Veronica Chambers

Before she became a warrior, Ida B. Wells was an incomparable flirt with a quick wit and a dream of becoming a renowned writer. The eldest child of newly freed parents who thrived in a community that pulsated with hope and possibility after the Civil War, Ida had a big heart, big ambitions, and even bigger questions: How to be a good big sister when her beloved parents perish in a yellow fever epidemic? How to launch her career as a teacher? How to make and keep friends in a society that seems to have no place for a woman who speaks her own mind? And – always top of mind for Ida – how to find a love that will let her be the woman she dreams of becoming?

Sarah Crossan

Ireland, 1846. Nell is working as a scullery maid in the kitchen of the Big House. Once she loved school and books and dreaming. But there's not much choice of work when the land grows food that rots in the earth. Now she is scrubbing, peeling, washing, sweeping for Sir Philip Wicken, the man who owns her home, her family's land, their crops, everything. His dogs are always well fed, even as famine sets in.

Upstairs in the Big House, where Nell is forbidden to enter, is Johnny Browning, newly arrived from England: the young nephew who will one day inherit it all. And as hunger and disease run rampant all around them, a spark of life and hope catches light when Nell and Johnny find each other.

Sarah Raughley

The year is 1862 and murderous desires are simmering in England. Nineteen-year-old Sarah Bonetta Forbes (Sally), once a princess of the Egbado Clan, desires one thing above all else: revenge against the British Crown and its system of colonial "humanitarianism," which stole her dignity and transformed her into royal property. From military men to political leaders, she’s vowed to ruin all who’ve had a hand in her afflictions. The top of her list? Her godmother, Britain’s mighty monarch, Queen Victoria herself.

Inspired by the true story of Sarah Forbes Bonetta, Queen Victoria’s African goddaughter.

Ona Gritz

It's the summer of 1970, and 15-year-old Jane is still reeling from the death of her father. She starts partying to deal with her grief, but a frantic call from her mother leads to her arrest. Jane awaits her hearing with hope, but instead she is sentenced to a yearlong stay at the New York State Training School for Girls. She faces bullying and solitary confinement, and all seems lost. Then she's introduced to the Racket, an underground world of gender role-play, romantic relationships, and chosen families the inmates have created. She befriends and develops deep feelings for fellow inmate Jo-Jo, who shares her love of music. Jane comes to appreciate the complex lives of people she never would have gotten to know on the outside—but she knows that her new family can be taken away in an instant.

Joy McCullough

For as long as she can remember, Carmela Tofana has desperately wanted one thing: to be allowed behind the counter of her mother’s apothecary in Campo Marzio, Rome. When she turns sixteen, she’s finally allowed into the inner sanctum: the workroom where her mother, Giulia Tofana, and two assistants craft renowned remedies for their customers. But for every sweet-smelling flower extract in the workroom, there’s another potion requiring darker ingredients. And then there’s Aqua Tofana, the apothecary’s remedy of last resort for husbands who are just as deadly as any disease. In all Carmela’s years of wishing to follow in her mother’s footsteps, she never realized one tiny vial could be the death of them all.

Gigi Griffis

When a series of brutal, mysterious deaths start plaguing the countryside and whispers of a beast in the mountains reach the quiet French hamlet of Mende, most people believe it’s a curse—God’s punishment for their sins. But to sixteen-year-old Joséphine and her best friend, Clara, the beast isn’t a curse. It’s an opportunity. For years, the girls of Mende have been living in a nightmare—fathers who drink, brothers who punch, homes that feel like prisons—and this is a chance to get them out. Using the creature’s attacks as cover, Joséphine and Clara set out to fake their friends’ deaths and hide them away until it’s safe to run. But escape is harder than they thought. If they can’t brave a harsh winter with little food… If the villagers discover what they’re doing… If the beast finds them first... Those fake deaths might just become real ones.