| Introduction: Welcome to the Party |
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ix | |
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1 | (12) |
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Recovering from Shattering Losses |
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13 | (6) |
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19 | (8) |
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A New Life Back in New York |
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27 | (7) |
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The Offer That Changed My Life |
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34 | (10) |
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44 | (9) |
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53 | (11) |
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64 | (8) |
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72 | (17) |
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89 | (11) |
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100 | (10) |
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110 | (15) |
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What Kind of Career Do I Want? |
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125 | (8) |
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From Santana to Springsteen |
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133 | (16) |
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Talent Raids and Finding the Company's Soul |
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149 | (14) |
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163 | (16) |
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Searching for a New Beginning |
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179 | (7) |
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186 | (6) |
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192 | (14) |
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206 | (14) |
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220 | (11) |
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231 | (10) |
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241 | (10) |
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Gil Scott-Heron and Ghostbusters |
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251 | (12) |
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Broadway, Soundtracks, and Comedy |
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263 | (8) |
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271 | (7) |
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278 | (19) |
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New Wave, Heavy Metal, and Eurythmics |
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297 | (10) |
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307 | (34) |
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Beyond the House That Barry Built |
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341 | (14) |
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Arista Pop Explodes... into Milli Vanilli |
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355 | (18) |
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Arista Nashville and New Country Music |
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373 | (12) |
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385 | (15) |
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400 | (12) |
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Sarah McLachlan, Ace of Base, and the Freewheeling Nineties |
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412 | (11) |
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423 | (12) |
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435 | (17) |
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452 | (10) |
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462 | (10) |
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Rod Stewart and the Great American Songbook |
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472 | (11) |
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Rock at the Dawn of the Twenty-first Century |
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483 | (15) |
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American Idol and Kelly Clarkson |
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498 | (19) |
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More on the Idol Franchise |
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517 | (19) |
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Accepting Change and Moving Forward |
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536 | (17) |
| Acknowledgments |
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553 | (2) |
| Index |
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555 | |