: one simply walked to the nearest creek, river, or beach and jumped in. Because specialized bathing garments did not exist until the early nineteenth century, most outdoor bathers swam in the nude. The rising popularity of swimming costumes in the nineteenth century did not eradicate skinny-dipping, however. Poor people and those bereft of modesty continued to swim au naturelle until agents of the law convinced them to do otherwise.

Before the advent of air conditioning and running water in the Charleston area, Lowcountry residents of all descriptions pursued a number of indoor and outdoor strategies to gain relief from the sultry summer heat. Some soaked in tubs within private residences and commercial bathing houses, while other paid to plunge into exclusive riverine pens. The most modest members of the genteel set drove bathing machines into the frothy surf, while bolder swimmers scandalized their neighbors by shedding their clothes in public and leaping into the nearest body of water.