Black nerd problems / Essays / William Evans and Omar Holmon.

Enhanced descriptions from Syndetics:

The creators of the popular website Black Nerd Problems bring their witty and unflinching insight to this engaging collection of pop culture essays--on everything from Mario Kart to issues of representation--that "will fill you with joy and give you hope for the future of geek culture" (Ernest Cline, #1 New York Times bestselling author).

When William Evans and Omar Holmon founded Black Nerd Problems , they had no idea whether anyone beyond their small circle of friends would be interested in their little corner of the internet. But soon after launching, they were surprised to find out that there was a wide community of people who hungered for fresh perspectives on all things nerdy.

In the years since, Evans and Holmon have built a large, dedicated fanbase eager for their brand of cultural critiques, whether in the form of a laugh-out-loud, raucous Game of Thrones episode recap or an eloquent essay on dealing with grief through stand-up comedy. Now, they are ready to take the next step with this vibrant and hilarious essay collection, which covers everything from X-Men to Breonna Taylor with "alternately hilarious, thought-provoking, and passionate" ( School Library Journal ) insight and intelligence.

A much needed and fresh pop culture critique from the perspective of people of color, "this hugely entertaining, eminently thoughtful collection is a master class in how powerful--and fun--cultural criticism can be" ( Publishers Weekly , starred review).

Table of contents provided by Syndetics

• Intro: From the Top (p. 1)
• Re-Definition: Nerd Isn't a Person, It's a Spectrum (p. 3)
• It's Time We Stop Pretending That Simba Wasn't Garbage in The Lion King (p. 9)
• Raising the Avatar: No One Woman of Color Should Have All Them Haters (p. 15)
• You Can't Win When Escapism Won't Let You Escape (p. 21)
• Into the Spider-Verse Got Three Moments Better Than the Best Moment of Your Favorite Comic Book Movie Not Named Into the Spider-Verse (p. 27)
• Hate It Here: Food Wars Would Be the Most Annoying Anime to Live In (p. 34)
• Y'all Gotta Chill with the Slander and Let Batman Cook (p. 40)
• What Happens to a New Fictional Black Character Deferred? (p. 46)
• Two Dope Boys and a Comic Book: The Superhero Fade Heard Round the Multiverse (p. 54)
• My Theory on How Black Folks' Black Card Actually Works (p. 61)
• Top Five Dead or Alive: Tai Lung (Kung Fu Panda) (p. 67)
• Green Lantern Comics Have Low-Key Been Tackling Police Accountability for a Minute (p. 73)
• The 2000s and 2010s Golden Era of TV Gave Us a Lot of Great Television and Made Me So Damn Tired (p. 83)
• Craig of the Creek: When We See Us (p. 89)
• The Disney Two-Step (p. 99)
• Y'all Mind if I Wyl Out over Black Love and POC Love Real Quick? (p. 110)
• Whenever I Watch Underworld, I Feel Like Kate Beckinsale Wants to Break Up with Me (p. 120)
• An Open Letter to Gohan: You Gonna Stop Being Trash Anytime Soon or Nah? (p. 124)
• The Want to Protect Taraji's Proud Mary, Critiquing the Choir, and How We Judge Black Art (p. 129)
• For Dark Girls Who Never Get Asked to Play Storm (p. 137)
• How My Black Ass Would Survive Every Horror Movie (p. 142)
• Jordan Peele Should Get His Flowers while He's Here (p. 149)
• Top Five Dead or Alive: Red Hood in the DC Animated Universe (p. 154)
• If My Black Ass Was Enrolled in the X-Men's School, Charles Xavier Would Have Been Fed Up (p. 161)
• Go On: An Evergreen Comedic Series That Helped Me Navigate Loss (p. 168)
• The Sobering Reality of Actual Black Nerd Problems (p. 174)
• Bury the Stringer Bell but Let Idris Live (p. 178)
• An Open Letter to the Starks: Y'all Should've Taken Better Care of Your Direwolves (p. 181)
• Haikyuu!! Roughly Translated Means "Ball Is Life" (p. 189)
• I Read Mark Millar's Jupiter's Legacy and I Saw the Father I Am and the Father I Hope I Never Have to Be (p. 197)
• Hajime no Ippo Is Just a Manga about Boxing but I'm Over Here Crying My Guts Out (p. 202)
• Do You Have a Moment to Talk About Our Lord and Savior Aloy from Horizon Zero Dawn? (p. 211)
• Two Dope Boys and Movin' Weight with Pusha T's Daytona (p. 214)
• Killing Floor: Navigating Real-World Gun Violence as a Hardcore Gamer (p. 220)
• Hamilton and the Case of Historical Fanfics (p. 226)
• Graduating to the Grown Folks' Table: I Finally Learned How to Play Spades (p. 231)
• Two Dope Boys and an- Oh My God, the Flash Got Fucked Up! (p. 239)
• Black Nerd Crush Blues: Myra Monkhouse Deserved Way Better (p. 245)
• The Push and Pull of Watching Mad Men while Black (p. 249)
• Mario Kart Reveals Who You Truly Are (p. 255)
• Top Five Dead or Alive: Monica Rambeau (Marvel Comics) (p. 259)
• On Hope, Escapism, and Attrition Discussed Between Black Men (p. 265)
• Two Dope Boys and a Comic Book: House of X (p. 270)
• Blade II Still Has the Most Disrespectful Superhero Fades My Black Ass Has Ever Seen (p. 277)
• Chadwick Boseman's Wakanda Salute Is Canon in the History of Black Language (p. 285)
• Outro (p. 289)
• Acknowledgments (p. 293)

