Errand into the maze : the life and works of Martha Graham

First Title Value for Searching:

Personal Author:

Jowitt, Deborah

Edition:

First edition.

Physical Description:

ix, 465 pages, 16 unnumbered leaves of unnumbered plates : illustrations ; 23 cm

Summary:

In the pantheon of American modernists, few figures loom larger than Martha Graham. One of the greatest choreographers ever to live, Graham pioneered a revolutionary dance technique- primal, dynamic, and rooted in the emotional life of the body- that upended traditional vocabulary and shaped generations of dancers and choreographers across the globe. Over her sweeping career, she founded what is now the oldest dance company in the country and produced nearly two hundred ballets, many of them masterpieces. And along the way, she engaged with the major debates, events, and ideas of the twentieth century, creating works that cut to the core of the human experience. Time magazine’s “Dancer of the Century,” and the first dancer and choreographer to be awarded the Presidential Medal of Freedom, Graham was a visionary artistic force and an international cultural figure: hers was the iconic face of what came to be known as modern dance. From the renowned dance writer and former longtime critic for The Village Voice Deborah Jowitt, Errand into the Maze draws on more than a decade of firsthand research to deliver the definitive portrait of this titan. Beginning with Graham’s childhood in Allegheny, Pennsylvania, and her early studies at the Denishawn School; weaving in her offstage adventures, including her relationship with her dancer and muse Erick Hawkins; and chronicling her retirement from dancing at age seventy-five and her remarkably productive final years, this elegant, empathetic biography portrays the artist in all her passionate complexity. Most important, Jowitt places Graham’s creations at the heart of her story. Her works, brimming with raw intensity, are intimately linked with their creator, who played the heroine in almost all that she choreographed: Joan of Arc, Jocasta, Clytemnestra, and Judith, among others. In this volume, Graham is centerstage once more, and Jowitt casts a brilliant spotlight on her life and work.

Subject Term:

Dancers -- United States -- Biography.

Choreographers -- United States -- Biography.

Modern dance

Publication Info:

New York : Farrar, Straus and Giroux, [2023]

Subject:

Dancers -- United States -- Biography.

Choreographers -- United States -- Biography.

Modern dance

Graham, Martha

Gelanmu, Masha

Interpretive dancing

Modern dancing

SAILS ISBN:

9780374280628

Available:

Library	Shelf Number	Shelf Location	Status
Searching... Bridgewater Public Library	B GRAHAM, MARTHA	NEW NONFICTION	Searching... Unknown
Searching... Norfolk Public Library	92 GRAHAM, M.	NEW NONFICTION	Searching... Unknown
Searching... Seekonk Public Library	920 GRAHAM	NEW NONFICTION	Searching... Unknown

Bound With These Titles

On Order

Summary

A New Yorker Best Book of the Year
A New York Times Book Review Editors' Choice
A Kirkus Reviews Best Book of the Month

"Deborah Jowitt chronicles a life passionately, artfully lived. An essential read about a true legend." --Mikhail Baryshnikov

"A study in balance and grace." -- The New York Times Book Review

From the legendary dance critic Deborah Jowitt, Errand into the Maze is the definitive biography of the visionary dancer and choreographer Martha Graham.

In the pantheon of American modernists, few figures loom larger than Martha Graham. One of the greatest choreographers ever to live, Graham pioneered a revolutionary dance technique--primal, dynamic, and rooted in the emotional life of the body--that upended traditional vocabulary and shaped generations of dancers and choreographers across the globe. Over her sweeping career, she founded what is now the oldest dance company in the country and produced nearly two hundred ballets, many of them masterpieces. And along the way, she engaged with the major debates, events, and ideas of the twentieth century, creating works that cut to the core of the human experience. Time magazine's "Dancer of the Century," and the first dancer and choreographer to be awarded the Presidential Medal of Freedom, Graham was a visionary artistic force and an international cultural figure: hers was the iconic face of what came to be known as modern dance.

