The girl who circumnavigated Fairyland in a ship of her own making /

Enhanced descriptions from Syndetics:

"One of the most extraordinary works of fantasy, for adults or children, published so far this century."--Time magazine, on the Fairyland series

A NEW YORK TIMES BESTSELLER!

Twelve-year-old September lives in Omaha, and used to have an ordinary life, until her father went to war and her mother went to work. One day, September is met at her kitchen window by a Green Wind (taking the form of a gentleman in a green jacket), who invites her on an adventure, implying that her help is needed in Fairyland. The new Marquess is unpredictable and fickle, and also not much older than September. Only September can retrieve a talisman the Marquess wants from the enchanted woods, and if she doesn't . . . then the Marquess will make life impossible for the inhabitants of Fairyland. September is already making new friends, including a book-loving Wyvern and a mysterious boy named Saturday.

With exquisite illustrations by acclaimed artist Ana Juan, Fairyland lives up to the sensation it created when author Catherynne M. Valente first posted it online. For readers of all ages who love the charm of Alice in Wonderland and the soul of The Golden Compass , here is a reading experience unto itself: unforgettable, and so very beautiful.

The Girl Who Circumnavigated Fairyland in a Ship of Her Own Making is a Publishers Weekly Best Children's Fiction title for 2011.

Excerpt provided by Syndetics

CHAPTER I   EXEUNT ON A LEOPARD   In Which a Girl Named September Is Spirited Off by Means of a Leopard, Learns the Rules of Fairyland, and Solves a Puzzle Once upon a time, a girl named September grew very tired indeed of her parents' house, where she washed the same pink-and-yellow teacups and matching gravy boats every day, slept on the same embroidered pillow, and played with the same small and amiable dog. Because she had been born in May, and because she had a mole on her left cheek, and because her feet were very large and ungainly, the Green Wind took pity on her and flew to her window one evening just after her twelfth birthday. He was dressed in a green smoking jacket, and a green carriage-driver's cloak, and green jodhpurs, and green snowshoes. It is very cold above the clouds in the shantytowns where the Six Winds live. "You seem an ill-tempered and irascible enough child," said the Green Wind. "How would you like to come away with me and ride upon the Leopard of Little Breezes and be delivered to the great sea, which borders Fairyland? I am afraid I cannot go in, as Harsh Airs are not allowed, but I should be happy to deposit you upon the Perverse and Perilous Sea." "Oh, yes!" breathed September, who disapproved deeply of pink-and-yellow teacups and also of small and amiable dogs. "Well, then, come and sit by me, and do not pull too harshly on my Leopard's fur, as she bites." September climbed out of her kitchen window, leaving a sink full of soapy pink-and-yellow teacups with leaves still clinging to their bottoms in portentous shapes. One of them looked a bit like her father in his long coffee-colored trench coat, gone away over the sea with a rifle and gleaming things on his hat. One of them looked a bit like her mother, bending over a stubborn airplane engine in her work overalls, her arm muscles bulging. One of them looked a bit like a squashed cabbage. The Green Wind held out his hand, snug in a green glove, and September took both his hands and a very deep breath. One of her shoes came loose as she hoisted herself over the sill, and this will be important later, so let us take a moment to bid farewell to her prim little mary jane with its brass buckle as it clatters onto the parquet floor. Good-bye, shoe! September will miss you soon. *   *   * "Now," said the Green Wind, when September was firmly seated in the curling emerald saddle, her hands knotted in the Leopard's spotted pelt, "there are important rules in Fairyland, rules from which I shall one day be exempt, when my papers have been processed at last and I am possessed of the golden ring of diplomatic immunity. I am afraid that if you trample upon the rules, I cannot help you. You may be ticketed or executed, depending on the mood of the Marquess." "Is she very terrible?" The Green Wind frowned into his brambly beard. "All little girls are terrible," he admitted finally, "but the Marquess, at least, has a very fine hat." "Tell me the rules," said September firmly. Her mother had taught her chess when she was quite small, and she felt that if she could remember which way knights ought to go, she could certainly remember Fairy rules. "First, no iron of any kind is allowed. Customs is quite strict on this point. Any bullets, knives, maces, or jacks you might have on your person will be confiscated and smelted. Second, the practice of alchemy is forbidden to all except young ladies born on Tuesdays--" "I was born on a Tuesday!" "It is certainly possible that I knew that," the Green Wind said with a wink. "Third, aviary locomotion is permitted only by means of Leopard or licensed Ragwort Stalk. If you find yourself not in possession of one of these, kindly confine yourself to the ground. Fourth, all traffic travels widdershins. Fifth, rubbish takeaway occurs on second Fridays. Sixth, all changelings are required to wear identifying footwear. Seventh, and most important, you may in no fashion cross the borders of the Worsted Wood, or you will either perish most painfully or be forced to sit through a very tedious tea service with several spinster hamadryads. These laws are sacrosanct, except for visiting dignitaries and spriggans. Do you understand?" September, I promise you, tried very hard to listen, but the rushing winds kept blowing her dark hair into her face. "I ... I think so...," she stammered, pulling her curls away from her mouth. "Obviously, the eating or drinking of Fairy foodstuffs constitutes a binding contract to return at least once a year in accordance with seasonal