Publisher's Weekly Review
In this riveting standalone from Edgar finalist MacNeal (the Maggie Hope WWII mysteries), mother and daughter Violet ("Vi") and Veronica Grace move from New York to Santa Monica in 1940 and encounter homegrown Nazis. Veronica is smarting from the fallout of a love affair that has derailed her budding journalism career, and Vi is looking for a new path after her husband's death. Veronica begins to do typing for Bund member Donald Pierce McDonnell, who introduces her to an array of people spouting antisemitic and pro-Hitler sentiments, and Vi meets their associates at a gathering of the isolationist group America First, including a prominent female aviator. As the appalled Veronica and Vi find that their respective secretarial and needlework skills provide an entrée to learning about the group's disturbing and violent plans, they join up with operatives Ari Lewis and Jonah Rose, who keep tabs on such activities since the FBI is preoccupied with hunting communists rather than Nazis. Featuring characters based on real people, MacNeal provides a sobering reminder that pernicious elements can lie very close to home. Agent: Victoria Skurnick, Levine Greenberg Rostan Literary. (Sept.)
Booklist Review
When MacNeal was researching The Hollywood Spy (2021), she became interested in the story of Grace and Sylvia Comfort, a real-life mother and daughter who were recruited to infiltrate the German American Bund in Los Angeles during WWII. This fictionalized version of that story sticks closely to the facts, with MacNeal limiting embellishments mainly to the backstories of Grace and Sylvia, who appear here as Violet and Veronica Grace, New Yorkers recently relocated to L.A., where would-be journalist Veronica takes a typing job for a couple who turn out to be Bund members. A friend of Violet's works in Naval Intelligence, and soon the women have an assignment: gather information on the Bund and its doings. Veronica's eagerness to take risks in the manner of her role model, Martha Gellhorn ("What would Martha do?"), leads to trouble. The narrative bogs down occasionally, with Veronica delivering some clichéd author's messages ("We need to transcend the hate"), but the historical material, all documented in an afterword, is thoroughly gripping: plans to sabotage aviation plants, lynch prominent Hollywood figures, and transform a Pacific Palisades ranch into "Hitler's West Coast bunker."
Library Journal Review
Author of the Barry Award-winning, New York Times best-selling "Maggie Hope" series, MacNeal offers a stand-alone about a mother and daughter who move to Los Angeles in June 1940 to start life afresh. Daughter Veronica quickly realizes that her new boss is a vitriolic antisemite helping to recruit for the Nazi Party in the United States, but the FBI dismisses her claims as baseless. Thus do Veronica and her mother, Violet, end up going underground to assist Ari Lewis, the city's anti-Nazi spymaster.
Excerpts
Chapter One June 19, 1940 New York City "And now, may I introduce to you our very own Lois Lane, the intrepid editor of the award-winning Hunter Envoy, and the winner of the prestigious National Pacemaker Award for excellence in American student journalism: Veronica Grace!" A wave of warm applause flowed through the audience in the majestic cream-and-gold auditorium of Carnegie Hall as Veronica stepped onto the stage. She was tall for a woman and slim, with pale blond waves of hair, intelligent deep blue eyes, a strong nose, and a pointed chin. As she approached the podium in her purple cap and gown, she wobbled on her new high heels, stumbled, and nearly fell. "Watch yourself, Miss Grace!" Hunter College's president called. Veronica laughed, a full-bellied guffaw, righted herself, and shook his hand. Emotions--pride, embarrassment, amusement, and stoicism--played across her face. "Thank you, sir," she said, flashing a grin. Then, in an aside to the audience in an exaggerated Brooklyn accent, "Good thing I'm gonna be a journalist, not a ballerina, right?" The members of the audience chuckled as they fanned themselves with their paper programs. The day was hot and humid, with rain in the forecast; inside the auditorium, it was warm and sticky. Veronica took a moment to search the audience for her mother, who she knew would be sitting in the middle of the orchestra section, wearing a green-and-gold straw hat festooned with yellow poppies. Found her, she thought, seeing the beloved face, so like her own. The two women's eyes met, and they nodded, recognizing the enormity of the moment. Veronica again addressed the crowd: "Thank you, distinguished faculty, ladies and gentlemen, and my fellow graduates," she began in a low voice, surprisingly husky from a childhood illness. She looked to her classmates, in their purple caps and gowns, sitting in the first three rows. "Well, girls--we did it!" There was a rousing cheer from the assembled graduates. "We're now graduates of Hunter College, the inheritors of a radical idea: that educating women can change, well, everything. And education for all women, not just the daughters of the elite. Yes, we may have a couple of those . . ." She pointed to a tall young woman in the front row. "Priss, we see you!" Priss waved back good-naturedly, and the audience laughed. "But most of us standing before you today are the