The bandit queens : a novel /

Enhanced descriptions from Syndetics:

NATIONAL BESTSELLER * GOOD MORNING AMERICA BUZZ PICK * A young Indian woman finds the false rumors that she killed her husband surprisingly useful--until other women in the village start asking for her help getting rid of their own husbands--in this razor-sharp debut.

"A radically feel-good story about the murder of no-good husbands by a cast of unsinkable women."-- The New York Times Book Review (Editors' Choice)

Longlisted for the Andrew Carnegie Medal * A BEST BOOK OF THE YEAR: Shondaland, She Reads, CrimeReads

Five years ago, Geeta lost her no-good husband. As in, she actually lost him--he walked out on her and she has no idea where he is. But in her remote village in India, rumor has it that Geeta killed him. And it's a rumor that just won't die.

It turns out that being known as a "self-made" widow comes with some perks. No one messes with her, harasses her, or tries to control ( ahem, marry) her. It's even been good for business; no one dares to not buy her jewelry.

Freedom must look good on Geeta, because now other women are asking for her "expertise," making her an unwitting consultant for husband disposal.

And not all of them are asking nicely.

With Geeta's dangerous reputation becoming a double-edged sword, she has to find a way to protect the life she's built--but even the best-laid plans of would-be widows tend to go awry. What happens next sets in motion a chain of events that will change everything, not just for Geeta, but for all the women in their village.

Filled with clever criminals, second chances, and wry and witty women, Parini Shroff's The Bandit Queens is a razor-sharp debut of humor and heart that readers won't soon forget.