myth cycles." September started. "What? What does that mean?" The Green Wind stroked his neatly pointed beard. "It means: Eat anything you like, precious cherry child!" He laughed like the whistling air through high branches. "Sweet as cherries, bright as berries, the light of my moony sky!" The Leopard of Little Breezes yawned up and farther off from the rooftops of Omaha, Nebraska, to which September did not even wave good-bye. One ought not to judge her: All children are heartless. They have not grown a heart yet, which is why they can climb tall trees and say shocking things and leap so very high that grown-up hearts flutter in terror. Hearts weigh quite a lot. That is why it takes so long to grow one. But, as in their reading and arithmetic and drawing, different children proceed at different speeds. (It is well known that reading quickens the growth of a heart like nothing else.) Some small ones are terrible and fey, Utterly Heartless. Some are dear and sweet and Hardly Heartless at all. September stood very generally in the middle on the day the Green Wind took her, Somewhat Heartless, and Somewhat Grown. And so September did not wave good-bye to her house or her mother's factory, puffing white smoke far below her. She did not even wave good-bye to her father when they passed over Europe. You and I might be shocked by this, but September had read a great number of books and knew that parents are only angry until they have discovered that their little adventurer has been to Fairyland and not the corner pub, and then everything is all right. Instead, she looked straight into the clouds until the wind made her eyes water. She leaned into the Leopard of Little Breezes, whose pelt was rough and bright, and listened to the beating of her huge and thundering heart. *   *   * "If you don't mind my asking, Sir Wind," said September after a respectable time had passed, "how does one get to Fairyland? After a while, we shall certainly pass India and Japan and California and simply come round to my house again." The Green Wind chuckled. "I suppose that would be true if the earth were round." "I'm reasonably sure it is..." "You're going to have to stop that sort of backward, old-fashioned thinking, you know. Conservatism is not an attractive trait. Fairyland is a very Scientifick place. We subscribe to all the best journals." The Leopard of Little Breezes gave a light roar. Several small clouds skipped huffily out of their path. "The earth, my dear, is roughly  trapezoidal,  vaguely  rhomboid,  a bit of a  tesseract,  and altogether grumpy when its fur is stroked the wrong way! In short, it is a  puzzle,  my autumnal acquisition, like the interlocking silver rings your aunt Margaret brought back from Turkey when you were nine." "How did you know about my aunt Margaret?" exclaimed September, holding her hair back with one hand. "I happened to be performing my usual noontime dustup just then. She wore a black skirt; you wore your yellow dress with the monkeys on it. Harsh Airs have excellent memories for things they have ruffled." September smoothed the lap of her now-wrinkled and rumpled orange dress. She liked anything orange: leaves; some moons; marigolds; chrysanthemums; cheese; pumpkin, both in pie and out; orange juice; marmalade. Orange is bright and demanding. You can't ignore orange things. She once saw an orange parrot in the pet store and had never wanted anything so much in her life. She would have named it Halloween and fed it butterscotch. Her mother said butterscotch would make a bird sick and, besides, the dog would certainly eat it up. September never spoke to the dog again--on principle. "The puzzle is not unlike those rings," said the Green Wind, tipping his gaze over his green spectacles. "We are going to unlock the earth and lock it up again, and when we have done it, we shall be in another ring, which is to say, Fairyland. It won't be long now." And indeed, in the icy-blue clouds above the world, a great number of rooftops began to peek out. They were all very tall and very rickety: cathedral towers made of nailed boards, cupolas of rusted metal, obelisks of tattered leaves and little more, huge domes like the ones September had seen in books about Italy, but with many of their bricks punched out, broken, turned to dust. Just the sorts of buildings where wind howls hardest, whistles loudest, screams highest. The tips and tops of everything were frozen--including the folk that flew and flittered through the town, bundled up tight much like the Green Wind himself, their jodhpurs and jackets black or rosy or yellow, their cheeks puffed out and round, like the cherubs blowing at the corners of old maps. "Welcome, September, to the city of Westerly, my home, where live all the Six Winds in nothing at all like harmony." "It's ... very nice. And very cold. And I seem to have lost one of my shoes." The Green Wind looked down at September's toes, which were beginning to turn slightly purple. Being at least a bit of a gentleman, he shuffled off his smoking jacket and guided her arms into it. The sleeves were far too big, but the jacket had learned a drop or two of manners in its many travels and adjusted itself around September's little body, puffing up and drawing in until it was quite like her own skin. "I think I look a little like a pumpkin," whispered September, secretly delighted. "I'm all green and orange." She looked down. On her wide, emerald velvet lapel, the jacket had grown a little orange brooch for her, a jeweled key. It sparkled as though made out of the sun itself. The jacket warmed slightly with bashfulness and with hoping she'd be pleased. "The shoe is a very great loss, I won't lie," clucked the Green Wind. "But one must make sacrifices if one is to enter Fairyland." His voice dropped confidentially. "Westerly is a border town, and the Red Wind is awfully covetous. Terribly likely your shoe would have been stolen eventually, anyway." The Green Wind and September entered Westerly smoothly, the Leopard of Little