daughters of immigrants, of factory workers, of former slaves. We're the strivers and the seekers. Many of us are the first generation in our families to graduate from college. And our success is a testament to the persistence and power of the American dream. Of democracy." How I love this country, Veronica thought, catching sight of the American flag on the podium. This glorious beacon of hope and promise. Every woman in the class of 1940 was following her dreams: Veronica's best friend and co-editor of the Envoy was going to be student-teaching at the Little Red Schoolhouse while earning her degree from Teachers College. The star of all the school's plays was headed to the Bellevue School of Nursing, focusing on a new specialty: postpartum care for mothers. A leggy alto who also tap-danced was joining the chorus of Pal Joey on Broadway. And the class valedictorian would be studying child welfare at the newly opened Columbia University School of Social Work. There was more applause as Veronica looked out over the crowd. "And we'll need strong shoulders. France has fallen to the Nazis, and the battle for Britain will begin soon. The war's getting closer to the U.S. every day. It's easy to think what happened in France could never happen here. But let's not forget: on February twentieth last year, our own Madison Square Garden was filled with twenty thousand chanting, stomping, shouting Americans rallying in support of Nazi Germany." Veronica hadn't just read about it; she'd been there in person. She'd gone undercover at the rally to research her prize-winning story about the rise of Nazism in New York City for the Hunter Envoy . She swallowed, remembering. "That's right-- twenty thousand Nazis and Nazi sympathizers. Right here, in the heart of New York City. It's a warning America's not immune from the authoritarianism running rampant across Europe. And it's a call to arms to those who believe the United States is the last, best hope for freedom and democracy. "What gives me joy and courage is how furious the Nazis would be to see all of us here today." She met the gazes of her fellow graduates. "Colored, Asian, and white. Jewish and Gentile. All social classes. This incredible, diverse, brilliant class of 1940 stands tall and proud, even during this challenging year." She smiled. "And that, my friends, is the real America!" There was more applause and even a few cheers. "Our Hunter motto is 'The care of the future is mine,' " she said, wrapping things up. "So, let's take it as our charge--it's up to all of us." She grinned. "Hunter class of 1940, congratulations--and good luck to us all!" Still beaming, Veronica took her seat alongside the rest of her class as the ceremony ended with a rendition of "America the Beautiful," a benediction from the rabbi, and, finally, the recessional to Edward Elgar's "Pomp and Circumstance." As the last notes of music faded and the crowd dispersed, Veronica hung back with Izzy Horowitz, her co-editor. The two had worked together for four years on the Envoy, with deadlines, late nights, strong coffee, and all the stress and pride of seeing each new issue printed. Veronica adjusted Izzy's cap and fixed her friend's hair. "I can't believe this is it," she said. "I'm just so glad we're both staying in New York," Izzy replied. Although many of their friends were content to listen to Frank Sinatra and read the comics, Veronica and Izzy--who read every newspaper their school library carried, especially Drew Pearson's syndicated column "Washington Merry-Go-Round"--knew things were bleak, the world was growing darker each day. There was a sense of bated breath as Europe's leaders, like chess players, plotted their next moves. Veronica's face darkened. "If people don't wake up, we're all going to be goose-stepping a year or two from now." Another of the graduates, wearing pearl earrings and an orchid corsage, rolled her eyes. "Oh, here she goes again--Veronica Grace and her 'Nazis are evil' schtick." "They are--just ask the folks in France. Or maybe you haven't heard the latest?" "I have, and the Germans have promised to be respectful in France. Pétain's in charge now, in Vichy. It'll all be fine." "It's not 'fine,' " Veronica told her. "Don't you see what Hitler's going to do to them? Just wait." "Ugh, you're always assuming the worst." "But the worst keeps happening." Veronica tried not to roll her eyes. Germany was protected by its alliance with Russia to the east and by a neutral America to the west. The Nazis had marched across Holland at lightning speed and taken Belgium, Holland, and Luxembourg easily. France had fallen in six weeks. Now the Luftschlacht um England, the air invasion of England, was about to begin. But why aren't they angry? Veronica bit her lip. A madman's conquering the world, and no one can be bothered. When the fight comes, you need to fight back, not back down like the British fool calling for "peace for our time." She took a deep breath and remembered what her late father used to say: Illegitimi non carborundum--don't let the bastards get you down. Excerpted from Mother Daughter Traitor Spy: A Novel by Susan Elia MacNeal All rights reserved by the original copyright owners. Excerpts are provided for display purposes only and may not be reproduced, reprinted or distributed without the written permission of the publisher.
