How to be eaten

Title:

How to be eaten

Author:

Adelmann, Maria, author.

Personal Author:

Adelmann, Maria, author.

ISBN:

9780316450843

Edition:

First edition.

Physical Description:

vii, 291 pages ; 25 cm

Abstract:

"In present-day New York City, five women meet in a basement support group to process their traumas. Bernice grapples with the fallout of dating a psychopathic, blue-bearded billionaire. Ruby, once devoured by a wolf, now wears him as a coat. Gretel questions her memory of being held captive in a house made of candy. Ashlee, the winner of a Bachelor-esque dating show, wonders if she really got her promised fairy-tale ending. And Raina's love story will shock them all. Though the women start out wary of one another, judging each other's stories, gradually they begin to realize that they may have more in common than they supposed... What really brought them here? What secrets will they reveal? And is it too late for them to rescue one another?"--Front jacket flap.

Subject Term:

Women -- Fiction.

Characters and characteristics in literature -- Fiction.

Self-help groups -- Fiction.

Psychic trauma -- Fiction.

Geographic Term:

New York (N.Y.) -- Fiction.

Genre:

Fairy tales.

Psychological fiction.

Summary:

Holds:

Available:*

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Summary

One of NPR's Best Books of the Year: This darkly funny and provocative novel reimagines classic fairy tale characters as modern women in a support group for trauma.

In present-day New York City, five women meet in a basement support group to process their traumas. Bernice grapples with the fallout of dating a psychopathic, blue-bearded billionaire. Ruby, once devoured by a wolf, now wears him as a coat. Gretel questions her memory of being held captive in a house made of candy. Ashlee, the winner of a Bachelor-esque dating show, wonders if she really got her promised fairy tale ending. And Raina's love story will shock them all.

Though the women start out wary of one another, judging each other's stories, gradually they begin to realize that they may have more in common than they supposed . . . What really brought them here? What secrets will they reveal? And is it too late for them to rescue each other?

Dark, edgy, and wickedly funny, this debut for readers of Carmen Maria Machado, Kristen Arnett, and Kelly Link takes our coziest, most beloved childhood stories, exposes them as anti-feminist nightmares, and transforms them into a new kind of myth for grown-up women.

*Belletrist June Book Club Pick*

Named a Best Book of May by TIME Magazine & Glamour One of NPR's Best Books of the Year

Reviews (1)

Kirkus Review

Familiar fairy tales retold through the modern lenses of group-therapy sessions and reality TV. Bernice has just entered the news cycle, the only survivor of a flamboyant tech billionaire/serial murderer who was known for his eccentric obsession with the color blue, which included dyeing his goatee a signature shade of cyan. Gretel's iconic photo spread--an image of her and her brother, Hans, reunited with their father in the hospital after having been held captive in a house made of candy--is a part of American true-crime legend; as is the hard-to-fathom assault on Ruby and the shabby wolf-skin coat she's made out of its perpetrator. Raina, the oldest of the group at almost 40, is familiar mostly for her famous husband, though her face is vaguely reminiscent of some decades-old scandal surrounding their romance, while Ashlee, the most recent winner of the reality dating show The One, seems to be living out her happy ending in real time. All five women have received the same spamlike email inviting them to work through the lingering trauma of their "unusual stor[ies]" in group therapy led by the genially handsome Will, who exhorts them to Absolute Honesty, ostensibly in order to heal. As the summer passes, the women transcend their initial rivalries and suspicions and become bonded by their unique suffering. It seems Will's therapeutic dictates are beginning to work, but as the women move past their public victimization and into the identities they would like to build in the aftermath, it becomes clear that Will has one more surprise up his impeccable sleeve. Adelmann travels the well-worn paths of some of the most famous fairy tales of the Brothers Grimm with stylistic panache and 21st-century verve. However, it's her nuanced consideration of our own culpability that makes this book unique. In the end, Adelmann's true subject is actually her audience, the great anonymous we who consumes the horrors of violent husbands, ravaging wolves, hungry witches, and made-for-TV love stories with such compulsive demand we never pause to think what might come after the happy ending. Both a meditation on trauma and a sendup of our society's obsession with scripted reality, this book sings. Copyright (c) Kirkus Reviews, used with permission.