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Bowie's bookshelf : the hundred books that changed David Bowie's life /

By: Material type: TextTextPublisher: New York : Gallery Books, 2019Edition: First Gallery Books hardcover editionDescription: xxx, 284 pages : illustrations ; 19 cmContent type:
  • text
  • still image
Media type:
  • unmediated
Carrier type:
  • volume
ISBN:
  • 9781982112547
  • 1982112549
Subject(s): Genre/Form: Additional physical formats: Online version:: Bowie's bookshelfDDC classification:
  • 782.42166092 23
LOC classification:
  • ML420.B754 O3 2019
Contents:
Anthony Burgess, A Clockwork Orange (1962) -- Albert Camus, The Outsider (1942) -- Nik Cohn, Awopbopaloobop Alopbamboom (1969) -- Dante Alighieri, 'Inferno' (c.1308-20) -- Junot Diaz, The Brief Wondrous Life of Oscar Wao (2007) -- Yukio Mishima, The Sailor Who Fell from Grace with the Sea (1963) -- Frank O'Hara, Selected Poems (2009) -- Christopher Hitchens, The Trial of Henry Kissinger (2001) -- Vladimir Nabokov, Lolita (1955) -- Martin Amis, Money (1984) -- Colin Wilson, The Outsider (1956) -- Gustave Flaubert, Madame Bovary (1856) -- Homer, The Iliad -- James Hall, Hall's Dictionary of Subjects and Symbols in Art (1974) -- Saul Bellow, Herzog (1964) -- T. S. Eliot, The Waste Land (1922) -- John Kennedy Toole, A Confederacy of Dunces (1980) -- Greil Marcus, Mystery Train (1975) -- The Beano (founded 1938) -- Fran Lebowitz, Metropolitan Life (1978) -- Richard Cork, David Bomberg (1988) -- Alfred Doblin, Berlin Alexanderplatz (1929) -- George Steiner, In Bluebeard's Castle: Some Notes Towards the Re-Definition of Culture (1971) -- D. H. Lawrence, Lady Chatterley's Lover (1930) -- Petr Sadecky, Octobriana and the Russian Underground (1971) -- Comte de Lautreamont, Les Chants de Maldoror (1868) -- John Cage, Silence: Lectures and Writing (1968) -- George Orwell, Nineteen Eighty-Four (1949) 29. Peter Ackroyd, Hawksmoor (1985) -- James Baldwin, The Fire Next Time (1962) -- Angela Carter, Nights at the Circus (1984) -- Eliphas Levi, Transcendental Magic: Its Doctrine and Ritual (1856) -- Sarah Waters, Fingersmith (2002) -- William Faulkner, As I Lay Dying (1930) -- Christopher Isherwood, Mr Norris Changes Trains (1935) -- Jack Kerouac, On the Road (1957) -- Edward Bulwer Lytton, Zanoni (1842) -- George Orwell, Inside the Whale and Other Essays (1940) -- John Rechy, City of Night (1963) -- David Sylvester, The Brutality of Fact: Interviews with Francis Bacon (1987) -- Julian Jaynes, The Origins of Consciousness in the Breakdown of the Bicameral Mind (1976) -- F. Scott Fitzgerald, The Great Gatsby (1925) -- Julian Barnes, Flaubert's Parrot (1984) -- J. B. Priestley, English Journey (1934) -- Keith Waterhouse, Billy Liar (1959) -- Alberto Denti di Piranho, A Grave for a Dolphin (1956) -- RAW (1986-91) -- Susan Jacoby, The Age of American Unreason (2008) 49. Richard Wright, Black Boy (1945)
Viz (1979-present) -- Ann Petry, The Street (1946) -- Giuseppe Tomasi di Lampedusa, The Leopard (1958) -- Don DeLillo, White Noise (1985) -- Douglas Harding, On Having No Head (1961) -- Anatole Broyard, Kafka Was the Rage (1990) -- Charles White, The Life and Times of Little Richard (1984) -- Michael Chabon, Wonder Boys (1995) -- Arthur Koestler, Darkness at Noon (1940) -- Muriel Spark, The Prime of Miss Jean Brodie (1961) -- John Braine, Room at the Top (1957) -- Elaine Pagels, The Gnostic Gospels (1979) -- Truman Capote, In Cold Blood (1966) -- Orlando Figes, A People's Tragedy: the Russian Revolution 1891-1924 (1996) -- Rupert Thomson, The