Enhanced descriptions from Syndetics:

Clap When You Land meets On the Come Up in this heart-gripping story about navigating first love and overcoming grief through the power of music.



Aarón Medrano has been haunted by the onstage persona of his favorite DJ ever since his mother passed away. He seems to know all of Aarón's deepest fears, like how his brain doesn't work the way it should and that's why his brother and father seem to be pushing him away. He thinks his ticket out is a scholarship to the prestigious Acadia School of Music. That is, if he can avoid blowing his audition.



Mia Villanueva has a haunting of her own and it's the only family heirloom her parents left her: doubt. It's the reason she can't overcome her stage fright or believe that her music is worth making. Even though her trumpet teacher tells her she has a gift, she's not sure if she'll ever figure out how to use it or if she's even deserving of it in the first place.



When Aarón and Mia cross paths, Aarón sees a chance to get close to the girl he's had a crush on for years and to finally feel connected to someone since losing his mother. Mia sees a chance to hold herself accountable by making them both face their fears, and hopefully make their dreams come true. But soon they'll realize there's something much scarier than getting up on stage--falling in love with a broken heart.

Reviews provided by Syndetics

Publishers Weekly Review

Kemp (Somewhere Between Bitter and Sweet) delivers a lyrical standalone about pursuing one's dreams despite impossible odds through Chicane teens Aarón and Mia, virtual strangers bound together by two things: a passion for music, and grief after having each lost a parent. Both seek entrance and a scholarship to the Acadia School of Music, but each finds auditioning insurmountable against their own trauma--six months after Mia's mother left their family, "an alcoholic chokehold... squeezed the life out of" her father; cancer, meanwhile, has recently caused the death of Aarón's mother. While Mia navigates self-doubt, and her mother's legacy of abandonment and domestic abuse, Aarón copes by hallucinating a giant talking robot, the stage persona of his favorite musician, who has long been reported missing. As their San Antonio neighborhood, Monte Vista, crumbles under ICE raids, gentrification, and police brutality, the two navigate their realities not only for the sake of themselves and their futures, but for the culture and soul of their community. An unfocused narrative that details Aarón's experiences more fully than Mia's does little to take away from the impact of seeing two teenagers and their loved ones attempt to heal from grief, and descriptions of music are sufficiently vivid to lift melodies right off the page. Ages 14--up. Agent: Andrea Morrison, Writers House. (Apr.)

Booklist Review

Aarón Medrano and Mia Villanueva are teenagers who are trying desperately to navigate a world where grief is persistent. Both of them have lost parents, and they turn to music as a way to heal their wounds. Aarón is constantly haunted by a corporeal form of his grief--a robot no one else can see--and Mia struggles with the imperfections of her music and her ongoing stage fright. After a failed audition, Aarón and Mia come together to explore the reality and complexity behind their shared and collective grief. The story centers around the two narrators, but it also touches on the ambiguity of sanctuary cities, the cultural destruction that comes with gentrification, and the generational trauma that can live within Latinx families. Kemp's latest novel is a multilayered symphony in itself, keeping the reader's emotions heightened from the first sentence until the finale, during which readers will be left breathless in wonder. Kemp effortlessly creates beautifully flawed characters who are impossible to forget. It's through Aarón and Mia that we experience the multifaceted experience of growing up Latinx in America. This story is not a story of despair or of longing; rather, this is a story of community and culture, and of creating spaces for healing and acceptance.

Kirkus Book Review

A story of surviving grief with the help of community. Full of music from the start, this novel follows two Chicane teens in San Antonio, Texas, who are navigating loss and self-doubt. Aarón's mother died eight months ago and now he has an imaginary robot following him around. Not just any imaginary robot, though, but one that represents La Maquina, the public persona of Xavier López, a musician Aarón is strongly attached to--and someone missing for nearly a year who he can't accept is possibly dead. Mia has grown up with domestic violence at the center of her world. She and her brothers create family bonds through invented rituals so they won't focus on the parents who are gone: first, their mother who abandoned them, and soon after, their father, who was consumed by alcoholism until he passed away. Aarón and Mia come together with a pact to not give up on auditioning for scholarships to a prestigious music school, but their community may need their alliance for more. As the book threads together commentary on race, mental health, and undocumented immigration, the two main characters join protests against U.S. Immigration and Customs Enforcement raids on their neighborhood. The text is vibrant, with Spanish words and poetry effortlessly woven throughout; unfortunately, the chemistry between Aarón and Mia does not fully satisfy, affecting readers' connection to them and the story. A bold premise written in beautiful prose but faltering in characterization. (Fiction. 14-18) Copyright (c) Kirkus Reviews, used with permission.