The world and everything in it /

Enhanced descriptions from Syndetics:

There are big things and little things in the world, and everything in between. Caldecott Medal winner and #1 New York Times bestseller Kevin Henkes encourages young readers to be curious about the world around them in this timeless, beautifully illustrated, and educational picture book. The World and Everything in It belongs in every child's library, and illuminates key social and emotional concepts such as belonging, self-awareness, and community. A wonderful gift for young children.

In the world, there are little animals, tiny flowers, and things so small you can't see them. In the world, there are giant waves, a large sun, and things so big you can't wrap your hands around them. There are big things and little things in the world. And everything in between--including you!

A timeless and wholesome picture book from Caldecott Medal winner and #1 New York Times bestseller Kevin Henkes, The World and Everything in It explores concepts such as curiosity, self-awareness, belonging, and size. Combining a precise, evocative, and lovely text with exquisite illustrations, Kevin Henkes deftly captures the wonders and mysteries of the world for any reader just beginning to think about how they fit in.

A brilliant picture book to spend time with, discuss, read aloud, and think about, The World and Everything in It is an excellent choice for social and emotional development as well as a lovely book to give to readers of any age.

Reviews provided by Syndetics

Publishers Weekly Review

Serene reflectiveness flows through this meditation by Henkes (Little Houses), whose simple prose initially segments the universe into two camps: "big things and little things." An early spread shows both: a grown, gnarled tree is pictured against billowing clouds on a grassy rise; a seedling grows beside it. In subsequent pages, framed spreads display diminutive entities: "Little animals.// Tiny flowers.// Pebbles.// Things so small you can't see them." Shown against backgrounds of white, they evoke the objective calm of encyclopedia illustrations. Next come the big things, including "The sea.// The sun.// The moon." Humans are in the middle, and able to interact with both, having "some of the little things"--spreads show children of various skin tones holding the items--and fragments of big things, too. "The moon is big,/ but you can see all of it/ out the window in your bedroom." But how big is big? How small is small? "Most of the things are in-between," straightforward text concludes. "Like you./ And me." Spare images and text, and an almost reverent stream of thought, helps illuminate humans' comparative scale in the wide, variously populated world. Ages 4--8. (Mar.)

Booklist Review

Young children may feel like the world is full of things that are bigger and more important than they are. With an unerring understanding of the child's perspective, Henkes presents simple comparisons, demonstrating how all the people and parts of the world are significant to the whole. Using brown ink and watercolor paint, the opening image shows a large tree and a small sprout. The text acknowledges there are "big things and little things in the world": Little things such as animals, flowers, and pebbles, and a blank box to suggest the things so small they cannot be seen. Big things such as the sea, the sun, and the moon. Next, a series of children interacts with the world in natural ways. A child may pick up a pebble, a flower, or an animal while also being part of the bigger elements by holding some seawater, sitting in a sunbeam, or watching the moon. We all fit into the world; we all are somewhere "in-between." Soothing and accepting, the book reassuringly demonstrates that the world is big enough for everyone and everything.

Horn Book Review

"There are big things and little things in the world." Here Henkes meditates on the world and our place in it. There are tiny things (kittens, ladybugs, flowers), and there are enormous things (the sea, the sun, the moon). "Most of the things are in-between. Like you. And me." At heart, this is a concept book about size, but also perspective. Short declarative sentences sit alongside spare ink and watercolor illustrations contained in panels on spreads with ample white space. Encased in the square trim size that has become Henkes's trademark, the complexity of existence becomes something even a three- or four-year-old can consider. One image shows huge ocean waves, but a few pages later we see that a child can hold some of the ocean water in their hands. A kitten sits in a small child's lap on one page; a few pages later, the same kitten basks in the light of the sun, one of the largest objects a child can see. Henkes's strength is in the poetry of the everyday and finding the profound in ordinary moments, and that strength is on full display in a book that is simultaneously soothing and mind-blowing. "Everything is in the world." Shelve this somewhere between concept and philosophy -- and get it into kids' hands. (c) Copyright 2023. The Horn Book, Inc., a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

Kirkus Book Review

Young children are always figuring out their place in the universe. Accompanied by Henkes' signature charming watercolors, presented in panels outlined in brown, the spare, quiet prose differentiates between the "big things and little things in the world." This work goes beyond many similar concept books by encouraging children to consider the enormity of the sea, the sun, and the moon in contrast to "little animals. Tiny flowers. Pebbles. Things so small you can't see them." The last sentence is pictured with an empty box. Children may question this representation of infinitesimal objects, leading adults to start a discussion about atoms or bacteria. Kids have an innate interest in their surrounding world and the science that explains it. This book will work on several levels. At its simplest, it's a consideration of big and little that will be enhanced by the pictures. On another level, connections between Earth and space, between sea and land, or between animals and humans may become the focus. The diverse children pictured will invite readers to place themselves in the scenarios Henkes presents: holding "a little animal" or noticing a patch of the big sun "on the rug on your floor." Perfect for family reading, this will also work with groups at schools or libraries. (This book was reviewed digitally.) A contemplative picture book to help young readers understand the reality of their world. (Picture book. 3-6) Copyright (c) Kirkus Reviews, used with permission.

Author notes provided by Syndetics

Kevin Henkes was born in Racine, Wis. in 1960 and graduated from the University of Wisconsin at Madison. One of four children in his family, Henkes grew up with aspirations of being an artist. As a junior in high school, one of Henkes's teachers awakened his interest in writing. Falling in love with both writing and drawing, Henkes realized that he could do both at the same time as a children's book author and illustrator.

At the age of 19, Henkes went to New York City to get his first book, All Alone, published. Since that time, he has written and illustrated dozens of picture books including Chrysanthemum, Protecting Marie, and A Weekend with Wendell. A recurring character in several of Henkes's books is Lily, an outrageous, yet delightful, individualist. Lily finds herself the center of attention in the books Chester's Way, Julius, the Baby of the World, and Lily's Purple Plastic Purse.

A Weekend With Wendell was named Children's Choice Book by the Children's Book Council in 1986. He recieved the Elizabeth Burr Award for Words of Stone in 1993. Owen was named a Caldicott Honor in 1994. The Year of Billy Miller was named a Newbery Honor book in 2014.

(Bowker Author Biography)