Insult (1996) -- Gerri Hirshey, Nowhere to Run: The Story of Soul Music (1984) -- Arthur C. Danto, Beyond the Brillo Box: The Visual Arts in Post-Historical Perspective (1992) -- Frank Norris, McTeague (1899) -- Mikhail Bulgakov, The Master and Margarita (1940) -- Nella Larsen, Passing (1929) -- Hubert Selby Jnr, Last Exit to Brooklyn (1964) -- Frank Edwards, Strange People: Unusual Humans Who Have Baffled the World (1961) -- Nathaniel West, The Day of the Locust (1939) -- Tadanoori Yokoo, Tadanoori Yokoo (1997) -- Jon Savage, Teenage: The Creation of Youth Culture (2007) -- Wallace Thurman, Infants of the Spring (1932) -- Hart Crane, The Bridge (1930) -- Eugenia Ginzburg, Into the Whirlwind (1967) -- Ed Sanders, Tales of Beatnik Glory (1975) -- John Dos Passos, The 42nd Parallel (1930) -- Peter Guralnick, Sweet Soul Music: Rhythm and Blues and the Southern Dream of Freedom (1986) -- Bruce Chatwin, The Songlines (1987) -- Camille Paglia, Sexual Personae: Art and Decadence from Nefertiti to Emily Dickinson (1990) -- Jessica Mitford, The American Way of Death (1963) -- Otto Friedrich, Before the Deluge: A Portrait of Berlin in the 1920s (1972) -- Private Eye (1961-the present) -- R. D. Laing, The Divided Self (1959) -- Vance Packard, The Hidden Persuaders (1957) -- Evelyn Waugh, Vile Bodies (1930) -- Howard Zinn, A People's History of the United States (1980) -- Wyndham Lewis, Blast (1914) -- Ian McEwan, In Between the Sheets (1978) -- David Kidd, All the Emperor's Horses (1961) -- Malcolm Cowley (ed.), Writers At Work: The Paris Review Interviews, 1st Series (1958) -- Christa Wolf, The Quest for Christa T (1968) -- Tom Stoppard, The Coast of Utopia (2002) -- Anthony Burgess, Earthly Powers (1980) -- Howard Norman, The Bird Artist (1994) -- Spike Milligan, Puckoon (1963) -- Charlie Gillett, The Sound of the City: The Rise of Rock 'n' Roll (1970) -- Lawrence Weschler, Mr Wilson's Cabinet of Wonder (1995).
Summary: ""The only art I'll ever study is stuff that I can steal from." --David Bowie // Three years before David Bowie died, he shared a list of 100 books that changed his life. His choices span fiction and nonfiction, literary and irreverent, and include timeless classics alongside eyebrow-raising obscurities. // In 100 short essays, music journalist John O'Connell studies each book on Bowie's list and contextualizes it in the artist's life and work. How did the power imbued in a single suit of armor in The Iliad impact a man who loved costumes, shifting identity, and the siren song of the alter-ego? How did The Gnostic Gospels inform Bowie's own hazy personal cosmology? How did the poems of T.S. Eliot and Frank O'Hara, the fiction of Vladimir Nabokov and Anthony Burgess, the comics of The Beano and The Viz, and the groundbreaking politics of James Baldwin influence Bowie's lyrics, his sound, his artistic outlook? How did the 100 books on this list influence one of the most influential artists of a generation? // Heartfelt, analytical, and totally original, Bowie's Bookshelf is one part epic reading guide and one part biography of a music legend"--
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Holdings
Item type Current library Home library Collection Call number Copy number Status Date due Barcode Item holds
Standard Loan Hayden Library Adult Nonfiction Hayden Library Book 782.42/OCONNEL (Browse shelf(Opens below)) 1 Available 50610022641372
Standard Loan Liberty Lake Library Adult Nonfiction Liberty Lake Library Book 782.4216 OCO (Browse shelf(Opens below)) Available 31421000642745
Total holds: 0

