|
Brenner writes stories about likable characters and their relationships with family and friends. Her heartwarming tales take place in descriptive and atmospheric settings.
|
|
|
Cabot tells humorous stories that utilize formats like journals and emails.
These tales feature heartwarming tone, brisk pacing, and likable characters.
|
|
|
Gelman’s
Class Mom
series follows a single mother trying to juggle her various duties and relationships. The dialogue is well-crafted with plenty of wit and snark.
|
|
|
Harbison’s engaging books have relatable, everyday characters. Heroines deal with their daily problems and drama in amusing, upbeat ways.
|
|
|
Harms tells fast-paced stories with a warm and amusing tone. Her eccentric heroines tackle life’s difficulties with thoughtfulness and wit, while experiencing personal growth along the way.
|
|
|
Henry writes books filled with engaging dialogue and heartwarming romances. Her witty, complex stories are complemented by empathetic, likable characters who never sacrifice their authenticity.
|
|
|
Hoang’s stories celebrate diversity, understanding, and love without boundaries. The women in her stories experience personal growth by dealing with situations like culture clashes and social challenges.
|
|
|
Igharo’s books are centered on women coming into their own while dealing with complex family dynamics. The stories also offer a unique and engaging perspective of the lives of the Nigerian diaspora in North America.
|
|
|
Jalaluddin writes well-developed women who are independent and likable. Intricate plots are balanced with an upbeat tone and details about Muslim life in Canada.
|
|
|
Lalli writes banter-filled stories that explore the tradition and culture of relationships in East Indian families. Her protagonists are strong-willed, successful, and likable women.
|
|
|
Lauren’s characters are snarky, sassy, yet relatable women. These tales of unlikely attraction and love/hate relationships are told in stylish, engaging prose.
|
|
|
Moyes composes character-driven fiction featuring women on the path to self-discovery. The books are warm, moving, and insightful without being overly sentimental.
|
|
|
O’Leary’s books are filled with both dramatic situations and likable, quirky women. The engaging, witty dialogue adds extra depth to already well-developed characters and situations.
|
|
|
Santos writes heartwarming stories with descriptive narratives of both characters and setting. Her characters are unique and focused on their lives in the food industry.
|
|
|
Serle’s character-driven stories are as sardonic as they are moving. Her heroines are sympathetic women who drive their own stories and work through unexpected, almost magical scenarios.
|
|
|
Silver’s books center around flawed, sympathetic women dealing with situations like grief and second chances. The stories are both thoughtfully written and engaging.
|
|
|
Ward's compelling, character-driven novels deal with issues like immigration and dysfunctional families and weave in multiple points of view. They are populated with complex, sympathetic, and flawed characters.
|
|
|