Breezes being extra careful not to jostle the landing. They strode down Squamish Thoroughfare, where big-cheeked Blue and Golden Winds went about their grocery shopping, piling their arms with tumbleweeds for rich, thorny salads. Clouds spun and blew down the street the way old paper blows in the cities you and I have seen. They were heading for two spindly pillars at the end of the Thoroughfare, pillars so enormous that September could not see right away that they were actually people, incredibly tall and thin, their faces huge and long. She could not tell if they were men or women, but they were hardly thicker than a pencil and taller than any of the bell towers and high platforms of Westerly. Their feet went straight down through the clouds, disappearing in a puff of cumulus. They both wore thin circular glasses, darkened to keep out the bright Westerly sun. "Who are they?" whispered September. "That's Latitude, with the yellow belt, and Longitude, with the paisley cravat. We can't get very far without them, so be polite." "I thought latitude and longitude were just lines on maps." "They don't like to have their pictures taken. That's how it is with famous folk. Everyone wants to click, click, click away at you. It's very annoying. They made a bargain with the Cartographers' Guild several hundred years ago--symbolic representations only, out of respect, you understand." September felt very quiet in front of Latitude and Longitude. Being young, she was used to most people being taller than she was. But this was of another order entirely, and she hadn't eaten anything since breakfast, and travel by Leopard is very tiring. She didn't think she ought to curtsy, as that was old-fashioned, so she bowed from the waist. The Green Wind looked amused and copied her bow. Latitude yawned. The inside of his mouth was bright blue, the color of the ocean on school maps. Longitude sighed in a bored sort of way. "Well, you wouldn't expect them to speak, would you?" The Green Wind looked slightly embarrassed. "They're celebrities! They're very private." "I thought you said there would be a puzzle," said September, catching Latitude's yawn. The Green Wind picked at his sleeve, as though miffed that she was not more impressed. "When you solve a jigsaw puzzle," he said, "how do you do it, pumpkin-dear?" September shuffled her cold foot on the smooth blue stone of the Thoroughfare. "Well ... you start with the corners, and then you fill in the edges to make a frame, and then work inward until all the pieces fit." "And, historically, how many winds are there?" September thought back to her book of myths, which had been bright orange and therefore one of her favorite possessions. "Four, I think." The Green Wind grinned, his green lips curling under a green mustache. "Quite so: Green, Red, Black, and Gold. Of course, those are roughly family designations, like Smith or Gupta. And actually there is also Silver and Blue, but they've made trouble off the coast of Tunisia and have had to go to bed without supper. So the fact remains: Today, we are the corners." He gestured at the placid Latitude and Longitude. "They are the edges. And you, September"--he gently pulled a strand of September's hair free of her brooch--"are the middle pieces, all funny shaped and stubborn." "I don't understand, Sir." "Well, it's all in the verbiage. One of the pieces is  a girl hopping widdershins on one foot ,  nine revolutions.  One is  wear motley colors.  One is  clap hand over one eye.  One is  give something up.  One is  have a feline in attendance ." "But that's easy!" "Mostly easy. But Fairyland is an old place, and old things have strange hungers. One of the last pieces is:  There must be blood . The other is:  Tell a lie ." September bit her lip. She had never been fond of jigsaw puzzles, even though her grandmother loved them and had glued one thousand pieces all over her house as a kind of wallpaper. Slowly, trying to remember it all, she clapped one hand over her eye. She raised one foot and hopped in what she hoped was widdershins around the Leopard of Little Breezes. Her orange dress flapped against the green jacket shining in the sun. When she stopped, September unfastened the jeweled orange key from her lapel and pricked her finger sharply with its pin. Blood welled up and dripped onto the blue stones. She laid the key gently at the feet of the impassive Latitude and Longitude and drew a deep breath. "I want to go home," she lied softly. Latitude and Longitude turned smoothly toward each other, as though they were on pedestals. They began to bend and fold like staircases, reaching out for each other and interlocking, hand into hand, foot onto knee, arms akimbo. They moved mechanically in their strange circus dance, jerkily, joints swinging like dolls'. The street shook a little and then was still. Ever so briefly, Latitude and Longitude kissed, and when they parted, there was a space between their mouths just large enough for a Leopard carrying a Harsh Air and a little girl. All September could see on the other side were clouds. Solemnly, the Green Wind held out his gloved hand to the girl in orange. "Well done, September," he said, and lifted her onto the Leopard's emerald saddle. *   *   * One can never see what happens after an exeunt on a Leopard. It is against the rules of theatre. But cheating has always been the purview of fairies, and as we are about to enter their domain, we ought to act in accordance with local customs. For, you see, when September and the Green Wind had gone through the puzzle of the world on their great cat, the jeweled key rose up and swooped in behind them, as quiet as you like.   Copyright (c) 2011 by Catherynne M. Valente Excerpted from The Girl Who Circumnavigated Fairyland in a Ship of Her Own Making by Catherynne M. Valente All rights reserved by the original copyright owners. Excerpts are provided for display purposes only and may not be reproduced, reprinted or distributed without the written permission of the publisher.