Enhanced descriptions from Syndetics:

Named one of Entertainment Weekly' s 12 biggest music memoirs this fall. "An artful and wildly enthralling path for Bowie fans in particular and book lovers in general." --Publishers Weekly (starred review)

"The only art I'll ever study is stuff that I can steal from." ―David Bowie

Three years before David Bowie died, he shared a list of 100 books that changed his life. His choices span fiction and nonfiction, literary and irreverent, and include timeless classics alongside eyebrow-raising obscurities.

In 100 short essays, music journalist John O'Connell studies each book on Bowie's list and contextualizes it in the artist's life and work. How did the power imbued in a single suit of armor in The Iliad impact a man who loved costumes, shifting identity, and the siren song of the alter-ego? How did The Gnostic Gospels inform Bowie's own hazy personal cosmology? How did the poems of T.S. Eliot and Frank O'Hara, the fiction of Vladimir Nabokov and Anthony Burgess, the comics of The Beano and The Viz , and the groundbreaking politics of James Baldwin influence Bowie's lyrics, his sound, his artistic outlook? How did the 100 books on this list influence one of the most influential artists of a generation?

Heartfelt, analytical, and totally original, Bowie's Bookshelf is one part epic reading guide and one part biography of a music legend.

Includes bibliographical references (pages [277]-281).

Anthony Burgess, A Clockwork Orange (1962) -- Albert Camus, The Outsider (1942) -- Nik Cohn, Awopbopaloobop Alopbamboom (1969) -- Dante Alighieri, 'Inferno' (c.1308-20) -- Junot Diaz, The Brief Wondrous Life of Oscar Wao (2007) -- Yukio Mishima, The Sailor Who Fell from Grace with the Sea (1963) -- Frank O'Hara, Selected Poems (2009) -- Christopher Hitchens, The Trial of Henry Kissinger (2001) -- Vladimir Nabokov, Lolita (1955) -- Martin Amis, Money (1984) -- Colin Wilson, The Outsider (1956) -- Gustave Flaubert, Madame Bovary (1856) -- Homer, The Iliad -- James Hall, Hall's Dictionary of Subjects and Symbols in Art (1974) -- Saul Bellow, Herzog (1964) -- T. S. Eliot, The Waste Land (1922) -- John Kennedy Toole, A Confederacy of Dunces (1980) -- Greil Marcus, Mystery Train (1975) -- The Beano (founded 1938) -- Fran Lebowitz, Metropolitan Life (1978) -- Richard Cork, David Bomberg (1988) -- Alfred Doblin, Berlin Alexanderplatz (1929) -- George Steiner, In Bluebeard's Castle: Some Notes Towards the Re-Definition of Culture (1971) -- D. H. Lawrence, Lady Chatterley's Lover (1930) -- Petr Sadecky, Octobriana and the Russian Underground (1971) -- Comte de Lautreamont, Les Chants de Maldoror (1868) -- John Cage, Silence: Lectures and Writing (1968) -- George Orwell, Nineteen Eighty-Four (1949) 29. Peter Ackroyd, Hawksmoor (1985) -- James Baldwin, The Fire Next Time (1962) -- Angela Carter, Nights at the Circus (1984) -- Eliphas Levi, Transcendental Magic: Its Doctrine and Ritual (1856) -- Sarah Waters, Fingersmith (2002) -- William Faulkner, As I Lay Dying (1930) -- Christopher Isherwood, Mr Norris Changes Trains (1935) -- Jack Kerouac, On the Road (1957) -- Edward Bulwer Lytton, Zanoni (1842) -- George Orwell, Inside the Whale and Other Essays (1940) -- John Rechy, City of Night (1963) -- David Sylvester, The Brutality of Fact: Interviews with Francis Bacon (1987) -- Julian Jaynes, The Origins of Consciousness in the Breakdown of the Bicameral Mind (1976) -- F. Scott Fitzgerald, The Great Gatsby (1925) -- Julian Barnes, Flaubert's Parrot (1984) -- J. B. Priestley, English Journey (1934) -- Keith Waterhouse, Billy Liar (1959) -- Alberto Denti di Piranho, A Grave for a Dolphin (1956) -- RAW (1986-91) -- Susan Jacoby, The Age of American Unreason (2008) 49. Richard Wright, Black Boy (1945)