Excerpt provided by Syndetics

Re-Definition: Nerd Isn't a Person, It's a Spectrum Re-Definition: Nerd Isn't a Person, It's a Spectrum OMAR HOLMON, aka Noah Webster's Ghostwriter BEFORE WE CAN get into this real rap raw nerd essays and content, it's important to understand what we as authors mean when we refer to the term nerd . How we define the word may be different than how the reader defines it. So allow me to get my TED Talk monologue on to break the definition of the word nerd down by how it has come to be defined in dictionaries. *takes off my regular square-framed glasses and puts on my public-speaking PowerPoint presentation tortoiseshell-framed glasses* The online Merriam-Webster dictionary defines a nerd as an "unstylish, unattractive, or socially inept person; especially : one slavishly devoted to intellectual or academic pursuits." Dictionary.com defines a nerd as "1. a person considered to be socially awkward, boring, unstylish, etc.; 2. an intelligent but single-minded person obsessed with a nonsocial hobby or pursuit: a computer nerd ." As words evolve, they go through semantic change or, more fittingly, semantic progression. Semantic progression occurs when the modern meaning of a word is entirely different from its original meaning. Watch the breakdown: dope , as a noun, used to just refer to a "stupid" person (1850s); later on in time it became a reference to drugs (1880-1900s), but as an adjective it can refer to something as good or great (1980s). You can think of countless other words that you've seen evolve via idioms and slang, which varies across cultures and ethnicities. One word that hasn't officially (as of me writing this in 2020) evolved in the dictionary is the term nerd . Now, you may be reading this and thinking, "Where's this goin'? Who gives a fuck? Why did he switch glasses when he was already wearing glasses?" Well, if you're reading this book (that clearly says Black Nerd Problems on it) or just "glimpsing through it," *Jeff Foxworthy voice* youuuuu might be a redneck nerd. Regardless, hear me out and watch how I flip this shit. The only saving grace between both online dictionaries' descriptions is their second definitions for the term: "one slavishly devoted to intellectual or academic pursuits" and "an intelligent but single-minded person obsessed with a nonsocial hobby." Growing up in the 2000s from my teen to college years, I came to understand the term and had the term broken down to me as "a person that knows a little bit about a lot of things," whereas a geek knows a lot about one specific thing. For me, and I want to say for a lot us that identify as nerds, this is a commonplace interpretation of the word, but as far as I know, I haven't ever seen that reflected on paper regarding the word in an "official" definition. I stated all that to say this: it's been a long time since the term nerd came in the context of a jock vs. an academic, or the popular high school quarterback pushing a scrawny kid into a locker, or the "mean girls" knocking books out of someone's hands. Now in 2020, it ain't really the Revenge of the Nerds movie setting for the context of the word--I'm hard-pressed to say if it ever was... and thank god 'cause even in that movie about underdog "nerds" trying to get their revenge, it's full of misogyny and racial stereotypes. Speaking of stereotypes, media representation gotta be factored in the description for a nerd as well, right? A nerd is usually a male (which is usually sexist), typically white (which is typically racist), scrawny or fat (but in the derogatory fatphobic way), that's (lest we forget) into some obscure hobby/thing no one else cares about. [Sidebar: If you're reading this and wanting to say Steve Urkel from Family Matters as a breaking of the mold by being the first mainstream Black nerd, I question why Urkel, who debuted in 1989, gets that credit and not Dwayne Wayne from A Different World , who was a fucking mathematician and debuted two years before Urkel. Dwayne Wayne and Steve Urkel were both nerds, the only difference was Urkel played heavily on the exaggerated stereotypes of a nerd. So, is a nerd only recognized as a nerd when it comes with a full package of stereotypes? Never mind that the nerdy character Roger "Raj" Thomas from What's Happening!! debuted in 1976. Wouldn't he be both their OG? But I digress...] Okay, so we got the origin/etymology of nerd down, right? Boom. Now dead all that. With the way the term has evolved and how it's been incorporated in mainstream media, nerd is much more than a singular person, it's a spectrum. Nerd has evolved more so into being a fan of a genre. That genre doesn't have to just be comic books, movies. Sneakerheads are fans of sneakers and know them in explicit detail. They could be considered nerds. Hip-hop