Jess needs a fresh start. She's broke and alone, and she's just left her job under less than ideal circumstances. Her half-brother Ben didn't sound thrilled when she asked if she could crash with him for a bit, but he didn't say no, and surely everything will look better from Paris. Only when she shows up, to find a very nice apartment, (could Ben really have afforded this?) he's not there. The longer Ben stays missing, the more Jess starts to dig into her brother's situation, and the more questions she has. Ben's neighbors are an eclectic bunch, and not particularly friendly. Jess may have come to Paris to escape her past, but it's starting to look like it's Ben's future that's in question. The socialite. The nice guy. The alcoholic. The girl on the verge. The concierge. Everyone's a neighbor. Everyone's a suspect. And everyone knows something they're not telling.

Arriving in Paris to stay with her brother Ben, Jess learns that he has gone missing, and to find him, starts digging into his life, realizing even though she has come to the City of Lights to escape her past, it's his future hanging in the balance.

Jess needs a fresh start. She's broke and alone, and she's just left her job under less than ideal circumstances. Her half-brother Ben didn't sound thrilled when she asked if she could crash with him for a bit, but he didn't say no, and surely everything will look better from Paris. Only when she shows up, to find a very nice apartment, (could Ben really have afforded this?) he's not there. The longer Ben stays missing, the more Jess starts to dig into her brother's situation, and the more questions she has. Ben's neighbors are an eclectic bunch, and not particularly friendly. Jess may have come to Paris to escape her past, but it's starting to look like it's Ben's future that's in question. The socialite. The nice guy. The alcoholic. The girl on the verge. The concierge. Everyone's a neighbor. Everyone's a suspect. And everyone knows something they're not telling.

"We are in an elegant Hotel particulier in the centre of Paris . Renée, the building concierge, is short, ugly, and plump. She has bunions on her feet. She is cantankerous and addicted to television soaps. Her only genuine attachment is to her cat, Leo. In short, she is everything society expects from a concierge at a bourgeois building in a posh Parisian neighborhood. But Renée has a secret: she is a ferocious autodidact who furtively devours art, philosophy, music, and Japanese culture. With biting humor she scrutinizes the lives of the building's tenants - her inferiors in every way except that of material wealth. Then there's Paloma, a super-smart twelve-year old and the youngest daughter of the Josses, who live on the fifth floor. Talented, precocious, and startlingly lucid, she has come to terms with life's seeming futility and has decided to end her own on the day of her thirteenth birthday. Until then she will continue hiding her extraordinary intelligence behind a mask of mediocrity. Paloma and Renée hide both their true talents and their finest qualities from a world they suspect cannot or will appreciate them. They discover their kindred souls when a new tenant arrives, a wealthy Japanese man named Ozu. He befriends Paloma and is able to see through Renée's timeworn disguise to the mysterious event that has haunted her since childhood. This is a moving, witty, and redemptive novel that exalts the quiet victories of the inconspicuous among us."--Inside front cover.

While in Paris to find a former NASA employee whose name has been found on papers left in his nemesis's apartment, Paul Madriani stumbles upon a plot to harness the destructive forces of nature using stolen technology.

In the waning months of 1956, while Russian tanks roll into the public squares of Budapest to crush the Hungarian Revolution, brothers Robert and Attila Beck flee with their family to the Paris apartment of their great aunt Hermina. As they travel through minefields both real and imagined, Robert and Attila grapple with sibling rivalry, family secrets and incalculable loss.

Two strangers met by chance, spent a night together in Vienna, and parted before sunrise. Nine years later, Jesse has written a book about the encounter. During his accelerated European book tour, he meets up with Celine in Paris. Before Jesse's flight home, he joins Celine for a picturesque walk around the city and they have an intimate conversation, ending at Celine's apartment. Will they get the chance to fall in love all over again?

Somewhere along the cobbled streets of Paris, an apartment lies thick with dust and secrets: full of priceless artworks hidden away for decades. High-flying Fine Art Agent Flora from London, more comfortable with the tension of a million-pound auction than a cozy candlelit dinner for two, is called in to asses these suddenly discovered treasures. As an expert in her field, she must trace the history of each painting and just who has concealed them for so long. Thrown in amongst the glamorous Vermeil family as they move between Paris and Antibes, Flora begins to discover that things aren't all that they seem, while back at home her own family is recoiling from a seismic shock. The terse and brooding Xavier Vermeil seems intent on forcing Flora out of his family's affairs - but just what is he hiding?