Viz (1979-present) -- Ann Petry, The Street (1946) -- Giuseppe Tomasi di Lampedusa, The Leopard (1958) -- Don DeLillo, White Noise (1985) -- Douglas Harding, On Having No Head (1961) -- Anatole Broyard, Kafka Was the Rage (1990) -- Charles White, The Life and Times of Little Richard (1984) -- Michael Chabon, Wonder Boys (1995) -- Arthur Koestler, Darkness at Noon (1940) -- Muriel Spark, The Prime of Miss Jean Brodie (1961) -- John Braine, Room at the Top (1957) -- Elaine Pagels, The Gnostic Gospels (1979) -- Truman Capote, In Cold Blood (1966) -- Orlando Figes, A People's Tragedy: the Russian Revolution 1891-1924 (1996) -- Rupert Thomson, The Insult (1996) -- Gerri Hirshey, Nowhere to Run: The Story of Soul Music (1984) -- Arthur C. Danto, Beyond the Brillo Box: The Visual Arts in Post-Historical Perspective (1992) -- Frank Norris, McTeague (1899) -- Mikhail Bulgakov, The Master and Margarita (1940) -- Nella Larsen, Passing (1929) -- Hubert Selby Jnr, Last Exit to Brooklyn (1964) -- Frank Edwards, Strange People: Unusual Humans Who Have Baffled the World (1961) -- Nathaniel West, The Day of the Locust (1939) -- Tadanoori Yokoo, Tadanoori Yokoo (1997) -- Jon Savage, Teenage: The Creation of Youth Culture (2007) -- Wallace Thurman, Infants of the Spring (1932) -- Hart Crane, The Bridge (1930) -- Eugenia Ginzburg, Into the Whirlwind (1967) -- Ed Sanders, Tales of Beatnik Glory (1975) -- John Dos Passos, The 42nd Parallel (1930) -- Peter Guralnick, Sweet Soul Music: Rhythm and Blues and the Southern Dream of Freedom (1986) -- Bruce Chatwin, The Songlines (1987) -- Camille Paglia, Sexual Personae: Art and Decadence from Nefertiti to Emily Dickinson (1990) -- Jessica Mitford, The American Way of Death (1963) -- Otto Friedrich, Before the Deluge: A Portrait of Berlin in the 1920s (1972) -- Private Eye (1961-the present) -- R. D. Laing, The Divided Self (1959) -- Vance Packard, The Hidden Persuaders (1957) -- Evelyn Waugh, Vile Bodies (1930) -- Howard Zinn, A People's History of the United States (1980) -- Wyndham Lewis, Blast (1914) -- Ian McEwan, In Between the Sheets (1978) -- David Kidd, All the Emperor's Horses (1961) -- Malcolm Cowley (ed.), Writers At Work: The Paris Review Interviews, 1st Series (1958) -- Christa Wolf, The Quest for Christa T (1968) -- Tom Stoppard, The Coast of Utopia (2002) -- Anthony Burgess, Earthly Powers (1980) -- Howard Norman, The Bird Artist (1994) -- Spike Milligan, Puckoon (1963) -- Charlie Gillett, The Sound of the City: The Rise of Rock 'n' Roll (1970) -- Lawrence Weschler, Mr Wilson's Cabinet of Wonder (1995).

""The only art I'll ever study is stuff that I can steal from." --David Bowie // Three years before David Bowie died, he shared a list of 100 books that changed his life. His choices span fiction and nonfiction, literary and irreverent, and include timeless classics alongside eyebrow-raising obscurities. // In 100 short essays, music journalist John O'Connell studies each book on Bowie's list and contextualizes it in the artist's life and work. How did the power imbued in a single suit of armor in The Iliad impact a man who loved costumes, shifting identity, and the siren song of the alter-ego? How did The Gnostic Gospels inform Bowie's own hazy personal cosmology? How did the poems of T.S. Eliot and Frank O'Hara, the fiction of Vladimir Nabokov and Anthony Burgess, the comics of The Beano and The Viz, and the groundbreaking politics of James Baldwin influence Bowie's lyrics, his sound, his artistic outlook? How did the 100 books on this list influence one of the most influential artists of a generation? // Heartfelt, analytical, and totally original, Bowie's Bookshelf is one part epic reading guide and one part biography of a music legend"--