heads who know their entire history of the music genre can be considered nerds. Academic nerds. Cooking-show nerds. Sports fans are mos def nerds by being able to recount a player's performance statistics like an RPG character. The list goes on. If you enjoy something, anything you want, if it excites you and you want other people to know of it and enjoy it, then you're a fan of it, which also means you're a fucking nerd for it. That sounds beautiful and inclusive on paper, doesn't it? Sounds great on paper... Here's the problem. To be a nerd means being part of a subculture. A cultural group or collective within a much larger culture that doesn't adhere to the status quo, beliefs, or interests of the larger culture. If you're a Black or POC nerd, then you're in a subculture within a subculture ( Inception shit). The problem is being a part of this subculture means you're part of a minority, which then becomes attached to the identity of being a nerd. So, when nerd shit starts becoming trendy, a divide occurs, with those nerds now being in an era where this thing only a few loved becomes loved by even more folks. This hobby that was part of the minority is now enjoyed by the majority. So, what happens when what you fan out for isn't the obscure cool thing only a few know about anymore? It's like having a favorite band or artist that was low-key for a long time suddenly blow up with a hit single. Its fan base widens and now they've got a larger reach. There's that feeling of having been there riding for them before they sold out, as the cliché goes. As if everyone enjoying or having access to them now somehow dilutes the enjoyment for those there from the beginning. You know exactly what I'm talking about. Watch the breakdown: We get big-budget superhero movies yearly now. They've become the new Spaghetti Westerns. These superhero movies bring more folks to comic books, comic books become more common reading material and are even seen as a more mainstream-adjacent hobby and not seen as "just for kids." Nerds that fucked with comics when it wasn't associated with cool or trendy then feel like "It wasn't accepted like that when I was coming up. Now that it is, how do I fit in?" Therein lies the problem. Individually, that nerd is no longer part of a small underdog group; they become part of a larger group that likes comic books now. It's like going from the Resistance to joining the Empire. There's this fear of losing that cool subculture-minority identity that they've come to identify themselves by. So, in order to hold on to identity, you see folks using all the knowledge they've acquired as a litmus test for others to see who was there from the beginning like them or knows as much as them. Now when someone comes into this group liking comics but doesn't know Professor X's Social Security number stated in a back issue from thirty years ago, then they're "not a true fan" or "not a real nerd" or, if they're a woman, a "fake geek girl." All this from a fear of a loss of identity. See how fear is the path to the dark side? Fear leads to anger. Anger leads to hate. Hate leads to suffering gatekeeping. Nerds gatekeeping other nerds to see if they're "nerdy" enough for the nerdy club looks like Anakin Skywalker cuttin' down them Jedi younglings. You're hurtin' the cause instead of helping it, fam. If the definition of nerd needs to go through semantic progression and the term nerd has evolved into a spectrum instead of just an individual, then the individuals that adhere to this spectrum must become more malleable and welcoming to all portions of said spectrum in order to make the definition true. I don't think nerd as a subculture is a thing of the past or a Force ghost now. The progression of nerd as a subculture shouldn't be feared, especially when nerd as a spectrum contains various multitudes and hues. I mean, think of the word nerd like the Pokémon Pikachu: we've gained so much experience over the years, it's time for that fucker to evolve into a Raichu. However, if due to the fear of a loss of identity folks keep gatekeeping the term as if it's a title to be earned instead of a realization one comes to across a spectrum of genres, then the definition of nerd will remain as it has been over the years, a Pikachu. Yeah, it's cute, convenient, and comfortable, but with what we know now and all this experience, the definition of the word could take that next step and evolve into so much more... like motherfucking Raichu or a hue in a vast nerdy mutherfucking spectrum. Excerpted from Black Nerd Problems: Essays by William Evans, Omar Holmon All rights reserved by the original copyright owners. Excerpts are provided for display purposes only and may not be reproduced, reprinted or distributed without the written permission of the publisher.