Excerpt provided by Syndetics

One The women were arguing. The loan officer was due to arrive in a few hours, and they were still missing two hundred rupees. Rather, Farah and her two hundred rupees were missing. The other four women of their loan group had convened, as they did every Tuesday, to aggregate their respective funds. "Where is she?" Geeta asked. No one answered. Instead, the women pieced their respective Farah sightings into a jigsaw of gossip that, to Geeta's ears at least, failed to align. Saloni--­a woman whose capacity for food was exceeded only by her capacity for venom--­goaded most of the conversation. "This isn't the first time," Priya said. "And you know it won't be the last," Saloni finished. When Preity mentioned she was fairly certain she'd seen Farah buying hashish, Geeta felt it best to nudge them to more prosaic matters. "Varunbhai is not going to like this." "Well, now we know where her money's going," Priya said. "Some devout Muslim." Saloni sniffed, the gesture dainty for a woman of her size. Lately she'd been attempting to rebrand her weight as evidence of her community status. Compounded with her preternatural talent for bullying, this guise worked on the women. But Geeta had known Saloni and her family since childhood--­when she ruled the playground rather than their loan group--­and could accurately attribute her heft to genetics betraying her in her thirtieth year rather than any posh mark of affluence. Ironic, considering Saloni had spent her first nineteen years perpetually malnourished, thin as paper, and just as prone to cut. She'd married well, curving into a stunning woman who'd reclaimed her slim figure after her firstborn, but hadn't managed the same after the second. Geeta listened to their rumors, observed how the women contributed and piled on, with clinical interest. This must've been the way they'd whispered about her after Ramesh left--­a fallen woman "mixed with dirt"--­then shushing each other when she approached, their lips peeling into sympathetic smiles as sincere as political promises. But now, five years after her husband's disappearance, Geeta found herself within the fold rather than shunned, thanks to Farah's absence. It was a dubious honor. Her fingers toyed with her ear. When she used to wear earrings, she would often check to make sure the backs were secure. The sharp but benign prick of the stud against her thumb had been reassuring. The habit lingered even after Ramesh vanished and she'd stopped wearing jewelry altogether--­no nose ring, no bangles, no earrings. Tired of the gossip, she interrupted the women's musings on Farah's defection: "If each of us puts in another fifty, we can still give Varunbhai the full amount." That got their attention. The room quieted. Geeta heard the feeble hum of her fan stirring the air. The flywheel's tight circles oscillated like a tiny hula hoop. The blades were ornamental; the heat remained thick and unforgiving. The fan hung from a strong cord Ramesh had tied in their old house. It'd been early in their marriage, so when he'd stumbled on the ladder, it had been okay to laugh--­he'd even joined her. Rage hadn't found Ramesh until their second year together, after her parents passed away. When she'd been forced to move into this smaller home, she'd tied the cord herself. A lizard darted up the wall in a diagonal before hiding in the lintel's shadow. Geeta's mother used to tell her not to be afraid, that they brought good luck. She itched to see it plop from the dark pocket onto one of the women--­preferably Saloni who was terrified of all animals except, inexplicably, spiders. The other two--­sisters Priya and Preity--­were neither kind nor cruel, but they deferred to their leader. Geeta could sympathize, having herself once served under Saloni. "No way," Saloni said. "It's Farah's problem." Geeta stared at the dark wall, willing the lizard to be a good sport. Nothing. "It's our problem," she snapped. "If we default, Varunbhai won't give us another loan next year." The women were somber; everyone knew the center extended loans to groups, not individuals. Then began a communal metamorphosis from fishwives to martyrs: the women spilled their excuses onto each other, all pushy contestants in a competition with no judge to rule as to who was the most aggrieved party. "I have to buy my kids' schoolbooks. They keep getting more expensive." Saloni's lips compressed. "But it's such a gift to be a mother." "We just bought another buffalo. My kids guzzle so much milk. I keep telling them 'if you're thirsty, drink water!' " Preity coughed. "But still, they bring me joy." "My boy needs medicine for his ear infection. He cries all the time." Priya hurried to add, "But there's no better blessing than a son." "Joys of motherhood," they murmured. "Such a privilege, na?" Preity and Priya were twins, formerly identical. The scars across Preity's face and neck shimmered like heat when she toggled her head in agreement. "What about you, Geetaben?" Saloni asked. Her upper arms were plump and wide, straining against her sari blouse's sleeves, but they then abruptly transitioned to the trim elbows and forearms of her youth. The two halves could've easily belonged to separate people. "Well, I don't have the joys of motherhood," Geeta said after the women were emptied of excuses. Her voice was patient, but her smile was feral. "But I do have the joys of sleep and money." No one laughed. The women looked at the ceiling, the fan, each other, the door, anywhere but at her. Geeta had long ago released the idea that one needed eye contact in order to feel seen. She'd grown accustomed to their discomfort around her; people didn't like being reminded that what you'd lost, they took for granted--­though Geeta no longer felt like Ramesh had robbed her of anything by leaving. There were times she wanted to tell the women that they could keep their blood-­sucking husbands, that she harbored no envy, coveted no part of their messy, small lives. It was true she no longer had friends, but she did have freedom. Another lizard skittered along the wall. While Geeta appreciated luck as much as anyone, she had no use for two lizards. It was said that if you happened across two lizards mating, you'd meet an old friend. If you saw them quarreling, you'd pick a fight with a friend instead. "I'll pay," she told the women, as she reached for the grass broom she kept in the corner. "I don't have children, I don't have a husband and I don't have a buffalo." She tickled the ceiling corner with the jhadu's stiff bristles. When that failed to cajole the lizards, she thumped the wall twice. Someone gasped at the loud sound. Priya scooted behind Saloni's larger frame as though Geeta were a threat. Which many assumed she was: a churel who, depending on the gossiper, gobbled children, rendered women barren or men impotent. That a woman had to have perished in order to return as a churel did little to staunch the village's rumors. Saloni blotted her upper lip with the back of her wrist. Fresh sweat bloomed quickly. She glared and Geeta could easily recall her at fourteen--­slender and haughty as she held court, hip jutting against a bicycle while the boys sighed. The lizard finally dropped from above--­alas, missing Saloni's disdainful face--­and scrambled for its bearings. With the broom, Geeta slapped the floor, herding it toward the open entrance. "Right," Saloni said. "So we agree: Geetaben will cover it. You'll settle it with Farahben later, correct." It was not a question. Given Saloni's stamp of oppressive approval, the others did not even pretend to mew or protest. Saloni's social weight was as robust as her physical. Her father-­in-­law was the head of the panchayat, the village council. Five years ago, when the government demanded their village observe the reservation system and elect a woman to fill one of the five council seats, Saloni was the obvious choice. In fact, these pre-­loan meetings were usually conducted at Saloni's house, but this week Geeta's empty home had been selected for reasons no one had bothered explaining to her. The twins stared at Geeta, wary, as though she were the death goddess Kali and her broom a sickle. She knew they were thinking of Ramesh, what had allegedly become of him at her hands. And just like that, she was no longer a part of the pack; they avoided her gaze and her touch as they handed her their money on their way out. Saloni alone met her eyes, and though Geeta recognized the scorn as easily as she would her own face, at least it was some manner of acknowledgment. A response, however negative, to the space Geeta occupied in this world, in their village, in their community. She slammed the door shut after the three of them. "No, no," she muttered effusively to no one. "Thank you." Excerpted from The Bandit Queens: A Novel by Parini Shroff All rights reserved by the original copyright owners. Excerpts are provided for display purposes only and may not be reproduced, reprinted or distributed without the written permission of the publisher.

