The more you give /

Enhanced descriptions from Syndetics:

A modern-day response to The Giving Tree , this lyrical picturebook shows how a family passes down love from generation to generation, leaving a legacy of growing both trees and community.

Once there was a wide-open field, and a boy who loved his grandmother,
who loved him back.

The boy's grandmother gives him many gifts, like hugs, and Sunday morning pancakes, and acorns with wild and woolly caps. And all her wisdom about how things grow. As the boy becomes a father, he gives his daughter bedtime stories his grandmother told him, and piggyback rides. He gives her acorns, and the wisdom he learned about how things grow. His daughter continues the chain, then passing down gifts of her own. Here is a picture book about the legacy of love that comes when we nurture living things-be they people or trees.

Reviews provided by Syndetics

Publishers Weekly Review

Several generations grow up--and out--in this philosophically generous reboot of The Giving Tree. In the story's first spread, a boy and his grandmother appear as tiny figures crossing an empty field, portrayed from afar by Sanna (Move, Mr Mountain!) in an image that resonates with themes of manifold maturation that's better perceived from a distance. In atmospheric snapshots of successive adult- child relationships across generations, the creators trace legacies of love: a grandmother gives her grandson both acorns ("tiny and shy, with wild and woolly caps") and "the gift of patience," and her counsel later helps the boy endure her death. The oak tree they plant grows along with him, and when he has a child of his own, they plant another. "Love," he tells her, "even when given to the smallest of things, can... grow bigger than she could ever imagine." A third generation carries the planting further as the field turns into a well-loved forest. Long horizons and magnificent trees in saturated shades give depth to flat, crisp-edged figures of various skin tones, while Campbell's (Something Good) language exemplifies deep trust and perfect safety--and the importance of cultivating care both interpersonally and with the natural world. Ages 4--8. Author's agent: Steven Malk, Writers House. Illustrator's agent: Andrea Morrison, Writers House. (Aug.)

School Library Journal Review

PreS-Gr 1--Depicting a loving family connection spanning generations, this story opens with a boy and his grandmother, who share a close bond, expressing their deep affection for one other in hugs, laughter, patience, and pancakes. They plant an acorn together and watch it grow into a sapling. As the years go by, the grandmother dies, and eventually the boy grows up to become a father, sharing the loving experiences and caring for the oak tree with his daughter, who in turn passes the wisdom "About how things grow,/ like trees,/ and people,/ and kindness" to her son, and so on until there is an oak forest where "once there was a wide-open field." Sanna's striking digital illustrations in a bold graphic style alternate between spreads and vignettes, cleverly conveying the passage of time with changes in color palette and framing, depicting a cast of diverse people of many skin colors and hair colors. These lovely, luscious images complement the lyricism of Campbell's peaceful text with its repeated refrains of watering and weeding, watching, and wondering that inform the passing of the years and generations. VERDICT Perhaps idealized, this is a lovely and gentle musing about familial continuity, community support, and the importance of perseverance and kindness.--Yelena Voysey

Kirkus Book Review

The old saying that the important things in life aren't things gets the picture-book treatment. There's a lot packed into the spare text, which spans decades of time to share how first a grandmother and grandson, then the grandson grown up with a daughter of his own, and finally that daughter with her son share their love. They value the intangible gifts they give and receive in relationship with each other--patience, hugs, stories, and so on. Sanna's art depicts characters with a range of skin colors and hair textures. The act of planting trees and watching them grow on the land where the family lives helps convey the passage of time while also serving as metaphor for the family's history and how their love for one another sustains them across generations. Moments of loss also arise, as do connections with community beyond the small family units. Throughout, Sanna's expressive art employs a warm palette and a soft visual texture befitting the tenderness of the text, which often evokes The Giving Tree ("And they were happy") but with a far more community-minded message. (This book was reviewed digitally.) A book to give and to share with loved ones. (Picture book. 3-8) Copyright (c) Kirkus Reviews, used with permission.

Author notes provided by Syndetics

Marcy Campbell's debut picture book, Adrian Simcox Does NOT Have a Horse! was a Junior Library Guild Selection, a Top 10 Indie Next Pick, Winner of the Comstock Read Aloud Award, and the Crystal Kite Award, and was translated into eight languages. She is also the author of the middle grade novel Rule of Threes as well as the picture book Something Good, illustrated by Corinna Luyken. Marcy lives in Ohio with her family. Visit her on the web at marcycampbell.com, or on Twitter @marcycampbell and Instagram @marcycampbellbooks.

Francesca Sanna is an illustrator and children's book author, whose books include the critically acclaimed The Journey, for which she received both an Ezra Jack Keats New Author Honor and New Illustrator Honor Award. Her other books include Me and My Fear which received two starred reviews. The New York Times has described her work as "both realistic and fantastical, done in a striking, graphic style." Francesca is a recipient of the Society of Illustrators Gold Medal, the Parents' Choice Awards Gold Medal, and an Amnesty CILIP Kate Greenaway Honour, among others. She lives in Zurich, Switzerland. Learn more at francescasanna.com, or visit her on Twitter @Frenci_San and Instagram @frencisan.