Reviews provided by Syndetics

Publishers Weekly Review

Evans and Holmon, cofounders of the website Black Nerd Problems, bring their pop culture criticism to this wide-ranging, compulsively readable debut collection. Touching on such topics as the hidden depths of boxing-inspired anime Hajime no Ippo, the irony of Hamilton's steep ticket prices, and Game of Thrones's one Black character, Evans and Holman are often hilarious (The Lion King's "Simba... is straight up landfill. Trash. Rubbage") and always original. In addition to straightforward essays, some entries come in the form of high-octane, joyful dialogue between the authors, as in "Two Dope Boys and an--Oh My God, the Flash Got Fucked Up!" for example, in which the authors discuss the Flash: "I ain't ever seen a hero get their body Earth'd like that since Superman's funeral." The most gripping essays use cultural events as an entry point to discuss larger topics: Evans's "The Sobering Reality of Actual Black Nerd Problems" poignantly uses a local comics convention to open a conversation about the ongoing violence against and oppression of Black people, and "Go On: An Evergreen Comedic Series That Helped Me Navigate Loss" sees Holmon processing the grief of his mother's death with the help of a short-lived NBC sitcom. This hugely entertaining, eminently thoughtful collection is a master class in how powerful--and fun--cultural criticism can be. Agent: Katherine Latshaw, Folio Literary. (July)

School Library Journal Review

Identifying as a nerd doesn't necessarily make life easy. And being a Black nerd is its own nuanced experience that Evans and Holmon know well. They've been writing about Black Nerd Problems since 2013 on their website of the same name, which has spawned this eponymous collection of 46 essays. The short pieces (most are six to nine pages each) cover myriad aspects of pop culture: comic books, television dramas like The Wire and Breaking Bad, Disney movies, Hamilton, gaming, and more. The writing is alternately hilarious, thought-provoking, and passionate, sometimes all within the same essay. The authors' knowledge of all things nerdy is encyclopedic yet the depth at which they connect their subject matter to real-life issues is what makes the book stand out. Police reform, universal basic income, the white gaze, and social justice are all mentioned alongside heroes and villains. All the essays center Black nerd identity, but readers' nerd knowledge doesn't have to be exhaustive for this book to resonate. The writing is conversational and invites spirited agreement or antagonism from its audience. Although the essays contain strong language, don't let it deter this purchase for older high schoolers. For students of color who love to debate the merits of DC versus Marvel, or even just nerd out to Disney's The Lion King, this book will be their mirror. And with so many essays, there's something for all nerds, regardless of the depth of their fandom. VERDICT Hilarious and thought-provoking essays that read like talking to a friend. Recommended for purchase.--Lindsay Jensen, Nashville P.L.

Kirkus Book Review

The first book from the creators of the popular Black Nerd Problems website. In their literary debut, Evans and Holmon examine a broad swath of the popular-culture landscape, from anime and video games to comic books and movies, mixing social commentary and insight with the sheer love of the true fan. In the introduction, the authors introduce nerd culture and the joy of connecting over shared passions, with Holmon offering a solid encapsulation of both the content and the voice: "That feeling of excitement and passion for a show, book, or character that fucks with you and then wanting to share that amongst friends or even strangers, hoping they feel the same thing you do….Isn't that worth fighting for, for Black nerds and nerds of color to come together and share that joy?" The essays include breakdowns of particular shows and characters--ranging from an in-depth analysis of Simba ("It's Time We Stop Pretending That Simba Wasn't Garbage in The Lion King") to the Black superhero in Into the Spider-Verse--along with musings on the representation of people of color in comics, the shifting definitions of nerds and nerd culture, and the reflection of social issues in popular-culture texts. The book's format, switching between the two authors and including essays that work as dialogues, offers the sense of hearing conversations between best friends. The authors provide lighthearted material, such as an excellent essay that describes how Mario Kart shows you exactly the kind of person you really are, as well as serious inquiry--e.g., the "Sobering Reality of Actual Black Nerd Problems," which focuses on the effect of "violence against black men and boys," or passages about finding respectful characters of color in children's programming like Craig of the Creek or the Legend of Korra. Throughout, the authors reach far and wide across fan culture and use a pleasing blend of humor and pathos to connect readers to the material. An exercise in pop-culture criticism that is simultaneously funny, thoughtful, and provocative. Copyright (c) Kirkus Reviews, used with permission.