The lost ryu /

Enhanced descriptions from Syndetics:

BEST OF THE YEAR:

Chicago Public Library · Kids' Indie Next List



A story of multigenerational pain, magic, and the lengths to which we'll go to protect the people we love.



Kohei Fujiwara has never seen a big ryū in real life. Those dragons all disappeared from Japan after World War II, and twenty years later, they've become the stuff of legend. Their smaller cousins, who can fit in your palm, are all that remain. And Kohei loves his ryū, Yuharu, but...



...Kohei has a memory of the big ryū. He knows that's impossible, but still, it's there, in his mind. In it, he can see his grandpa - Ojiisan - gazing up at the big ryū with what looks to Kohei like total and absolute wonder. When Kohei was little, he dreamed he'd go on a grand quest to bring the big ryū back, to get Ojiisan to smile again.



But now, Ojiisan is really, really sick. And Kohei is running out of time.



Kohei needs to find the big ryū now, before it's too late. With the help of Isolde, his new half-Jewish, half-Japanese neighbor; and Isolde's Yiddish-speaking dragon, Cheshire; he thinks he can do it. Maybe. He doesn't have a choice.



P R A I S E



★ "A thought-provoking, magical middle-grade journey that explores sacrifices, faith in allies and the resilient hopefulness of a child. A boy, his new friend and their dragons travel across Japan in search of a giant dragon they believe may heal his grandfather in this hopeful and stirring middle-grade debut."

-- Shelf-Awareness (starred)



"A spellbinding mix of fantasy and alternate history that explores themes of generational trauma, resilience, and family love. Recommended."

--School Library Journal



"A beautiful--though complex--exploration of generational trauma."

--Kirkus



"Cohen interweaves Japanese dragon imagery, history, and post-war culture in a story that muses on the legacies of emotion and family experiences in shaping identity after war. She blends her fantastical imagery with historical fact and realism, bringing readers commentary and questions on cultural identity, racism, friendship, and political activism."

--Horn Book



"Kohei and Isolde are a dynamic pair, with contrasting skills and such different life experiences that they are constantly challenging and learning from each other. The thread of quiet agony that runs under the misery of Kohei's mother and the anger of his grandfather hints at the war and its devastating ripples across generations."

--BCCB



"Emi Watanabe Cohen does an admirable job of breathing life into this story of multicultural identity, family secrets, the effect of guilt on family relationships, forgiveness, and hope for the future."

--School Library Connection



"Gentle, humorous, and touching. A fantasy novel whose full-blooded mythology helps to emphasize the humanity of its characters."

--Foreword

Reviews provided by Syndetics

School Library Journal Review

Gr 3--7--Kohei Fujiwara's beloved grandpa is really sick, and all Kohei wants is to make him smile again. To do that, he'll need to bring back the big ryu--legendary dragons no one has seen since World War II. With the help of his new neighbor Isolde, as well as their palm-sized ryu Cheshire and Yuharu, Kohei thinks he might just be able to pull it off. Set 20 years after the bombing of Japan, Cohen's debut is a spellbinding mix of fantasy and alternate history that explores themes of generational trauma, resilience, and family love. Kohei and Isolde balance each other nicely, and readers will enjoy watching their friendship blossom and grow. Kohei is Japanese; Isolde, like the author, is Japanese-Jewish. VERDICT A great recommendation for fans of Studio Ghibli or graphic novel series such as Jaimal Yogis's "City of Dragons" and Mark and Alexis Siegel's "5 Worlds." Recommended purchase.--Kaitlin Frick

Booklist Review

This historical fantasy imagines a postwar Japan where large ryū, or dragons, haven't been seen since WWII. Now, in the 1960s, only tiny ryū remain, living as companions to everyday people, but 10-year-old Kohei somehow has a cherished memory of seeing a huge Western dragon soaring and, nearby, his grandfather, or ojiisan, marveling at it. Since then, however, Ojiisan has been unhappy, and now he's very sick. Deciding that one more glimpse of a large ryū will make his grandfather smile again, Kohei sets out with his new neighbor, Jewish Japanese American Isolde, to find the dragon-egg facility and, using his dead father's controversial research, hatch a large dragon himself. Cohen's touching debut has the air of a modern fairy tale, forgoing tedious world building and delivering a tight, thoughtful story of a boy coming of age as he unlocks the mysteries of his family's past. Deceptively simple, it's an uncommonly sophisticated story in its exploration of intergenerational pain, family dynamics, and the surrounding emotions. Sweet and satisfying.

Horn Book Review

Cohen reimagines Japan two decades after World War II, with a fantasy twist. All humans have a ryu, a dragon companion, a whiskery creature born of rain and mist and small enough to fit in the palm of a hand. Kohei loves his smart, linguistically gifted Yuharu, but he also has a seemingly impossible memory of big dragons, the kind he thinks his grandfather, Ojiisan, once watched with joy. Now Ojiisan is bitter and given to drunken rages, and Kohei's widowed mother can only say, hollowly, "It's okay." Kohei teams up with his Japanese Jewish American friend Isolde (whose ryu speaks Yiddish) to find a big dragon that might heal Ojiisan's anger. The two travel deep into the sea to the palace of dragons, where Kohei gains new understanding of his family's -- and his nation's -- past. Cohen interweaves Japanese dragon imagery, history, and post-war culture in a story that muses on the legacies of emotion and family experiences in shaping identity after war. She blends her fantastical imagery with historical fact and realism, bringing readers commentary and questions on cultural identity, racism, friendship, and political activism. Deirdre F. Baker July/August 2022 p.115(c) Copyright 2022. The Horn Book, Inc., a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

Kirkus Book Review

Ten-year-old Kohei knows that his impossible memory is the key to fixing everything. Somehow, he has a memory of large Japanese ryū marching in a war parade and a single Western dragon circling the sky while his grandfather watches it, awestruck. But large ryū have not been seen in Japan for the last 20 years, since the end of World War II. Kohei believes that seeing a large dragon again will allow Ojiisan to experience a range of emotions instead of his constant anger and heal Kohei's family, broken even before his father's death. When their new American tenants arrive with their daughter, Isolde, who is Japanese American and Jewish, Kohei is excited to hear that they have a dragon, but their Yiddish-speaking dragon, Cheshire, is even smaller than Kohei's own tiny dragon, Yuharu; disappointed, Kohei lashes out. But when Ojiisan is hospitalized, Kohei convinces Isolde to go to New Ryūgū-jō, a replica of the underwater palace of the ancient dragon gods, in an attempt to hatch a large dragon egg. Their journey reveals a tragic truth that shakes Kohei to the core. Watanabe Cohen's use of the fantastical both parallels and is juxtaposed against real history and trauma. Fleshed-out and flawed characters pose difficult questions and make mistakes; conflicts aren't neatly resolved but rather are realistically depicted as ongoing. This quiet novel tackles complicated topics, including the devastation of war; readers with some knowledge of the period will likely get the most out of it. A beautiful--though complex--exploration of generational trauma. (author's note) (Fantasy. 10-14) Copyright (c) Kirkus Reviews, used with permission.

Author notes provided by Syndetics

Emi Watanabe Cohen wrote her first novel when she was 12 years old -- the most complete draft she can find clocks in at 234,780 words. That's over 1,000 pages! Thankfully, her editing skills have improved since then. Her more recent work involves Jewish and/or Japanese folklore, complicated families, and a dash of improbable magic. She is a graduate of Brandeis University, where she studied Creative Writing. Her debut novel, The Lost Ryū , was an official Indie Next Seleciton.



Author Residence : Chicago, IL