Reviews provided by Syndetics

Publishers Weekly Review

Originally published in serialized form online (where it became the first e-book to win the Andre Norton Award for Young Adult Science Fiction and Fantasy), this glittering confection is Valente's first work for young readers. The book's appeal is crystal clear from the outset: this is a kind of The Wonderful Wizard of Oz by way of Alice's Adventures in Wonderland, made vivid by Juan's Tenniel-inflected illustrations. An omniscient narrator relates the absurd Fairyland adventures of 12-year-old September from Omaha, Neb. Valente seems more interested in crafting the individual episodes, and her narrator's moral observations thereon, than in September's overall quest to retrieve a witch's spoon from the terrible marquess of Fairyland. Homages abound-an echo of Tolkien here, a cameo by Lord Dunsany there, and a nod for Hayao Miyazaki, too, all without feeling derivative. It's an allusive playground for adults, but even though young readers won't catch every reference, those who thrill to lovingly wrought tales of fantasy and adventure (think McCaughrean or DiCamillo) will be enchanted. And though the pace is lackadaisical, it's just as well-it's the sort of book one doesn't want to end. Ages 10-14. (May) (c) Copyright PWxyz, LLC. All rights reserved.

School Library Journal Review

Gr 4-8-Once upon a time in Omaha, NE, a child named September is visited by the Green Wind and spirited away to Fairyland on the back of the Leopard of Little Breezes. Things are not going well in Fairyland, where the evil Marquess holds sway. She asks September to retrieve an item for her from the autumn lands, where there is "always cider and pumpkin pie...and it is always Halloween." September is hesitant to aid the Marquess in her plans for Fairyland, but the offer provides her an opportunity to help friends she has met on her journey. While this book is written in a sophisticated, adult storyteller's voice, with many asides directed at (presumably adult) readers ("you must remember from your own adventuring days how harsh a task lies before her..."), there is no denying that it possesses a surfeit of imagination. Along the way September meets a bookish Wyvern, a herd of wild bicycles, and even pieces of 100-year-old household furniture that can think and act for themselves. Think The Phantom Tollbooth (Random, 1961) crossed with The Wizard of Oz infused with the absurdity of Alice's Adventures in Wonderland. Does this book rise to the level of a classic in the same way as these three books? Perhaps not, but the payoff, when all is revealed, will give readers an immense degree of satisfaction. Juan's black-and-white illustrations appear as headings for each chapter and nicely convey the strange and dreamlike quality of the proceedings. Having previously been published online, and having already won a couple of major awards, this book should have a built-in audience.-Tim Wadham, St. Louis County Library, MO (c) Copyright 2011. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