From the renowned dance writer and former longtime critic for The Village Voice Deborah Jowitt, Errand into the Maze draws on more than a decade of firsthand research to deliver the definitive portrait of this titan. Beginning with Graham's childhood in Allegheny, Pennsylvania, and her early studies at the Denishawn School; weaving in her offstage adventures, including her relationship with her dancer and muse Erick Hawkins; and chronicling her retirement from dancing at age seventy-five and her remarkably productive final years, this elegant, empathetic biography portrays the artist in all her passionate complexity. Most important, Jowitt places Graham's creations at the heart of her story. Her works, brimming with raw intensity, are intimately linked with their creator, who played the heroine in almost all that she choreographed: Joan of Arc, Jocasta, Clytemnestra, and Judith, among others. In this volume, Graham is centerstage once more, and Jowitt casts a brilliant spotlight on her life and work.

Reviews (2)

Publisher's Weekly Review

Former Village Voice dance critic Jowitt (Jerome Robbins) delivers a rigorous, authoritative biography of legendary 20th-century dancer/choreographer Martha Graham (1894--1991). After a brief overview of Graham's Presbyterian upbringing in Allegheny, Pa., Jowitt jumps into Graham's early days as a dancer in California and New York and describes the "ferocious intensity" beneath her demure presentation. The author dismisses her subject's early work as tawdry fluff in the Orientalist style popular at the time (she highlights a wince-inducing early review boasting that Graham "can be more Indian than a native"), but suggests the passion and precision of those pieces laid the foundation for Graham's eventual artistic blossoming. "In relation to the work she made for herself and her company of women," Jowitt writes about the maturation of Graham's solo practice, "she was appropriating the right to strength and assertiveness in her art and to a seriousness that brooked no condescension." Jowitt's speculations on how Graham "must have" felt raises questions about the veracity of those insights, but the breadth of research on Graham's credits and creations--a laundry list of productions are conjured in eye-popping detail--wins out in the end. Fans will thrill to this comprehensive account of Graham's boundary-breaking work. (Aug.)

Kirkus Review

Portrait of a modern dance icon. Veteran dance critic Jowitt offers an authoritative, sensitive biography of the dancer and choreographer Martha Graham (1894-1991), who created more than 100 works and danced in most of them during a critically acclaimed career. In 1916, she enrolled at Denishawn, the school founded by Ted Shawn and Ruth St. Denis, who became important artistic influences. Within a few years, she was teaching dance. In 1923, she debuted on Broadway in The Greenwich Village Follies, and in 1926, she made her debut as the choreographer of her own company. Intellectually voracious, ambitious, and determined, "Graham at thirty-two," Jowitt writes, "manifested the focused energy of a tiger stalking a potential meal." That energy infused her dancing, which was stripped of what she called "decorative non-essentials." "All her movements," Jowitt notes, "pulsating on her strong legs, twisting against her stance, recoiling, thrusting--took place between her shoulders and her knees." The author chronicles the evolution of Graham's work; the literary, cultural, and musical sources that inspired her; critics' responses; and personal dramas. She had a long relationship with pianist and composer Louis Horst, who served as the music director of her company; her affair with Erick Hawkins, 15 years her junior, led to a short-lived marriage. To her students, she could be "both inspiring and a terror," as demanding of them as she was of herself. By the 1960s, she choreographed dance works without demonstrating steps; she "reluctantly retired as a performer in 1970." Resisting aging as long as she could, she underwent several facial surgeries and turned to alcohol. "She recovered from alcoholism, relapsed, was hospitalized, and recovered again," Jowitt reveals. "But only temporarily." Graham carefully honed a striking image: "thin, plain, gaunt, unadorned," a journalist for Mademoiselle wrote in 1937. "She looks like a New England school teacher come to town on a limited dress and food budget." Prodigious research informs an insightful biography. Copyright (c) Kirkus Reviews, used with permission.