Reviews provided by Syndetics

Library Journal Review

Veteran narrator Soneela Nankani takes Shroff's rave-worthy debut to the next level. A group microloan affords Geeta, Saloni, Farah, and twins Preity and Priya some independence, but the men in (and out of) their lives still define them, according to village custom. Even among the women, Geeta's husband Ramesh's questionable disappearance six years prior marks her as either pitiable or perhaps even dangerous. When Farah approaches Geeta for help dispatching her own abusive husband, Geeta can't bring herself to admit that Ramesh merely abandoned her. Accordingly, her reputation becomes fact, and Geeta is caught in an escalating series of violent "favors" to her loan group. Calling attention to the very real issues of misogyny, caste oppression, and bias against non-Hindu people in rural India, Shroff's first novel educates through morbid humor and vivid characters. The "Bandit Queen" Phoolan Devi is Geeta's role model for bravery (and vengeance), and a concluding author's note fills in the history behind this real-life legend for interested listeners. VERDICT From beginning to end, Nankani inhabits characters of all genders, castes, and faiths and applies impeccable comic timing for a funny, dramatic experience with broad appeal. Highly recommended for all public libraries.--Lauren Kage

Publishers Weekly Review

In Shroff's acerbic debut, a woman helps other women escape their abusive marriages in their small village in India, often through murder. Geeta's unearned reputation for having killed her physically abusive husband, Ramesh (he's not dead, he just ran off), prompts women to approach her for help. It's a fortuitous development for Geeta, who's become socially isolated after a fight with her lifelong friend Saloni, who's part of the microloan group that funds Geeta's jewelry business. As well, Geeta admires the legendary Bandit Queen, who exacted revenge on those who'd wronged her, and agrees to help a local named Farah kill her husband (Farah's first attempt backfired because she mistook hair growth pills for sleeping pills). Geeta also connects with widower Karem, a bootlegger, though not before costing him his livelihood by putting a stop to Karem's biggest buyer, Bada-Bhai (Bada-Bhai was cutting the booze with methanol and testing it on dogs, and Geeta frees the dogs). After Geeta adopts Bada-Bhai's sickest dog, whom she names Bandit, she begins allowing others into her life, including Saloni, which helps after Ramesh resurfaces. Shroff deals sharply with misogyny and abuse, describing the misery inflicted as well as its consequences in unflinching detail, and is equally unsparing in her depictions of mean-girl culture in the village. Readers are in for a razor-stuffed treat. (Jan.)

Booklist Review

Shroff's debut is a darkly hilarious take on gossip, caste, truth, village life, and the patriarchy. Geeta's abusive drunk of a husband disappeared five years ago, leaving her alone and destitute in a small village in India, where rumor has it that she did him in. Her reputation as a woman who "removed her own nose ring" protects her from various unpleasant attentions, and it's not long before other women in her microloan group seek her assistance removing their nose rings. Inspired by Phoolan Devi, "the Bandit Queen," who fought for the rights of women in India, Geeta engages the help of a handsome widower (and black-market liquor purveyor) and takes on a gangster from whom she steals a dog. Geeta inadvertently manages to facilitate a couple of husband disposals before her own spouse reappears, hoping to reconcile with her. As one of her beneficiaries tries to blackmail her and her long-estranged, childhood best friend becomes a source of support, Geeta endeavors to take her life back. A perfect match for fans of Oyinkan Braithwaite's My Sister, the Serial Killer (2018) and clever, subversive storytelling.

Kirkus Book Review

Bonds of sisterhood are forged through murders. When Geeta's husband, Ramesh, disappeared from their Indian village five years ago, he left her saddled with debt and the lingering rumor that she murdered him. Geeta simultaneously resents her dubious reputation, wields it to scare local children into compliance, and uses it to make up for her loneliness: "She wasn't respected here, but she was feared, and fear had been very kind to Geeta.'' Then Farah--a member of the microloan club Geeta belongs to along with fellow female entrepreneurs--has a proposal. Would Geeta help her remove her proverbial nose ring by murdering her abusive husband? While hesitant at first, Geeta ultimately agrees. But, of course, this murder does not go smoothly. From there follow a series of betrayals, the uncovering of an underground alcohol trade, and more murder proposals. Some of Shroff's attempts to insert serious discussions of abuse, misogyny, and class throughout the novel feel awkward, and the story could have used some editing (perhaps one less murder?). Still, if you can lean into the melodramatic slapstick nature of it all--villainous characters who pause midvillainy to explain that their nicknames are works in progress; characters who pause mid--hostage situation to wish each other a Happy New Year--the novel will reward you with occasional witty one-liners, tender moments of deep female friendship, and salient truths: "Because we're middle-aged housewives. Who's more invisible than us? We can get away with murder. Literally." Readers will appreciate--if not quite be riveted by--this tale of the strength of women in impossible situations. Copyright (c) Kirkus Reviews, used with permission.

Author notes provided by Syndetics

Parini Shroff received her MFA from the University of Texas at Austin, where she studied under Elizabeth McCracken, Alexander Chee, and Cristina García. She is a practicing attorney and currently lives in the San Francisco Bay Area. The Bandit Queens is her debut novel.