"When April Vogt's boss tells her about the discoveries in a cramped, decrepit ninth arrondissement apartment, the Sotheby's continental furniture specialist does not hear the words "dust" or "rats" or "shuttered for seventy years." She hears Paris. She hears escape. Once in France, April quickly learns the apartment is not merely some rich hoarder's repository. Beneath the dust and cobwebs and stale perfumed air is a goldmine and not because of the actual gold (or painted ostrich eggs or mounted rhinoceros horns or bronze bathtub). First, there's a portrait by one of the masters of the Belle Epoque. And then there are letters and journals written by the woman in the painting, documents showing she was more than a renowned courtesan with enviable decolletage. Suddenly it's no longer about the bureau plats and Louis-style armchairs that will fetch millions at auction. It's about a life. Two lives, actually. With the help of a salty (and annoyingly sexy) Parisian solicitor and the courtesan's private documents, April tries to uncover the secrets buried in the apartment. As she digs into one woman's life, April can't help but take a deeper look into her own. When the two things she left bubbling back in the States begin to boil over, April starts to wonder whether she'll ever find--in the apartment, or in her life--just what she's looking for"--

"New York Times bestselling author Tatiana de Rosnay's Flowers of Darkness explores how artificial intelligence tampers with love, sex, and the basis of artistic creation in a new future Paris. CASA is a brand new artist residency in an ultra-modern apartment, with a view of all of Paris. A dream for any novelist in search of tranquility. But is this residency a dream or a nightmare? Since moving in, Clarissa Katsef has had ominous discomfort, the feeling of being watched. Who is behind CASA? Is Clarissa right to be wary or does she too easily give in to paranoia, falling victim to an overly fertile imagination? Meanwhile, Clarissa is still haunted by the betrayal that led her to divorce. Staying true to her favorite themes - the imprint of the place, the weight of secrets - de Rosnay weaves an intrigue of thrilling suspense to explore the threats hanging over a precious asset: our privacy"--Publisher.

"Paris, 1941. The City of Light, occupied by the Nazis, is dark and silent at night. Streetlamps are painted blue and apartment windows draped or shuttered in the blackout ordered by the Germans. But when the clouds part, the silvery moonlight defies authority, and so does a leader of the French Resistance, known as Mathieu. In Paris and in the farmhouses, barns, and churches of the French countryside, small groups of ordinary men and women are determined to take down the occupying forces of Adolf Hitler. Mathieu leads one such Resistance cell, helping downed British airmen escape back to England. This suspenseful, fast-paced thriller by the author whom Vince Flynn calls "the most talented espionage novelist of our generation" captures this dangerous time as no one ever has before. Alan Furst brings Paris and occupied France to life, along with courageous citizens who outmaneuver collaborators, informers, blackmailers, and spies, risking everything to fulfill perilous clandestine missions. Aiding Mathieu as part of his covert network are Lisette, a seventeen-year-old student and courier; Max de Lyon, an arms dealer turned nightclub owner; Chantal, a woman of class and confidence; Daniel, a Jewish teacher fueled by revenge; Jo©±lle, who falls in love with Mathieu; and Annemarie, a willful aristocrat with deep roots in France, and a desire to act. As the German military police heighten surveillance, Mathieu and his team face a new threat, dispatched by the Reich to destroy them all."--

The story finds Chief Inspector Armand Gamache of the Sûreté du Quebec investigating a sinister plot in the City of Light On their first night in Paris, the Gamaches gather as a family for a bistro dinner with Armand's godfather, the billionaire Stephen Horowitz. Walking home together after the meal, they watch in horror as Stephen is knocked down and critically injured in what Gamache knows is no accident, but a deliberate attempt on the elderly man's life. When a strange key is found in Stephen's possession it sends Armand, his wife Reine-Marie, and his former second-in-command at the Sûreté, Jean-Guy Beauvoir, from the top of the Tour d'Eiffel, to the bowels of the Paris Archives, from luxury hotels to odd, coded, works of art. It sends them deep into the secrets Armand's godfather has kept for decades. A gruesome discovery in Stephen's Paris apartment makes it clear the secrets are more rancid, the danger far greater and more imminent, than they realized. Soon the whole family is caught up in a web of lies and deceit. In order to find the truth, Gamache will have to decide whether he can trust his friends, his colleagues, his instincts, his own past. His own family. For even the City of Light casts long shadows. And in that darkness devils hide.