Booklist Review

*Starred Review* When the Green Wind offers to whisk young September from her dull home in Nebraska off to Fairyland, she jumps at the chance and onto his flying leopard. Once in Fairyland (a self-aware mashup of surreal otherworlds from Wonderland to Oz to Neverland), she makes fast friends with a wyverary (the offspring of a dragon and a library); runs afoul of the wicked little girl Marquess, who rules the land with tyrannical poutiness; and traipses about in a loosely plotted series of merry, harrowing, and just plain weird adventures. September herself is a standard-issue fairy-tale fish out of water, ever flummoxed and begging pardon but given to sharp outbursts of pluck in pluckworthy situations. The setting, however, fairly bursts at the seams with darkness, wonder, and oodles of imaginative quirks, while Valente's busy and at times intrusive narration is thick, thorny, and stylistically vigorous. Chapters are headed by Juan's dreamy, stubby-figured drawings and a wry look forward (In Which September Enters the Worsted Wood, Loses All Her Hair, Meets Her Death, and Sings It to Sleep). The rich, dense vocabulary presents some tricky footing, but for readers like September, wh. read often and liked it best when words did not pretend to be simple but put on their full armor and rode out with colors flying. this book is quite simply a gold mine.--Chipman, Ia. Copyright 2010 Booklist

Horn Book Review

When the Green Wind (a dapper gentleman clothed head to toe in green) appears at her kitchen window, twelve-year-old September, tired of her middle-class WWII-era existence in Omaha, seizes the opportunity to explore Fairyland. September and the Green Wind are soon separated, but he keeps benevolent watch over her from afar as she befriends a Wyvern and a djinni-like Marid, loses her shadow and her heart, meets her own Death, and rides a wild velocipede. When September finally confronts the tyrannical Marquess, who has severely curtailed the magic of Fairyland, she learns some harsh truths about Fairyland, home, and growing up. The plot occasionally stalls on philosophical tangents ("All children are heartless. They have not grown a heart yet, which is why they can climb tall trees and say shocking things and leap so very high that grown-up hearts flutter in terror"), but readers will find the wonderfully bizarre world of Fairyland and September herself compelling enough to persevere. Part fairy tale, part Wizard of Oz, with the narrative style of Victorian storytellers and a splash of steampunk, The Girl Who Circumnavigated Fairyland (previously published online and winner of the 2009 Andre Norton Award) is by turns amusing, wrenching, and thought-provoking. katie bircher (c) Copyright 2011. The Horn Book, Inc., a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

Kirkus Book Review

In this modern fairytale, an insouciant, "somewhat heartless" 12-year-old girl from Omaha visits Fairyland and accepts a quest to rescue its inhabitants from the rule-mad Marquess. September's father's in the army, and her mother works a factory shift. When the Green Wind arrives at her kitchen window and invites her to Fairyland, the "ill-tempered and irascible" September eagerly accepts. Soon she's flying on the back of the Leopard of Little Breezes, while Green Wind warns her she may be "ticketed or executed, depending on the mood of the Marquess," if she tramples on any rules. Also, she must be prepared to make sacrifices and she must never tell her true name. After solving a puzzle, September passes into Fairyland, encounters myriad fantastical creatures and meets her soon-to-be helpers, a red dragonlike Wyvern and a blue jinnlike Marid. When the Marquess co-opts her to retrieve a magical sword from the deadly Worsted Wood and holds the Wyvern and Marid hostage, September sacrifices everything to save her friends. Told by an omniscient narrator who directly engages readers, the densely textured text deftly mixes and matches familiar fairytale elements, creating a world as bizarre and enchanting as any Wonderland or Oz and a heroine as curious, resourceful and brave as any Alice or Dorothy. Complex, rich and memorable.(Fantasy. 10-14)]] Copyright Kirkus Reviews, used with permission.

Author notes provided by Syndetics

CATHERYNNE M. VALENTE is the author of over a dozen books of fiction and poetry, and is best-known for her urban speculative fiction, including Palimpsest (winner of the 2010 Lambda Award), and The Orphan's Tales: In the Night Garden . This, her first novel for young readers, was posted online in 2009 and won the Andre Norton Award--the first book to ever win before traditional publication. Cat Valente lives on an island off the coast of Maine with her partner, two dogs, and an enormous cat.

ANA JUAN is a world-renowned illustrator known in this country for her wonderful covers for the New Yorker magazine, as well as the children's books The Night Eater , and Frida , written by Jonah Winter. She lives in Spain.