Reviews provided by Syndetics

Library Journal Review

Three years before his death, music icon David Bowie published a list of the 100 books he counted as his favorite and most influential works. Music journalist O'Connell presents an essay about each title on Bowie's list, with commentary about the titles's cultural significance, as well as when and how it might have fit into the artist's personal and creative life. The range of books on display from Bowie's personal library ranges from Japanese and Russian literary fiction to nonfiction historical essays, esoteric occultism to comics, with a heavy emphasis on English and American novelists. O'Connell finds interesting questions to ask about each book on the list, speculating about what the titles might have said about Bowie the man and the artist, and ends each short essay with suggested pairings: a Bowie song to accompany each title, and a recommended title to read as a followup. Simon Vance lends a tone of warmth and intelligence to the narration. Verdict Recommended for rock history and criticism readers who are fans of Legs McNeil and Gillian McCain's Please Kill Me, and Psychotic Reactions and Carburetor Dung by Lester Bangs. --Jason Puckett, Georgia State Univ. Lib, Atlanta

Booklist Review

O'Connell's diligently documented book on the literary influences on David Bowie is a fantastic voyage into 100 books that inspired the artist's prodigious output. Basing his research on a list that Bowie provided three years before his death and which runs from poetry to comics, James Baldwin to Anthony Burgess, O'Connell analyzes each book, explaining its core themes, cultural and literary impacts, and what part it played in Bowie's musical development. O'Connell's introduction is informative and crucial in framing Bowie's library; it's also very entertaining. For Bowie enthusiasts, it fills in gaps of fandom knowledge with tales, for example, about how, when Bowie landed in New Mexico to film The Man Who Fell to Earth, he was stick-thin and in the grip of a severe cocaine addiction. In 1978 Bowie tells Crawdaddy that he had vivid nightmares . . . enormous bugs flying . . . and other creepy-crawly dreams after reading Kafka's The Metamorphosis. Books were so important to Bowie that he had custom-built luggage-bookshelves made to carry his traveling library. This exciting book chronicles the literary influences on a revered and visionary bibliophile artist.--Raúl Niño Copyright 2019 Booklist

Kirkus Book Review

A peek into the psyche of one of rock's most inscrutable figures through the books that had the strongest impact on him.In 2013, London's Victoria Albert Museum hosted an exhibition, "David Bowie Is," for which the star drafted a list of the 100 books that had influenced him. O'Connell, a veteran music journalist, gamely delivers brief essays on each title, with context on what influence Bowie might have drawn from them. This is sometimes a tall order. Many of Bowie's selections speak to his obvious passion for music, especially early rock 'n' roll and RB (Greil Marcus, Gerri Hershey), his famous Japanophilia (Yukio Mishima, Tadanori Yokoo), and his stint in Germany (Alfred Dblin, Otto Friedrich). There are a few surprising anecdotese.g., Alberto Denti di Pirajno's obscure 1956 memoir, A Grave for a Dolphin directly inspired Bowie's classic song "Heroes." But many of Bowie's selections don't lend themselves to such cause-and-effect treatment. The best O'Connell can make of Bowie's affection for Frank Norris' McTeague and William Faulkner's As I Lay Dying is that teeth feature prominently and Bowie had dental implants; he can only speculate that Giuseppe Tomasi di Lampedusa's novel The Leopard appealed for its story of a giant in decline. That straining for meaning suggests that this project might better have been approached thematically rather than book by book. Exploring Bowie's interest in transgressive literature by Hubert Selby, Mikhail Bulgakov, Jack Kerouac, and John Rechy needn't require extensive plot summaries of each novel; numerous books on divided selves speak collectively to Bowie's career-long shape-shifting (and his late schizophrenic half brother). Still, O'Connell's approach does underscore the range and playfulness in Bowie's reading, from hefty tomes on the Russian Revolution to laddish comic books like The Beano.An enlightening if imperfectly conceived look at Bowie's eclectic bookshelf. Copyright Kirkus Reviews, used with permission.

Author notes provided by Syndetics

John O'Connell is a former Senior Editor at Time Out and music columnist for The Face . He is now freelance writing mainly for The Times and The Guardian . He interviewed David Bowie in New York in 2002. He lives in south London.

Patron comment on 05/31/2021

David Bowie was a voracious reader and John O'Connell list 100 books that Bowie read. O'Connell starts with a brief bio-sketch of Bowie and O'Connell, not Bowie, describes books that he says influenced Bowie's life. A caveat, David Bowie didn't select these 100 books, nor did David write anything about these 100 books; this book is about John O'Connell writing a book about books that someone else read. Boring. Add to that O'Connell's stilted and uninspiring writing style, similar to the thrill I get reading my High School history textbook, yawn.

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